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First survey of modernist and contemporary architecture and interiors in the richly layered architectural history of Santa Fe Santa Fe Modern reveals the high desert landscape as an ideal setting for bold, abstracted forms of modernist houses. Wide swaths of glass, deep-set portals, long porches, and courtyards allow vistas, color, and light to become integral parts of the very being of a house, emboldening a way to experience a personal connection to the desert landscape. The architects featured draw from the New Mexican architectural heritage--they use ancient materials such as adobe in combination with steel and glass, and they apply this language to the proportions and demands exacted by today's world. The houses they have designed are confident examples of architecture that is particular to the New Mexico landscape and climate, and yet simultaneously evoke the rigorous expressions of modernism. The vigor and the allure of modern art and architecture hearten each other in a way that is visible and exciting, and this book demonstrates the synergistic relationship between art, architecture, and the land.
Santa Fe Art and Architecture by Lyn Bleiler,Charles Strong Pdf
The oldest capital city in the United States is Santa Fe, which has a rich and varied cultural history as well as the oldest public building still in use. Ancestral Puebloan Indians inhabited the area as early as 500 AD, and Spanish explorers arrived in the early 1540s. When Mexico gained independence from Spain, Santa Fe became the capital of Nuevo Mejico. It was not until 1912 that New Mexico achieved statehood. In the late 19th century, the Southwest became a haven for tuberculosis patients, and a number of sanatoriums were built in Santa Fe. Many creative individuals, including poets, artists and architects, stayed and significantly contributed to the city's cultural and architectural development. In 2005, Santa Fe received the distinction of being the first America community to be designated a "Creative City" by UNESCO.
Santa Fe Style by Christine Mather,Sharon Woods Pdf
Now in paperback comes an exploration of the origins and current manifestations of style in Santa Fe, from the ancient inspiration of the Canyon de Chelly to the architectural innovations of Frank Lloyd Wright and his contemporaries. 450 illustrations, 220 in color.
The Santa Fe Scottish Rite Temple by Wendy Waszut-Barrett,Jo Whaley Pdf
This beautiful book tells the story of jewelry in New Mexico, tracing its use as an adornment from prehistory to the present. Featuring three hundred objects produced by artists representing many cultures and backgrounds.
"Rice's work has not only become interwoven with the historic fabric of Southern California's built environment, but also represents eco-conscious design that is relevant today."--Dust jacket.
Santa Fe Style by Christine Mather,Sharon Woods Pdf
An exploration of the origins and current manifestations of style in Santa Fe, from the ancient inspiration of the Canyon de Chelly to the architectural innovations of Frank Lloyd Wright and his contemporaries. 450 illustrations, 220 in color.
Adobe Architecture by Myrtle Stedman,Wilfred Stedman Pdf
Dreaming of building an adobe home? This classic guide, with floor plans ranging from a small casita to larger ones gives 18 comprehensive period designs for the traditional adobe (the earthern "bricks" used all over the world) house adapted to building materials, plumbing, heating and small lot sizes of today. Thousands of readers have found this a valuable handbook. The authors also venture into actual adobe brick-making, construction techniques, furnishing, even how to make a horno, a traditional Indian oven. Illustrated, detailed diagrams, house plans. The first seeds for the concept for this book on adobe architecture were sown as early as 1916, when Wilfred Stedman was a student at the Art Students League in New York City. It was there that he saw Ernest Blumenschein and Bert Phillips' paintings of adobe homes in villages in and around Taos and Santa Fe, New Mexico. When in the early 1920s and 1930s Wilfred and Myrtle came to see and experience this area for themselves, they met Mary Austin, Alice Corbin Henderson, Will Shuster, Frank Applegate, Josef Bakos and Mabel Dodge Luhan-all famous artists and writers of that time. These people made themselves and their friends from all over the world feel at home in this vernacular architecture. While nowhere in the United States is the Earth Building spirit as revered as in Santa Fe and Taos, new interest is spreading all over the world. New research and new technology is being combined with the traditional in keeping with an overall awakening to the natural resources and beauty of our planet and with a new personal sense of responsibility on the part of individuals in regard to better planning in the use of these. There is a new sense of joy in finding out how much one can do oneself with natural materials. * * * * * Myrtle Stedman was known as an "Artist in Adobe," designing, building, and remodeling adobe homes under a contractor's license. She was also a well-known artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school. Her English born husband, Wilfred Stedman, whose background was in architecture as well as in painting and illustrating was recognized as one of the most outstanding artists of the American Southwest. Adobe architecture in New Mexico was one of Wilfred's favorite topics of conversation and Myrtle was instilled with the love of adobes from the moment they were married. After his death in 1950, Myrtle went on to become one of the foremost authorities on adobe construction. Myrtle Stedman was a member of PEN New Mexico, a branch of PEN Center USA West of International PEN and believed that there is no end to what the mind can do with the eye and hand, in time and in spirit. She is also the author of "Artists in Adobe," "A House Not Made With Hands," "Adobe Remodeling and Fireplaces," "Of One Mind," "Of Things to Come," "Ongoing Life," "Rural Architecture," "The Ups and Downs of Living Alone in Later Life," and "The Way Things Are or Could Be," all from Sunstone Press.
"The first book to survey the historic architectural styles in Santa Fe from the seventeenth through the mid-twentieth centuries, The Santa Fe House presents in detail forty architecturally rich and picturesque houses, from the earliest one-story adobe structures, with flat roofs and an emphasis on utility and simplicity, to homes of today's "Santa Fe style," showing deep roots in Pueblo Indian, Spanish, Mexican, and Anglo traditions. When New Mexico was claimed for the United States in 1846 newcomers gradually added decorative elements from back east, creating a simplified version of the Greek revival style, known locally as the "Territorial style." The advent of the railroad brought a variety of ornate Victorian architectural styles, and when New Mexico achieved statehood in 1912, business and political leaders in Santa Fe boosted tourism by promoting its "Spanish-Pueblo Revival style" of architecture, which was based on the remaining Spanish- and Mexican-era buildings and nearby Pueblo villages." "All-new color photographs show Santa Fe's most beautiful houses as they have been carefully preserved today. With historic black and white images, maps, drawings, and other original illustrations that further enhance the architectural story of this hugely popular destination, this book is perfect for the tourists who flock to Santa Fe and to homeowners who covet the enduring adobe house style." --Book Jacket.
Debunks the great tourist myth, and explains how the Santa Fe architectural and design style, so popular with millions of visitors today, was consciously created by Anglos in the early 20th century.
Santa Fe's Historic McKenzie Neighborhood by Victoria Rogers,Cal Haines Pdf
Speaking to lovers of art, Santa Fe, historic architecture, guidebooks, and books as art, this text illuminates the diverse period-architecture found in a simple crisscross of seven streets in the historic McKenzie Neighborhood, just a five-minute walk from the downtown Plaza, bordered by the Georgia O'Keeffe Museum on Johnson Street.
