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Aristophanes' Male and Female Revolutions by Kenneth M. De Luca Pdf
In Aristophanes' Male and Female Revolutions author Kenneth M. De Luca offers a detailed study of two of Aristophanes' plays and reveals how each illuminates the other and the question of the rule of law through the lens of democracy. De Luca uses classical thought to clarify contemporary and foundational issues in political theory.
Aristophanes and Women (Routledge Revivals) by Lauren K. Taaffe Pdf
Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian’s ‘women plays’ in an attempt to discern why they were in fact probably quite funny to their original audiences. It is argued that modern students, scholars, and dramatists need to consider much more closely the conditions of the plays’ ancient productions when evaluating their ostensible themes. Three plays are focused upon: Lysistrata, Thesmophoriazusae, and Ecclesiazusae. All seem to speak quite eloquently to contemporary concerns about women’s rights, the value of women’s work, and the relationships between women and war, literary representation and politics. On the one hand, Professor Taaffe tries to retrieve what an ancient Athenian audience may have l appreciated about these plays and what their central theses may have meant within that culture. On the other hand, Aristophanes is discussed from the perspective of a late twentieth-century, specifically female, reader.
The Political Theory of Aristophanes by Jeremy J. Mhire,Bryan-Paul Frost Pdf
Examines the political dimensions of Aristophanes comic poetry. This original and wide-ranging collection of essays offers, for the first time, a comprehensive examination of the political dimensions of that madcap comic poet Aristophanes. Rejecting the claim that Aristophanes is little more than a mere comedian, the contributors to this fascinating volume demonstrate that Aristophanes deserves to be placed in the ranks of the greatest Greek political thinkers. As these essays reveal, all of Aristophanes plays treat issues of fundamental political importance, from war and peace, poverty and wealth, the relation between the sexes, demagoguery and democracy to the role of philosophy and poetry in political society. Accessible to students as well as scholars, The Political Theory of Aristophanes can be utilized easily in the classroom, but at the same time serve as a valuable source for those conducting more advanced research. Whether the field is political philosophy, classical studies, history, or literary criticism, this work will make it necessary to reconceptualize how we understand this great Athenian poet and force us to recognize the political ramifications and underpinnings of his uproarious comedies.
Lysistrata is a comedy by Aristophanes. Originally performed in classical Athens in 411 BC, it is a comic account of one woman's extraordinary mission to end the Peloponnesian War. Lysistrata persuades the women of Greece to withhold sexual privileges from their husbands and lovers as a means of forcing the men to negotiate peace—a strategy, however, that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society.[citation needed] Additionally, its dramatic structure represents a shift from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as the Thesmophoriazusae, another play with a focus on gender-based issues, just two years after Athens' catastrophic defeat in the Sicilian Expedition.
The Chorus of Drama in the Fourth Century BCE by Lucy C. M. M. Jackson Pdf
The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles. Set in the context of a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral performers and the significance of their contribution to the shape and meaning of drama in the later Classical period (c.400-323) as a whole is an intriguing and under-explored area of enquiry. This volume draws together the fourth-century historical, material, dramatic, literary, and philosophical sources that attest to the activity and quality of dramatic choruses and, having considered the positive evidence for dramatic choral activity, provides a radical rethinking of two oft-cited yet ill-understood phenomena that have traditionally supported the idea that the chorus of drama 'declined' in the fourth century: the inscription of χοŕο*u~ με ́λο*s in papyri and manuscripts in place of fully written-out choral odes, and Aristotle's invocation of embolima (Poetics 1456a25-32). It also explores the important role of influential fourth-century authors such as Plato, Demosthenes, and Xenophon, as well as artistic representations of choruses on fourth-century monuments, in shaping later scholars' understanding of the dramatic chorus throughout the Classical period, reaching conclusions that have significant implications for the broader story we wish to tell about Attic drama and its most enigmatic and fundamental element, the chorus.
In this controversial new book, Christopher A. Colmo offers a view of the 10th century Arab philosopher Alfarabi that draws attention to a previously unremarked aspect of his philosophic project. Colmo argues that as a philosopher Alfarabi felt compelled to question the philosophic tradition as deeply as he might question religious tradition, and this he did with such power and brilliance that the result was a new philosophic perspective. With unique access to both Islamic and pagan philosophical traditions, Alfarabi took the side of Greek philosophy as representative of human reason and defended its ultimate autonomy. However, Alfarabi went further, moving away from Plato and Aristotle's vision of philosophy as divine to an understanding of philosophy in a way that allowed it to be seen as knowledge and action in the service of human power and happiness. Alfarabi offers a powerful new answer to the question, why philosophy? His subtle defense of and debate with the ancients raises questions of hermeneutics as well as substantive questions of philosophy, politics, and theology. Breaking With Athens sheds new light on Alfarabi's enduring answers to perennial questions, making it essential for students of philosophy, political science, theology, and the history of ideas.
Political Philosophy Comes to Rick's by James F. Pontuso Pdf
Political Philosophy Comes to Rick's focuses on reading one of the world's most watched films, Casablanca, politically. Contributors contend that the popularity of the film lies in its ability to present American civic culture, the American character, if you will, in a thoughtful, dramatic, and enduring way.
This volume brings together Seth Benardete’s studies of Hesiod, Homer, and Greek tragedy, eleven Platonic dialogues, and Aristotle’s Metaphysics. The Argument of the Action spans four decades of Seth Benardete’s work, documenting its impressive range. Benardete’s philosophic reading of the poets and his poetic reading of the philosophers share a common ground, guided by the key he found in the Platonic dialogue: probing the meaning of speeches embedded in deeds, he uncovers the unifying intention of the work by tracing the way it unfolds through a movement of its own. Benardete’s original interpretations of the classics are the fruit of this discovery of the “argument of the action.”
Women's Comedic Art as Social Revolution by Domnica Radulescu Pdf
Though comic women have existed since the days of Baubo, the mythic figure of sexual humor, they have been neglected by scholars and critics. This pioneering volume tells the stories of five women who have created revolutionary forms of comic performance and discourse that defy prejudice. The artists include 16th-century performer Isabella Andreini, 17th-century improviser Caterina Biancolelli, 20th-century Italian playwright Franca Rame, and contemporary performance artists Deb Margolin and Kimberly Dark. All create humor that subverts patriarchal attitudes, conventional gender roles, and stereotypical images. The book ends with a practical guide for performers and teachers of theater.
"What if truth were a woman?" asked Nietzsche. In ancient Greek thought, truth in language has a special relation to the female by virtue of her pre-eminent art-form--the one Freud believed was even invented by women--weaving. The essays in this book explore the implications of this nexus: language, the female, weaving, and the construction of truth. The Homeric bard--male, to be sure--inherits from Indo-European culture the designation of his poetry as a weaving, the female's art. Like her tapestries, his "texts" can suspend, reverse, and re-order time. He can weave the content from one world into the interstices of another. The male poet shares the ambiguous power of the female Muses whose speech he channels. "We can say false things like to real things, and whenever we wish, we can utter the truth."
Goddess Mystery Cults and the Miracle of Minyan Prehistoric Greece by Dionysious Psilopoulos Pdf
As this book demonstrates, the cradle of the Mystery Cults of the Goddess and of Western civilization is the Aegean region, an area extending from the Balkans to Crete and from the Ionian Sea to Asia Minor. The Eleusinian Mysteries do not originate from Old Europe or Egypt, but from the worship of the Pelasgian goddess Daeira, Mother Earth, who preceded Demeter and whose cult was indigenous to Eleusis. As shown here, in the Mysteries of the Goddess, the initiates descend into the depths of their psyche, perceive the midnight sun, transcend duality, and achieve cosmic consciousness symbolized by the unity and harmony of the Great Goddess. The Pelasgians, Minyans, and Minoans, the Aegean region’s prehistoric tribes and ancestors of the Mycenaeans and modern Greeks, share the same cultural heritage, continuity, and autochthony with the region’s Proto-Greek, pre-Deukalion-Flood inhabitants. The book also argues that religious and scientific traces of pre-Flood knowledge can be discerned in the Mysteries and the technical achievements of prehistoric Minyan and Minoan Greeks. Even from the third millennium, the Minyans and Minoans, with their advanced nautical, geographic, and astronomical knowledge, sailed not only the Mediterranean, but using the Atlantic currents had reached the copper mines of northern Europe and America.
The Routledge Handbook of Women and Ancient Greek Philosophy by Sara Brill,Catherine McKeen Pdf
The Routledge Handbook of Women and Ancient Greek Philosophy is an essential reference source for cutting-edge scholarship on women, gender, and philosophy in Greek antiquity. The volume features original research that crosses disciplines, offering readers an accessible guide to new methods, new sources, and new questions in the study of ancient Greek philosophy and its multiple afterlives. Comprising 40 chapters from a diverse international group of experts, the Handbook considers questions about women and gender in sources from Greek antiquity spanning the period from 7th c. BCE to 2nd c. BCE, and in receptions of Greek antiquity from the Roman Imperial period, through the European Renaissance to the current day. Chapters are organized into five major sections: I. Early Greek antiquity – including Sappho, Presocratic philosophy, Sophists, and Greek tragedy – 700s–400s BCE II. Classical Greek antiquity – including Aeschines, Plato, and Xenophon – 400s–300s BCE III. Late Classical Greek to Hellenistic antiquity – including Cyrenaics, Cynics, the Hippocratic corpus, and Aristotle – 300s–200s BCE IV. Late Greek antiquity to Roman Imperial period – including Pythagorean women, Stoics, Pyrrhonian Skeptics, and late Platonists – 200s BCE to 700s CE V. Later receptions – including Shakespeare, the European Renaissance, Anna Julia Cooper, W.E.B. DuBois, Jane Harrison, Sarah Kofman, and Toni Morrison The Routledge Handbook of Women and Ancient Greek Philosophy is a vital resource for students and scholars in philosophy, Classics, and gender studies who want to gain a deeper understanding of philosophy’s rich past and explore sources and questions beyond the traditional canon. The volume is a valuable resource, as well, for students and scholars from history, humanities, literature, political science, religious studies, rhetorical studies, theatre, and LGBTQ and sexuality studies.
