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Asmara by Edward Denison,Guang Yu Ren,Naigzy Gebremedhin Pdf
Asmara, the capital of the small East African country of Eritrea, bordering the Red Sea, is one of the most important and exciting architectural 'discoveries' of recent years. Built almost entirely in the 1930s by the Italians, who transformed it into a hotbed of radical architectural innovation, Asmara has one of the highest concentrations of Modernist architecture anywhere in the world. This superb building-by-building survey, illustrated with previously unpublished archival material and specially commissioned photography, chronicles the colonial past and remarkable survival of a city that has evocatively been described as "the Miami of Africa."
Architecture in Asmara by Peter Volgger,Stefan Graf Pdf
The ancient city of Asmara is the capital of Eritrea and its largest settlement. Its beautiful architecture was rediscovered by outsiders in the early 1990s. In this book, the authors offer an original analysis of the colonial city, providing a history not only of the physical and visible urban reality, but also of a second, invisible city as it exists in the imagination. The colonial city becomes a fantastical set of cities where each one reflects the others as if in a kaleidoscope. This book breaks new ground and moves us a little further along in the attempt to decipher Asmara in terms of contemporary theory. The book brings together scholars from a multiplicity of disciplines who have shown the ways in which colonial and postcolonial criticism has served as a platform for new, diversified readings of Asmara. The book examines the current realities of Asmara in order to address the continuing effects of the legacy of colonialism upon the city dwellers.
Asmara, the capital of Eritrea, has one of the most extensive surviving ensembles of modernist architecture in the world. To this day, the influence of the former colonial power of Italy from the early 20th century remains visible. Many of the buildings, erected in the futuristic, expressionist, cubist or rationalistic style have been preserved and dominate the cityscape of Asmara. UNESCO is considering to make the city a World Heritage Site in recognition of its outstanding modernist architecture. The impressive photographs by Stefan Boness convey the unique atmosphere of Asmara as a living museum of modernity. New, changed and revised edition of Asmara - The Frozen City (2006)
Asmara by Edward Denison,Guang Yu Ren,Naigzy Gebremedhin Pdf
Asmara, the capital city of Eritrea, is one of the most exciting architectural `discoveries' of recent years: built almost entirely in the 1930s by the Italians, it became a prime location for architectural innovation. This groundbreaking and superbly illustrated study reveals the full extent of Asmara's remarkable survival and confirms its status as one of the world's finest Modernist cities.
Modern Architecture and its Representation in Colonial Eritrea by Sean Anderson Pdf
Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy’s colonia primogenità or 'first born colony', Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, the colony became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism, literature and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture inscribed Eritrean subjectivities while redefining technologies that affected constructions of the colonial interior. Modern Architecture and its Representation in Colonial Eritrea demonstrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.
Modern Architecture and its Representation in Colonial Eritrea by Sean Anderson Pdf
Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy’s colonia primogenità or 'first born colony', Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, the colony became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism, literature and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture inscribed Eritrean subjectivities while redefining technologies that affected constructions of the colonial interior. Modern Architecture and its Representation in Colonial Eritrea demonstrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.
Asmara - an urban history by Belula Tecle-Misghina Pdf
Like any city, Asmara, a young city even by the standards of young African capitals, is a stage set where the drama of history has unfolded in the most intense and eloquent manner. The territory of Asmara stands at the edge of a space of almost mythical civilisations, ancient religions and proud empires. It is also a natural acropolis in the vastness of Africa, an astoundingly high crest that looks down from above on the coast of the “Eritrean” sea, coming to a halt where the Afar Rift expands and, year after year, rips into the heart of Africa where lions and gnus still roam free. However, in its body, and thus in its history, Asmara is also a fragment of Europe, imported atop the undulating highlands of Hamasien by the presumption of the most fragile and thus most presumptuous of colonial nations: Italy. Less than 130 years later history appears to have intentionally concentrated a host of events, projects, interests, delusions, conflicts and hopes in Asmara that, within the vaster expanses of historical time could have filled dozens of centuries. These metamorphoses were similar to immense waves lapping at a resistant soil, introducing and withdrawing diverse foreign armies, peoples, languages and cultures; and adversities. The results of so much labour have forged the identity of Eritrea, jealously defended for decades, and jealously guarded to this day. Looking carefully in libraries, among printed works dedicated to particular aspects of this identity – numerous and some very important – it is impossible to find a history of Eritrea that is scientifically complete and up to date. This is a serious shortcoming. Yet everything has remained impressed upon the land and, even more eloquently, on the city, on the face and limbs of Asmara. Hence the reconstruction, like that made by the author of this book, of the difficult process of planning the city signifies not only restoring, similar to an animation, the history of the complex growth of an urban organism. Lucio Valerio Barbera UNESCO Chairholder in “Sustainable Urban Qaality and Urban Culture, notably in Africa”, Sapienza Università di Roma At the end of the Thirties, from Naples to Massawa (the ‘Port of Empire’, since 1890 an important commer-cial base and natural access point for anyone wishing to reach Asmara and the Eritrean uplands), the voyage took five days; from the port one could reach the capital of the Colony by train, on an intrepid mountain rail-way, or by a motor road, Road n° 1 from Dogali – Asmara was only 120 km away. If one wanted to make the journey by air, it took three and a half days, thanks to the ‘Empire Line’, which involved taking a seaplane from the Carlo Del Prete base in Ostia to Benghazi in Libya, and then a plane to the Umberto Maddalena Airport in Asmara, with stops at Cairo, Wadi Haifa, Khartoum and Càssala, on the Sudanese border. And right next door to the Airport stood the Teleferica Massawa-Asmara, an extraordinary cableway for transporting goods up on to the plateau, at a height difference of 2,326 metres; the cableway had been built in two years, between 1935 and 1937, and at a length of 75 km, was the longest industrial cableway system in the world. It could move in one day the equivalent of thirty train loads, but it was at its full operational capacity for only a few years: in 1941 it was damaged in the war with the British, and ten years later, when Eritrea became a British Protectorate, it was unexpectedly decided to dismantle it. capital of the new country. These events act as a backdrop and form a solid framework for Tecle Misghina’s research – which is not only meticulous but emotionally involved – of which this book is a well-documented summary. Her research is important in that it reconfigures and puts in order various documents, both known and unpublished, in order to build up a chronology and an armoury of references that are indispensable for anyone wishing to carry out further studies on the Eritrean capital. For a project developed within a Doctoral programme, this is, in my opinion, the most important outcome of her research. Piero Ostilio Rossi, Director of the Department of Architecture and Design, Sapienza Università di Roma
The Routledge Companion to Italian Fascist Architecture by Kay Bea Jones,Stephanie Pilat Pdf
Today, nearly a century after the National Fascist Party came to power in Italy, questions about the built legacy of the regime provoke polemics among architects and scholars. Mussolini’s government constructed thousands of new buildings across the Italian Peninsula and islands and in colonial territories. From hospitals, post offices and stadia to housing, summer camps, Fascist Party Headquarters, ceremonial spaces, roads, railways and bridges, the physical traces of the regime have a presence in nearly every Italian town. The Routledge Companion to Italian Fascist Architecture investigates what has become of the architectural and urban projects of Italian fascism, how sites have been transformed or adapted and what constitutes the meaning of these buildings and cities today. The essays include a rich array of new arguments by both senior and early career scholars from Italy and beyond. They examine the reception of fascist architecture through studies of destruction and adaptation, debates over reuse, artistic interventions and even routine daily practices, which may slowly alter collective understandings of such places. Paolo Portoghesi sheds light on the subject from his internal perspective, while Harald Bodenschatz situates Italy among period totalitarian authorities and their symbols across Europe. Section editors frame, synthesize and moderate essays that explore fascism’s afterlife; how the physical legacy of the regime has been altered and preserved and what it means now. This critical history of interpretations of fascist-era architecture and urban projects broadens our understanding of the relationships among politics, identity, memory and place. This companion will be of interest to students and scholars in a range of fields, including Italian history, architectural history, cultural studies, visual sociology, political science and art history.
This is a unique and exquisite collection of photographs of Asmara, the capital of Eritrea, illustrated with poetry by one of Eritrea?s leading writers, in the original language, and translated into English. Containing erudite and accessible explanatory narratives of the history, culture, economic, linguistic and spiritual life of the peoples of Eritrea, this is a rare publication to emanate from this fascinating, but little-known and historically isolated country. The book testifies to the rich blend of African, Arabic and European influences that shape the identity of the city. It exposes the sensual and aesthetic nature of the indigenous culture, and rich heritage of modernist architecture from the 1930s, as well as the less savoury Italian fascist legacy from the same period that still influences the culture and languages of the peoples today.
Modernist Art in Ethiopia by Elizabeth W. Giorgis Pdf
If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.
Global Heritage Assemblages by Christoph Rausch Pdf
UNESCO aims to tackle Africa’s under-representation on its World Heritage List by inscribing instances of nineteenth- and twentieth-century modern architecture and urban planning there. But, what is one to make of the utopias of progress and development for which these buildings and sites stand? After all, concern for ‘modern heritage’ invariably—and paradoxically it seems—has to reckon with those utopias as problematic futures of the past, a circumstance complicating intentions to preserve a recent ‘culture’ of modernization on the African continent. This book, a new title in Routledge’s Studies in Culture and Development series, introduces the concept of ‘global heritage assemblages’ to analyse that problem. Based on extensive anthropological fieldwork, it describes how various governmental, intergovernmental, and non-governmental actors engage with colonial and post-colonial built heritage found in Eritrea, Tanzania, Niger, and the Republic of the Congo. Rausch argues that the global heritage assemblages emerging from those examples produce problematizations of the modern’, which ultimately indicate a contemporary need to rescue modernity from its dominant conception as an all-encompassing, epochal, and spatial culture.
IMAGES (III) - Images of the City by Veronika Bernard,Hatice Övgü Tüzün Pdf
IMAGES deals with the discourse of cultural encounters within the con-text of social co-existence. The project defines "discourse of cultural encounters" as the discourse within the context of cultural encounters, and as the discourse on cultural encounters. Within this scope, the project deals with both verbal and non-verbal communication and focuses on the thematic fields of cultural encounter, poverty, and migration. This volume thus offers readers a cross-section of current research both on the perception of urbanity and on contemporary and historical representations of the city coming from a variety of fields in people's daily lives.
Ecosystem Services for Urban Water Security by Blal Adem Esmail,Davide Geneletti Pdf
The book addresses the challenges of urban water security and adaptive management in Sub-Saharan Africa, exploring and interlinking novel concepts of ecosystems services, watershed investments, and boundary work. Specifically, the book’s goals are to (i) present a conceptual framework for the urban water sector from an ecosystem services perspective, highlighting the specificities of the Sub-Saharan context; (ii) develop an operational approach to designing and assessing the impacts of watershed investments, based on ecosystem services and boundary work; and (iii) test the approach through a case study in Asmara, Eritrea, and discuss the findings and lessons learned that can be applied in other contexts. Through a fully worked out case study, from identification of water challenges and opportunities to spatially explicit modelling, the book offers a sound and accessible, coverage of issues and proposed solutions to better operationalize ecosystem services, watershed investments and boundary work, to promote adaptive management, and achieve water security in the context of rapidly developing cities in Sub-Saharan Africa. The book is an effective tool for capacity building of diverse stakeholders on the urban water sector, including water managers, local and national policy-makers as well as a suitable resource for both undergraduate and post-graduate courses in planning and geography.