Ars Judaica 2007 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Ars Judaica 2007 book. This book definitely worth reading, it is an incredibly well-written.
Illuminating in Micrography by Dalia-Ruth Halperin Pdf
In Illuminating in Micrography, Dalia-Ruth Halperin analyzes the Catalan Micrography Maḥzor, a fourteenth-century Barcelonan manuscript in Israel’s National Library. Decorated with micrography, the Jewish scribal art typical of Bible manuscripts, this maḥzor, which includes a rich full-page panel micrography cycle, is unique. Along with the codicological and paleographical analysis, essential for understanding the scribe’s thought and working processes, the author’s meticulous reading of the micrography text reveals the scribe’s textual editing and manipulations. Decoding his writing flow and sequences revealed a close association between the penned text and the images formed, which reflect a Jewish theosophical-theurgical cycle. Evidence of the scribe’s association with the renowned Bassa atelier enhances our knowledge of the cultural, economic, and ethnic realities of the time.
Jewish Cultural Aspirations by Bruce Zuckerman,Ruth Weisberg,Lisa Ansell Pdf
In the late nineteenth century in Europe and to some extent in the United States, the Jewish upper middle class--particularly the more affluent families--began to enter the cultural spheres of public life, especially in major cities such as Vienna, Berlin, Paris, New York, and London. While many aspects of society were closed to them, theater, the visual arts, music, and art publication were far more inviting, especially if they involved challenging aspects of modernity that might be less attractive to Gentile society. Jews had far less to lose in embracing new forms of expression, and they were very attracted to what was regarded as the universality of cultural expression. Ultimately, these new cultural ideals had an enormous influence on art institutions and artistic manifestations in America and may explain why Jews have been active in the arts in the twentieth and twenty-first centuries to a degree totally out of proportion to their presence in the US population. Jewish cultural activities and aspirations form the focus of the contributions to this volume. Invited authors include senior figures in the field such as Matthew Baigell and Emily Bilski, alongside authors of a younger generation such as Daniel Magilow and Marcie Kaufman. There is also an essay by noted Los Angeles artist and photographer Bill Aron. The guest editor of the volume, Ruth Weisberg, provides an Introduction that places the individual contributions in context.
Malevich and Interwar Modernism by Éva Forgács Pdf
This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.
The Human Figure and Jewish Culture by Eliane Strosberg Pdf
Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica. --
Interaction Between Judaism and Christianity in History, Religion, Art, and Literature by Marcel Poorthuis,Joshua Jay Schwartz,Joseph Turner Pdf
This volume contains essays dealing with complex relationships between Judaism and Christianity, taking a bold step, assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as either rejection or appropriation
Between Judaism and Christianity by Katrin Kogman-Appel,Mati Meyer Pdf
The essays collected in this volume present a multi-faceted range of scholarship from late antique synagogues, Jewish funerary art, early Christian and Byzantine mosaics, to Byzantine and Jewish book art, and the representation of the Old Testament in Western manuscripts.
The Russian Jewish Diaspora and European Culture, 1917-1937 by Jörg Schulte,Olga Tabachnikova,Peter Wagstaff Pdf
The Jewish emigration from Russia after the Revolution of 1917 changed the face of Jewish culture in Western Europe. Russian Jews brought with them the visions of a national Jewish literature in Hebrew, Yiddish or Russian, and new concepts of secular Jewish music and art. Often they acted as intermediaries between Jewish centres in Europe, which resulted in the creation of a single sphere of Jewish culture common to all parts of the European diaspora. Although some stayed in Western Europe for only a few years before moving on to Palestine, the budding Hebrew culture in Palestine would not have been the same without this relatively short period of intense contact between Russian Jewish and Western European cultures.
How do Jews pray and why? What do the prayers mean? From where did this liturgy come and what challenges does it face today? Such questions and many more, spanning the centuries and continents, have driven the study of Jewish liturgy. But just as the liturgy has changed over time, so too have the questions asked, the people asking them, and the methods used to address them. Jewish Liturgy: A Guide to Research enables the reader to access the rich bibliography now available in English. In this volume, Ruth Langer, an expert on Jewish liturgy, provides an annotated description of the most important books and articles on topics ranging historically from the liturgy of the Second Temple period and the Dead Sea Scrolls to today, addressing the synagogue itself and those gathered in it; the daily, weekly, and festival liturgies and their components; home rituals and the life cycle; as well as questions of liturgical performance and theology. Introductions to every section orient the reader and provide necessary background. Christians seeking to understand Jewish liturgy, either that of Jesus and the early church or that of their Jewish contemporaries, will find this volume invaluable. It’s also an important reference for anyone seeking to understand how Jews worship God and how that worship has evolved over time.
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters. Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how 'revealed religion' has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its very originators. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ. A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.
“Follow the Wise” by Zeev Weiss,Oded Irshai,Jodi Magness,Seth Schwartz Pdf
In 1961, when Lee Israel Levine graduated from both Columbia College in New York, majoring in philosophy, and Jewish Theological Seminary, majoring in Talmud, this accomplishment was only a precursor to the brilliant career that would follow. While researching his Columbia University dissertation in Jerusalem, Levine established close ties with members of the Institute of Archaeology at Hebrew University and Prof. Yigael Yadin, who recognized the need for an interdisciplinary approach that would give graduate archaeology students a solid base in Jewish history and rabbinic sources to supplement their archaeological training. Levine accepted Yadin’s invitation to return to Israel after graduation to teach at the Institute of Archaeology and later was granted a joint appointment in the Institute of Archaeology and the Department of Jewish History. In 1985, he was promoted to the rank of Full Professor, and since 2003, he has held the Rev. Moses Bernard Lauterman Family Chair in Classical Archaeology at the Hebrew University. Levine was instrumental in founding and developing the TALI (an acronym for Tigbur Limudei Yahadut, Enriched Jewish Studies) track of Israel’s state school system. He was also a founding member of the Seminary of Judaic Studies in Jerusalem (now known as the Schechter Institute for Jewish Studies), which opened its doors in 1984. In addition to teaching, Lee headed the Schechter Institute (first as dean and then as president) from 1987 to 1994. Lee was an active member of the Masorti Movement in Israel and represented it abroad as Director of the Foundation for Masorti Judaism (1986–87) and Vice-Chancellor of Israel Affairs at the Jewish Theological Seminary (1987–94). The honoree has published 12 monographs, 11 edited or coedited volumes, and 180 articles. His scholarship encompasses a broad range of topics relating to ancient Judaism, especially archaeology, rabbinic studies, and Jewish history. Within these disciplines he has dealt with a variety of subfields, including ancient synagogues and liturgy, ancient Jewish art, Galilee, Jerusalem, Hellenism and Judaism, and the historical geography of ancient Palestine. He is one of the first major scholars to draw on and integrate data from all of these fields in order to afford a better understanding of ancient Judaism. The 32 contributions to this volume by 35 authors are a tribute to his influence on this field of study and reflect the broad spectrum of his own interests. The 26 English and 6 Hebrew essays are divided into sections on Hellenism, Christianity, and Judaism; art and archaeology—Jerusalem and Galilee; rabbis; the ancient synagogue; sages and patriarchs; and archaeology, art, and historical geography.
The Late Medieval Hebrew Book in the Western Mediterranean by Javier del Barco Pdf
This collection of essays focuses on the medieval Hebrew book as object in order to explore the production, circulation, transmission, and consumption of Hebrew texts in the western Mediterranean (mainly Iberia, Provence, and Italy) between the thirteenth and the sixteenth centuries.
Author : David Stern Publisher : University of Washington Press Page : 320 pages File Size : 46,5 Mb Release : 2018-01-20 Category : Social Science ISBN : 9780295741499
In The Jewish Bible: A Material History, David Stern explores the Jewish Bible as a material object—the Bibles that Jews have actually held in their hands—from its beginnings in the Ancient Near Eastern world through to the Middle Ages to the present moment. Drawing on the most recent scholarship on the history of the book, Stern shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own. That meaning has changed, as the material shape of the Bible has changed, from scroll to codex, and from manuscript to printed book. By tracing the material form of the Torah, Stern demonstrates how the process of these transformations echo the cultural, political, intellectual, religious, and geographic changes of the Jewish community. With tremendous historical range and breadth, this book offers a fresh approach to understanding the Bible’s place and significance in Jewish culture.
The Book of Job by Leora Batnitzky,Ilana Pardes Pdf
The Book of Job has held a central role in defining the project of modernity from the age of Enlightenment until today. The Book of Job: Aesthetics, Ethics and Hermeneutics offers new perspectives on the ways in which Job’s response to disaster has become an aesthetic and ethical touchstone for modern reflections on catastrophic events. This volume begins with an exploration of questions such as the tragic and ironic bent of the Book of Job, Job as mourner, and theJoban body in pain, and ends with a consideration of Joban works by notable writers – from Melville and Kafka, through Joseph Roth, Zach, Levin, and Philip Roth.
Jewish Literatures and Cultures in Southeastern Europe by Renate Hansen-Kokoruš,Olaf Terpitz Pdf
The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy. Southeastern Europe is characterized by a high degree of ethnical, religious and cultural diversity. Jews, whether Sephardim, Ashkenazim or Romaniots – settling there in different periods – experienced divergent life worlds which engendered rich cultural production. Though recent scholarly and popular interest in this heterogeneous region has grown impressively, Jewish cultural production is still an under-researched area. The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy, thus creating a dialogue between Jewish studies, Balkan studies, and current literary and cultural theories.