Architecture Design And Craft In Toronto 1900 1940
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"Architecture, Design and Craft in Toronto 1900-1940 " by Alla Myzelev Pdf
Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.
Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- Notes on contributors -- Acknowledgements -- 1 Introduction: the persistence of the White Cube paradigm -- 2 Textiles on display, 1941-1969 -- 3 Crafting Koreanness: how Korean national identity became interwoven with the handmade object in the twentieth century -- 4 Within the guilded cage -- 5 Curatorial strategies that remain true to the craft object -- 6 Quiet revolution: contemporary curatorial approaches to ceramics in the White Cube -- 7 Jewellery can be worn too -- 8 Store/museum -- 9 'I could have visited Ikea for free': design museums and a complicated relationship with commerce -- 10 Outside the White Cube -- 11 Afterword: breaking free? -- Index
The Routledge Companion to Art Deco by Bridget Elliott,Michael Windover Pdf
Scholarly interest in Art Deco has grown rapidly over the past fifty years, spanning different academic disciplines. This volume provides a guide to the current state of the field of Art Deco research by highlighting past accomplishments and promising new directions. Chapters are presented in five sections based on key concepts: migration, public culture, fashion, politics, and Art Deco’s afterlife in heritage restoration and new media. The book provides a range of perspectives on and approaches to these issues, as well as to the concept of Art Deco itself. It highlights the slipperiness of Art Deco yet points to its potential to shed new light on the complexities of modernity.
The Male Body in Representation by Carmen Dexl,Silvia Gerlsbeck Pdf
This international and multidisciplinary volume focuses on the male body and constructions of gender in a variety of cultural productions and formats. Locating the subject matter in relevant theoretical fields, it looks at representations of male bodies in various contexts through paranoid and reparative lenses. Organized into four major sections, the contributions assembled in this book feature engaging readings of ‘non/conforming bodies’, ‘fashionable bodies’, ‘passing bodies’, and ‘pioneering bodies’ that to different degrees foreground their critical and creative potentials. In its full scope, the book acknowledges the plurality of gendered experiences and the diversity of male bodies. The Male Body in Representation: Returning to Matter adds to Cultural Studies scholarship interested in the body and gender in general and contributes to the fields of Masculinity and Body Studies in particular.
This innovative collection emphasises the contribution of women to the resolution of conflicts through the means of nonviolent tools. It discusses their achievements and their tactics, bringing together international scholars to draw on intersectionality as an important methodological tool in the analysis of the work of many outstanding women from diverse countries such as Yemen, Nigeria, Russia, India and the USA. The focus of this volume is the impact of women successfully building peace though nonviolent means. It also provides a study of how, and why, gender matters in the contemporary world, and will serve the needs of students and scholars in peace and conflict resolution studies, women’s studies, international development, political science, history and sociology.
Casa Loma by Matthew M. Reeve,Michael Windover Pdf
Leading architect E.J. Lennox designed Casa Loma for the flamboyant Sir Henry Pellatt and Mary, Lady Pellatt as an enormous castellated mansion that overlooked the booming metropolis of Toronto. The first scholarly book dedicated to this Canadian landmark, Casa Loma situates the famous “house on the hill” within Toronto’s architectural, urban, and cultural history. Casa Loma was not only an outsized home for the self-appointed “Lord Toronto” but a statement of Canada’s association with empire, an assertion of the country’s British legacy. During and after the Pellatts’ occupation, Casa Loma was a major landmark, and it has since infiltrated the iconography and collective memory of the metropolis. The reception of Casa Loma, variously loved and abhorred by Torontonians, reflects many of Toronto’s major aspirations and anxieties about itself as a modern city. Across ten chapters, this book charts the history of Casa Loma from the purchase of the estate atop Davenport Ridge in 1903 and its construction from 1906, through to its sale and the dispersal of its contents in 1924, its subsequent life as a hotel, and finally its transformation into one of the city’s major entertainment venues. Casa Loma brings to light a wealth of hitherto unpublished archival images and documentation of the house’s visual and material culture, weaving together a textured account of the design, use, and life of this unique building over the course of the twentieth century.
Founded in 1913, the Faculty of Architecture at the University of Manitoba was one of the earliest architecture programs in Canada. With a reputation for providing a solid Beaux-Arts education, and with the promotion of John A. Russell to the position of Dean, the school became a leader in North America for disseminating Modernist principles. Russell, an American trained at MIT, immediately began hiring first-rate faculty internationally, including James Donahue, who studied under Gropius at Harvard; Wolfgang Gerson, who trained in Bristol; and the Scottish Jim Christie. Russell also encouraged his students to do graduate work at top schools around the world, including working with London's Arup Associates--the firm responsible for the engineering of the Centre Georges Pompidou--and Mies van der Roche, at the Illinois Institute of Technology. The direct influence of Mies in Winnipeg resulted in an extraordinarily large number of buildings that are characterized by a strict adherence to the Modernist principles of truth to material, structural expression, and purity of form. Vivid and stylish,
Sandra Flood,Canadian Centre for Folk Culture Studies,Canadian Museum of Civilization
Author : Sandra Flood,Canadian Centre for Folk Culture Studies,Canadian Museum of Civilization Publisher : Hull, Quebec : Canadian Museum of Civilization Page : 364 pages File Size : 40,9 Mb Release : 2001 Category : Architecture ISBN : STANFORD:36105110338626
Canadian Craft and Museum Practice, 1900-1950 by Sandra Flood,Canadian Centre for Folk Culture Studies,Canadian Museum of Civilization Pdf
This highly readable account presents the first overview of craft activity as an integral part of Canadian culture between 1900 and 1950, and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organizations, education, and government involvement. The history of museums and their lack of response to this major component of Canadian culture combined with the fate of various craft collections raise important, ongoing questions.
True Nordic by George Baird,Rachel Gotlieb,Michael Propokow,Mark Kingwell Pdf
"True Nordic" presents a comprehensive look at more than nine decades of Nordic and Scandinavian aesthetic influence in Canadian craft, design and industrial production. The book offers a broad historical survey of Canadian-made ceramics, furniture, textiles and metalware inspired by the aesthetics of Denmark, Norway, Sweden, Finland and Estonia. The design culture and movements of the Nordic countries have been the most significant in the development of Canadian design sensibility since 1920. Scandinavian design resonated with Canadians and was viewed as appropriate for the realities of domesticity and modernizing life. Praised for its material sensitivity and regarded as both modern and humble, progressive but quiet, Scandinavian and Nordic design resonated with Canada's ongoing efforts to find a fitting stylistic and culturally appropriate language. "True Nordic" includes essays from George Baird, Rachel Gotlieb, Mark Kingwell and Michael Prokopow.
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
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