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There was no turning back... What has been done was done, and although Aquiles did not know how far he would go or what would happen, his world had undeniably changed. His curiosity, the double intentions, the hints, and the phrases with double meaning, had been left behind. Instead, that kiss had turned his straight man structure upside down. The armor Aquiles had put on to preserve himself and protect himself from something that even he knew, finally rusty and battered, had fallen. It was time to face the situation and accommodate his ideas to continue living a life that would surely not be the same. In this third book of the Aquiles’ saga, Gonzalo Narvreón continues to make us travel through captivating landscapes and situations, making us spectators of the internal conflicts that Achilles faces and the desire that grows in him. That feeling will tempt him to experiment and let himself be carried away into a new world, which until now was alien and unknown to him and in which he will probably discover sensations and pleasures that he never imagined being able to feel.
There was no turning back... What has been done was done, and although Aquiles did not know how far he would go or what would happen, his world had undeniably changed. His curiosity, the double intentions, the hints, and the phrases with double meaning, had been left behind. That kiss had turned his straight man structure upside down. The armor that Aquiles had put on to preserve himself and to protect himself from something that even he knew, finally rusty and battered, had fallen. It was time to face the situation and accommodate his ideas to continue living a life that would surely not be the same.
Breaking chains, building bridges: cooperation in upholding the rights of workers rescued from conditions analogous to slavery in Tocantins by Nathalia Canhedo Pdf
This work is the result of a master’s dissertation, but especially of the author’s concern to understand how, in the 21st century, we are still discussing degrading forms of labour without ever having actually freed ourselves from the chains of slavery experienced in centuries past. The state of Tocantins, as one of the Brazilian states that most often supplies slave labour, as well as importing this form of labour, has repercussions both domestically and internationally, which is why the study was justified. The north of Brazil, where the state of Tocantins is located, is a vast region with low levels of education, where many people live below the poverty line and with little state action, making it a favourable environment for workers to be recruited in slavery-like conditions. However, modern slavery has much deeper roots than can be measured and was only formally extinguished by political and economic interests, which contributes to the fact that even today the issue is the subject of worldwide studies and criticism, since the marginalised class of yesteryear has become the modern slaves of today. Unfortunately, history proves that the abolition of slavery was due to British pressure on Brazil to establish a new society: the consumer society. In other words, the new type of society would require products to be commercialised, but above all people to consume them, which justified the end of slavery. However, the end of slavery did not really mean the end of the exploitation of human labour power, because the excluded class of former slaves formed the marginalised class of modern Brazilian society, as they were left at the mercy of a capitalist system that was not inclusive and had no real opportunities for social mobility. Thus, this class of workers defined the future of their generations in which the barriers of social injustice and non-belonging could never be overcome because labour for the former slaves was never an emancipating mechanism, marking secular social injustices that continue to this day. The truth is that freed slaves, especially black, poor and illiterate slaves, started to be chained in other ways, especially those that caused physical and emotional illness, because they had to be subjected to degrading work due to the lack of education, culture and opportunities, making the same slave society of ancient times persist, but in a new guise. The slave of precision, that is, the individual who faces the absence of opportunities to achieve basic survival, becomes the worker in conditions similar to slavery by accepting work in precarious and humiliating conditions for personal and family needs given the demands of the capitalist world, creating a favourable environment for the perpetuation of modern slavery. Therefore, it is against this backdrop that the study of labour in conditions analogous to slavery becomes fundamental so that one day we can actually put an end to this vicious cycle from the perspective of coordinated actions between the various bodies that are responsible at the domestic legal level for combating and eradicating neo-slavery once and for all.
Sailing Directions for South America: West coast, from Panama-Colombia border to Cabo Tres Montes, Chile including off-lying islands by United States. Naval Oceanographic Office Pdf
Photographing the Mexican Revolution by John Mraz Pdf
The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
The War That Killed Achilles by Caroline Alexander Pdf
The Iliad is still the greatest poem about war that our culture has ever produced. For a hundred generations, poets and thinkers in the West have pored over, retold and argued about the events described in this martial epic, even when direct knowledge of it was lost. Various empires have admired it as a book that in telling the story of the siege of Troy also extols the warrior ethic, and teaches the young how to die well. Yet the figure at the heart of the epic, the consummate warrior Achilles, is a brooding, controversial hero. He is a fierce critic of those who have started this war and allowed it to drag on, consuming soldiers and civilians alike. Disconcertingly, The Iliad portrays war as a catastrophe that destroys cities, orphans children and wrecks whole societies. Caroline Alexander's extraordinary book is not about any of the traditional concerns that have occupied classicists for centuries. It is simpler and more radical than that. In her words, 'This book is about what the Iliad is about; this book is about what the Iliad says of war.'
An original and groundbreaking book that examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder. In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder. A classic of war literature that has as much relevance as ever in the wake of the wars in Iraq and Afghanistan, it is a “transcendent literary adventure” (The New York Times) and “clearly one of the most original and most important scholarly works to have emerged from the Vietnam War” (Tim O’Brien, author of The Things They Carried).
