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Michael Powell and Emeric Pressburger formed one of the greatest creative partnerships in the history of British cinema - The Archers. Their films were often controversial - Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form amd music. However, in the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters. This book is a comprehensive analysis of their films and is a useful guide to their work.
It is 700 years after the age of destruction and London is just a forest. Britain is no longer an independent state but a primitive outpost of the Euro-African Federation. All is not well at the settlement near Avebury. The native Britons do not like the new Britons who have 'come home' from Euro-Africa, dancing a bizarre, twenty-two-man cricket dance and singing an obscure song called 'Landa Fope'. After one of these immigrants takes a shot at the High Commissioner, Ali Pretorius, chaos breaks out, and it is left to a beautiful young woman, Thea, to restore peace and order . . .
When Steve is killed during enemy action, Beth is devastated. They were due to elope to Gretna Green the following week, and their happiness was complete with the news of Beth's pregnancy. But now, alone and unmarried and with a baby on the way, Beth must survive by herself in war-torn Glasgow. When Beth meets handsome Canadian Gene, a friendship begins; for the first time since Steve's death Beth finds happiness. When Gene asks her to marry him and live with him on his farm in Canada, Beth seizes the opportunity of a better life for her and her child. But it doesn't take Beth long to realise that Gene hasn't told her the whole truth and that the farm doesn't belong to just him - his sister Loretta lives there, too. And Loretta makes it very clear that Beth isn't welcome and that she will stop at nothing to get rid of her - even if it comes to murder. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
Value, Reality, and Desire is an extended argument for a robust realism about value. The robust realist affirms the following distinctive theses. There are genuine claims about value which are true or false - there are facts about value. These value-facts are mind-independent - they are not reducible to desires or other mental states, or indeed to any non-mental facts of a non-evaluative kind. And these genuine, mind-independent, irreducible value-facts are causally efficacious. Values, quite literally, affect us. These are not particularly fashionable theses, and taken as a whole they go somewhat against the grain of quite a lot of recent work in the metaphysics of value. Further, against the received view, Oddie argues that we can have knowledge of values by experiential acquaintance, that there are experiences of value which can be both veridical and appropriately responsive to the values themselves. Finally, these value-experiences are not the products of some exotic and implausible faculty of 'intuition'. Rather, they are perfectly mundane and familiar mental states - namely, desires. This view explains how values can be 'intrinsically motivating', without falling foul of the widely accepted 'queerness' objection. There are, of course, other objections to each of the realist's claims. In showing how and why these objections fail, Oddie introduces a wealth of interesting and original insights about issues of wider interest - including the nature of properties, reduction, supervenience, and causation. The result is a novel and interesting account which illuminates what would otherwise be deeply puzzling features of value and desire and the connections between them.
Vedānta, Bhakti, and Their Early Modern Sources by Rosina Pastore Pdf
This volume considers the Prabodhacandrodaya Nāṭaka (c. 1760 CE), an allegorical drama composed by Brajvāsīdās in Brajbhāṣā. It contributes to the study of vernacular nāṭakas with its first complete English translation. Moreover, the critical analysis shows that the foundational Sanskrit texts for Vedānta and those for Bhakti play a part in the Prabodhacandrodaya Nāṭaka's philosophical and religious edifice. At the same time, the investigation demonstrates that Brajvāsīdās expresses several philosophical ideas by adaptively reusing the Rāmcaritmānas by Tulsīdās (c. 1574 CE). Brajvāsīdās composes a dohā by combining one line of his invention with a line from the Mānas. This method is employed throughout all the personified metaphysical concepts. That Brajvāsī not only read Bhakti but also Vedānta through the Rāmcaritmānas highlights the philosophical and literary creativity in 18th c. North India. It points to the necessity to rethink the sources of Vedānta philosophies, by including works non-conventional for language and genre, because not in Sanskrit and not śāstras. Such sources may not be original in their contribution per se but are essential to understand how early modern philosophy was done, conceived and transmitted.
There’s something different about Perdita Seaton and her secretive family, but for now, a bigger dilemma looms for Edmund, otherwise known as Eros—reveal he’s the Duke of Kentmere and cut their courtship short, or abandon his heritage and leave his beloved sister at the mercy of the Titans. Disaster strikes when Edmund races to London to rescue his sister and doesn’t return. Desperate, Perdita follows him, only to find no light of recognition in his eyes. Now she must choose. Admit defeat, or fight to break the enchantment keeping Edmund’s heart prisoner—and risk the wrath of a jealous goddess who’d be all too happy to snuff her out. Each book in the Even Gods Fall in Love series are STANDALONE. - Lightning Unbound - Mad For Love - Arrows of Desire - Forged By Love - War Chest - Her Quicksilver Lover
‘Truly astonishing in its detail … this must be one of the most illuminating and enlightening biographies to date.’ Michael Eavis cbe, Founder of the Glastonbury Festival A brilliant new biography of the mystic poet and artist William Blake – and the first to explore his startlingly original quest for spiritual truth, as well as the profound lessons he has for us all today. The hymn ‘Jerusalem’, with its famous words by William Blake, stirs our hearts with its evocation of a new holy city built in ‘England’s green and pleasant land’. However, until now, the spiritual essence of William Blake has been buried under myriad inadequate biographies, college dissertations and arts commentaries, written by people who have missed the luminescent keys to Blake’s symbolism and liberating spirit. Any attempt to uncover the ‘real’ Blake is thwarted by his status as a legend or ‘national treasure’. In Jerusalem! Tobias Churton expertly takes you beyond this superficial façade, showing you Blake the esoteric genius – a myth-maker, brilliantly using symbols and theology to express his unique insights into the nature of body, mind and spirit. Churton is not only deeply knowledgeable about Blake’s life and times, but also uses his shared values with Blake to enter into his labyrinth of thought and feeling. Challenging the conventional views of Blake as either a ‘romantic poet’ or a rebel with ideas about free sex, Tobias Churton’s startling new biography reveals, at last, the real William Blake in all his glory, so that anyone who sings ‘Jerusalem’ in future will see its beauty with renewed understanding. With access to a large body of never-before-published records – letters, diaries, pamphlets and books – Tobias Churton casts unprecedented light and perspective on William Blake’s life and times. Blake’s writing – heartfelt, vivid and profound – accounts for his status as one of the best-loved poets writing in English. Americans need no reminding that Blake inspired Ralph Waldo Emerson and American visionary Walt Whitman. Yet he spent the larger part of his creative career being ridiculed and suppressed. In Jerusalem! Churton conjures a superb portrait of Blake’s London, and in particular the rivalries of the cultural community in which the poet-artist was often misunderstood. He argues that Blake believed Man does not ‘belong’ to society; rather,we are all members of the Divine Body, co-existent with God. He was concerned with a total spiritual revival – what had gone wrong with Man, and how to put it right. Blake’s message has proved to be as challenging to today’s readers as it was to his contemporaries. Blake perceived, so far ahead of his time, that the philosophy of materialism would dominate the world – a culture from which we now yearn to break free. Jerusalem! is unashamedly ambitious in its scope and objective. Churton ends once and for all the persistent notion of Blake as a startling peculiarity, whilst emancipating him from the labels of ‘Romantic poet’ or ‘national treasure’. Even if it means sacrificing some cherished illusions or uncovering a few painful surprises, this compelling biography reveals, for the first time, the true spirit of William Blake.
When the God of Love falls for a nymph, all seven hells break loose. Even Gods Fall in Love, Book 3 Finished with the tutoring that taught him how to be an immortal, Edmund, otherwise known as Eros, steps off the packet onto English shores, and stumbles head over heels in love. There's something different about Perdita Seaton and her secretive family, but for now a bigger dilemma looms. Revealing he's the Duke of Kentmere could cut their courtship short. Yet abandoning his heritage means leaving his beloved sister at the mercy of the Titans. Even as Edmund steals Perdita's breath with the speed at which he sweeps her down the aisle, she feels safe in the irresistible tide of passion. Her father, head of a smuggling empire, is Oceanus-and she is a nymph. Disaster strikes when Edmund races to London to rescue his sister, and doesn't return. Desperate, Perdita follows him, only to find no light of recognition in his eyes. Now she must choose. Admit defeat, or fight to break the enchantment keeping Edmund's heart prisoner-and risk the wrath of a jealous goddess who'd be all too happy to snuff her out. Warning: Contains a wedding night that transcends heaven, a mother-in-law from hell, and one Titanic case of amnesia.