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Author : Justin Jesty
Publisher : Cornell University Press
Page : 357 pages
File Size : 54,8 Mb
Release : 2018-09-15
Category : Art
ISBN : 9781501715068
Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s.
Author : JUSTIN. JESTY
Publisher : Unknown
Page : 0 pages
File Size : 41,7 Mb
Release : 2023-11-07
Category : Art
ISBN : 9798887194042
ENG: Justin Jesty's Art and Engagement in Early Postwar Japan reframes the history of art and its politics in Japan post-1945. This fascinating cultural history addresses our broad understanding of the immediate postwar era moving toward the Cold War and subsequent consolidations of political and cultural life. At the same time, Jesty delves into an examination of the relationship between art and politics that approaches art as a mode of intervention, but he moves beyond the idea that the artwork or artist unilaterally authors political significance to trace how creations and expressive acts may (or may not) actually engage the terms of shared meaning and value. Art and Engagement in Early Postwar Japan centers on a group of social realists on the radical left who hoped to wed their art with anti-capitalist and anti-war activism, a liberal art education movement whose focus on the child inspired innovation in documentary film, and a regional avant-garde group split between ambition and local loyalty. In each case, Jesty examines writings and artworks, together with the social movements they were a part of, to demonstrate how art--or more broadly, creative expression--became a medium for collectivity and social engagement. He reveals a shared if varied aspiration to create a culture founded in amateur-professional interaction, expanded access to the tools of public authorship, and dispersed and participatory cultural forms that intersected easily with progressive movements. Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s. RUS: Книга Джастина Джести переосмысливает историю искусства в Японии после 1945 года. Автор углубляется в изучение отношений между искусством и политикой, но выходит за рамки идеи о том, что произведение искусства или художник являются только выразителями политических смыслов. В центре книги -- группа леворадикальных соцреалистов, надеявшихся соединить свое искусство с антикапиталистическим и антивоенным движением, движение либерального толка и региональная авангардистская группа, пытающаяся найти баланс между амбициями и преданностью локальной культуре.
Author : Miryam Sas
Publisher : BRILL
Page : 310 pages
File Size : 43,5 Mb
Release : 2020-03-17
Category : Art
ISBN : 9781684175024
"In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. Yet while the artists often called for such “direct” encounter, their works complicate this ideal with practices of interruption, self-reflexive mimesis, and temporal discontinuity. In an era known for idealism and activism, some of the most cherished ideals—intimacy between subjects, authenticity, a sense of home—are limitlessly desired yet always just out of reach. In this book, Miryam Sas explores the theoretical and cultural implications of experimental arts in a range of media. Casting light on important moments in the arts from the 1960s to the early 1980s, this study focuses first on underground (post-shingeki) theater and then on related works of experimental film and video, buto dance and photography. Emphasizing the complex and sophisticated theoretical grounding of these artists through their works, practices, and writings, this book also locates Japanese experimental arts in an extensive, sustained dialogue with key issues of contemporary critical theory."
Author : Miryam Sas
Publisher : Harvard University Press
Page : 0 pages
File Size : 47,9 Mb
Release : 2011
Category : Arts, Japanese
ISBN : 0674053400
Miryam Sas explores the theoretical and cultural implications of Japanese experimental arts in a range of media, casting light on important moments in the arts from the 1960s to the early 1980s. This book also locates Japanese experimental arts in an extensive, sustained dialogue with key issues of contemporary critical theory.
Author : Reiko Tomii,Getty Research Institute
Publisher : Getty Publications
Page : 164 pages
File Size : 48,7 Mb
Release : 2007
Category : Art
ISBN : 0892368667
Introduction to two decades of artistic ferment in postwar Japan. As that devastated nation confronted the fraught legacy of World War II, a rapid succession of avant-garde groups began experimenting with new media and processes of making art, disrupting conventions to address the changes occurring around them. The works that remain from this era are largely ephemeral - exhibition flyers, programs for performances, musical scores, issues of short-lived journals, documentary photographs, pieces of mail art, and multiples made from the detritus of modern life - but the ideals of engagement and innovation that invigorated this creative surge are not.
Author : Namiko Kunimoto
Publisher : U of Minnesota Press
Page : 419 pages
File Size : 52,8 Mb
Release : 2017-02-21
Category : Art
ISBN : 9781452953762
How would artistic practice contribute to political change in post–World War II Japan? How could artists negotiate the imbalanced global dynamics of the art world and also maintain a sense of aesthetic and political authenticity? While the contemporary art world has recently come to embrace some of Japan’s most daring postwar artists, the interplay of art and politics remains poorly understood in the Americas and Europe. The Stakes of Exposure fills this gap and explores art, visual culture, and politics in postwar Japan from the 1950s to the 1970s, paying special attention to how anxiety and confusion surrounding Japan’s new democracy manifested in representations of gender and nationhood in modern art. Through such pivotal postwar episodes as the Minamata Disaster, the Lucky Dragon Incident, the budding antinuclear movement, and the ANPO protests of the 1960s, The Stakes of Exposure examines a wide range of issues addressed by the period’s prominent artists, including Tanaka Atsuko and Shiraga Kazuo (key members of the Gutai Art Association), Katsura Yuki, and Nakamura Hiroshi. Through a close study of their paintings, illustrations, and assemblage and performance art, Namiko Kunimoto reveals that, despite dissimilar aesthetic approaches and divergent political interests, Japanese postwar artists were invested in the entangled issues of gender and nationhood that were redefining Japan and its role in the world. Offering many full-color illustrations of previously unpublished art and photographs, as well as period manga, The Stakes of Exposure shows how contention over Japan’s new democracy was expressed, disavowed, and reimagined through representations of the gendered body.
Author : Bert Winther-Tamaki
Publisher : University of Hawaii Press
Page : 228 pages
File Size : 55,6 Mb
Release : 2001-01-01
Category : Art
ISBN : 0824824008
Art in the Encounter of Nations is the first book-length study of interactions between the Japanese and American art worlds in the early postwar years. It brings to light a rich exchange of opinions and debates regarding the relationship between the art of the two nations. The author begins with an examination of the Japanese margins of American Abstract Expressionism. Taking a contrapuntal approach, he investigates four abstract painters: two Japanese artists who moved to the United States (Okada Kenzo and Hasegawa Saburo) and two European Americans whose work is often associated with Japanese calligraphy (Mark Tobey and Franz Kline). He then looks at the work of two young scions of the calligraphy and pottery worlds of Japan -- Morita Shiryo and Yagi Kazuo -- and argues that their radical innovations in these ancient arts were, in part, provoked by their sense of a threat posed by Euro-American modernity. The final chapter is devoted to the career of Japanese American sculptor and designer Isamu Noguchi, whose feeling of affiliation was directed to both the U.S. and Japan in shifting ratios through a series of public and private places, each posing unique opportunities for exploring national distinctions.
Author : Doryun Chong,Michio Hayashi,Mika Yoshitake,Miryam Sas
Publisher : The Museum of Modern Art
Page : 238 pages
File Size : 46,8 Mb
Release : 2012
Category : Art
ISBN : 9780870708343
Catalog of an exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013.
Author : Michael Lucken,Anne Bayard-Sakai,Emmanuel Lozerand
Publisher : Routledge
Page : 306 pages
File Size : 50,9 Mb
Release : 2013-03-01
Category : History
ISBN : 9781136705670
Historical surveys of postwar Japan are usually established on the grounds that the era is already over, interpreting "postwar" to be the years directly proceeding World War II. However, the contributors to this book take a unique approach to the concept of the postwar epoch and treat it as a network of historical time frames from the modern period, and connect these time capsules to the war to which they are inextricably linked. The books strength is in its very interdisciplinary approach to examining postwar Japan and as such it includes chapters centred on subjects as diverse as politics, poetry, philosophy, economics and art which serve to fill the blanks in the collective cultural memory that historical narratives leave behind. Originally published in French, this new translation offers the English speaking world important access to a major work on Japan which has been greatly enriched by the translator’s great accuracy and knowledge of English, French and Japanese language, history and culture. Japan's Postwar will appeal to students and scholars of Japanese Studies and Modern Japanese History as well as historians studying the world after 1945.
Author : Eugenia Bogdanova-Kummer
Publisher : BRILL
Page : 193 pages
File Size : 55,7 Mb
Release : 2020-07-20
Category : Art
ISBN : 9789004437067
Japanese calligraphy had its international heyday—collaborating with and yet challenging abstract painting—in the early postwar years. This book explores a Kyoto-based calligraphy group Bokujinkai, and its contribution to the Japanese, American, and European postwar avant-gardes.
Author : K. Yoshida
Publisher : Routledge
Page : 246 pages
File Size : 51,7 Mb
Release : 2020-11-15
Category : Art
ISBN : 9781000217285
This book offers a reassessment of how "matter" – in the context of art history, criticism, and architecture – pursued a radical definition of "multiplicity", against the dominant and hierarchical tendencies underwriting post-fascist Japan. Through theoretical analysis of works by artists and critics such as Okamoto Taro, Hanada Kiyoteru, Kawara On, Isozaki Arata, Kawaguchi Tatsuo, and Nakahira Takuma, this highly illustrated text identifies formal oppositions frequently evoked in the Japanese avant-garde, between cognition and image, self and other, human and thing, and one and many, in mediums ranging from painting and photography, to sculpture and architecture. In addition to an "aesthetics of separation" which refuses the integrationist implications of the human, the author proposes the "anthropofugal" – meaning fleeing the human – as an original concept through which to understand matter in the epistemic universe of the postwar Japanese avant-garde. Chapters in this publication offer critical insights into how artists and critics grounded their work in active disengagement, to advance an ethics of nondominance. Avant-Garde Art and Nondominant Thought in Postwar Japan will appeal to students and scholars of Japanese studies, art history, and visual cultures more widely.
Author : Gabriel Ritter,Koichi Kawasaki,Namiko Kunimoto,Izumi Nakajima,Ryo Sawayama
Publisher : Dallas Museum of Art
Page : 160 pages
File Size : 40,7 Mb
Release : 2015-03-24
Category : Art
ISBN : 0300211694
This comprehensive book is the first in English to examine two of the most successful and important postwar Japanese artists, Kazuo Shiraga (1924–2008) and Sadamasa Motonaga (1922–2011). During an 18-year engagement with the Gutai Art Association, both artists experimented with unorthodox techniques, such as Motonaga's use of smoke and water, or Shiraga's method of painting with his feet. Relatively little, however, is known in the West about Shiraga and Motonaga beyond their involvement with Gutai. Essays aim to assert the importance of Shiraga's and Motonaga's post-Gutai careers—when they pursued exciting new styles and themes in their work—as well as to evaluate the legacy of Japan's postwar avant-garde. Never-before-translated interviews with the artists, incisive essays by experts in the field, and a beautiful color plate section featuring many works never before seen outside of Japan complete this impressive catalogue.
Author : Meiqin Wang
Publisher : Vernon Press
Page : 306 pages
File Size : 43,8 Mb
Release : 2022-04-12
Category : Art
ISBN : 9781648894046
This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have well-grounded knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large.
Author : Gregory Smits
Publisher : University of Hawaii Press
Page : 0 pages
File Size : 44,6 Mb
Release : 2020-02-29
Category : History
ISBN : 9780824884277
Why do Ryukyu’s official histories locate the origins of its early dynastic founders in Iheya and Izena, small islands located northwest of Okinawa? Why did the Ming court extend favorable trade terms to Ryukyuan rulers? What was the nature of Okinawa’s enigmatic principalities, Sannan, Chūzan, and Hokuzan? When and how did the Ryukyu islands become united under a single ruler? Was this Ryukyuan state an empire, why did it go to war with the powerful Japanese domain of Satsuma in 1609, and what actually happened during that war? Answers to these and other key questions concerning early Ryukyuan history can be found in this bold reappraisal by a leading authority on the subject. Conventional portrayals of early Ryukyu are based on official histories written between 1650 and 1750. Taking an interdisciplinary approach, Gregory Smits makes extensive use of scholarship in archaeology and anthropology and leverages unconventional sources such as the Omoro sōshi (a collection of ancient songs) to present a fundamental rethinking of early Ryukyu. Instead of treating Ryukyu as a natural, self-contained cultural or political community, he examines it as part of a maritime network extending from coastal Korea to the islands of Tsushima and Iki, along the western shore of Kyushu, and through the Ryukyu Arc to coastal China. Smits asserts that Ryukyuan culture did not spring from the soil of Okinawa: He highlights Ryukyu’s northern roots and the role of wakō (pirate-merchant seafarers) in the formation of power centers throughout the islands, uncovering their close historical connections with the coastal areas of western Japan and Korea. Unlike conventional Ryukyuan histories that open with Okinawa, Maritime Ryukyu starts with the northern island of Kikai, an international crossroads during the eleventh century. It also focuses on other important but often overlooked territories such as the Tokara islands and Kumejima, in addition to bringing the northern and southern Ryukyu islands into a story that all too often centers almost exclusively on Okinawa. Readers interested in the history of the Ryukyu islands, premodern Japan, and East Asia, as well as maritime history, will welcome this original and persuasive volume.
Author : Ming Tiampo,Alexandra Munroe
Publisher : Guggenheim Museum
Page : 0 pages
File Size : 54,6 Mb
Release : 2013
Category : Art, Abstract
ISBN : 0892074892
Published in conjunction with the first United States museum retrospective ever devoted to Gutai, exhibited at the Solomon R. Guggenheim Museum in New York, Gutai: Splendid Playground surveys the influential collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social, and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai's unique approach to materials, process and performativity, this publication investigates the group's radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting (gestural abstraction and post-constructivist abstraction), conceptual art, experimental performance and film, indoor and outdoor installation art, sound art, mail art, interactive or 'playful' art, light art and kinetic art. Illustrating both iconic Gutai and lesser-known works, this catalogue presents a rich survey reflecting new scholarship, especially on so-called 'late Gutai' works dating from 1965 to 1972.