Art And Its Histories Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Art And Its Histories book. This book definitely worth reading, it is an incredibly well-written.
Steve Edwards,Professor and Head of Art History Steve Edwards
Author : Steve Edwards,Professor and Head of Art History Steve Edwards Publisher : Yale University Press Page : 364 pages File Size : 43,9 Mb Release : 1999-01-01 Category : Art ISBN : 0300077440
The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss by Richard Shone,John-Paul Stonard Pdf
An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
The Canadian War Museum possesses one of the finest twentieth-century official war art collections in the world. Until relatively recently, however, the collection has received limited public attention. In Art or Memorial?, author Laura Brandon explores some of the reasons why this may have been the case. At various times throughout its history, the war art collection has receded from and re-emerged in the nation's collective consciousness. Nevertheless, as an invaluable part of the official record of war in Canada, it is profoundly significant. Brandon argues that the value of the collection lies less in its artistic merit and more in its role as a site of memory. Art or Memorial? seeks to illuminate Canadian war art's sometimes-hidden presence in the nation's memory and to show, through both its presence and its absence, how it helped to shape, and will continue to influence, how we remember as a nation.
Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.
Art History For Dummies by Jesse Bryant Wilder Pdf
Art history is more than just a collection of dates and foreign-sounding names, obscure movements and arcane isms. Every age, for the last 50,000 years has left its unique imprint on the world, and from the first cave paintings to the ceiling of the Sistine Chapel, from the Byzantine mosaics of the Hagia Sophia, to the graffiti-inspired paintings of Jean-Michel Basquiat, art history tells the story of our evolving notions of who and what we are and our place in the universe. Whether you’re an art enthusiast who’d like to know more about the history behind your favorite works and artists, or somebody who couldn’t tell a Titian and a De Kooning—but would like to—Art History For Dummies is for you. It takes you on a tour of thirty millennia of artistic expression, covering the artistic movements, major artists, and indispensable masterworks, and the world events and cultural trends that helped spawn them. With the help of stunning black-and-white photos throughout, and a sixteen-page gallery of color images, it covers: The rise and fall of classical art in Greece and Rome The differences between Renaissance art and Mannerism How the industrial revolution spawned Romanticism How and why Post-Impression branched off from Impressionism Constructivism, Dadaism, Surrealism and other 20th century isms What’s up with today’s eclectic art scene Art History For Dummies is an unbeatable reference for anyone who wants to understand art in its historical context.
Gender and Art by Colin Cunningham,Emma Barker Pdf
Encompassing European art, architecture and design from the sixteenth century to the present day, it explores both the work of women artists and the ways that visual representation by male and female artists may be gendered."--BOOK JACKET.
Art and Its Histories, Volume I by Maya Muratov,Mika Natif,Edmund Ryder Pdf
Art and Its Histories, Volume I: Caves to Cathedrals Revisited tells a succinct and absorbing story about the varied, complex roles that images and objects have played in cultures from Prehistory to the Middle Ages. Each chapter in the textbook provides historical, social, religious, and cultural context for the images and objects analyzed, as well as recent research about materiality, gender, and social class to demonstrate connections between art history and contemporary visual culture. In addition to an engaging introduction and conclusion that emphasize connectivity across cultures, thirteen chapters, written by subject experts, explore over 500 individual images and objects within their respective historical contexts. Each chapter is accompanied by suggested activities and assignments that enrich the student reading and learning experience. Art and Its Histories, Volume I demonstrates that across historical periods cultures do not exist in isolation; instead they are in constant dialogue with each other, promoting cross-cultural pictorial languages and styles. It is the first textbook in a two-volume series designed to support courses and programs in art history. All of the contributors and editors are alumni of New York University's Institute of Fine Arts. Sarah Graff, Ph.D., is a curator in the Department of Ancient Near Eastern Art, The Metropolitan Museum of Art. Heather Horton, Ph.D., is a lecturer in the Art Department, Queens College, CUNY. Maya Muratov, Ph.D., is an associate professor in the Department of Art and Art History, Adelphi University. Mika Natif, Ph.D., is an associate professor in the Art History Department, George Washington University. Edmund Ryder, Ph.D., is a lecturer in the Department of Art and Art History, Adelphi University. Ava Forte Vitali, M.A., is an independent scholar and manager for corporate social responsibility at Scholastic.
Author : Emma Barker Publisher : Art and its Global Histories Page : 200 pages File Size : 43,9 Mb Release : 2017-10-31 Category : Architecture ISBN : 1526122928
Art, Commerce and Colonialism 1600-1800 by Emma Barker Pdf
Art, Commerce and Colonialism 1600-1800 examines European art, architecture and design of the seventeenth and eighteenth centuries in the light of the continent's growing engagement with the rest of the world. In a series of case studies spanning the globe from Asia to the Americas, it shows how the expansion of intercontinental trade and the proliferation of colonial ventures gave rise to new and diverse forms of visual and material culture. Among the examples discussed are ornate altarpieces in the cathedrals of colonial Latin America, Dutch still-life paintings of exotic luxury imports, English interior decoration in the Chinoiserie style and the architecture of plantation houses in North America and the Caribbean. Drawing on a wide range of recent scholarship, the book proposes a new history of European art 1600-1800, which should appeal to undergraduate students as well as to a general readership
The Brilliant History of Color in Art by Victoria Finlay Pdf
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Unsettling Native Art Histories on the Northwest Coast by Kathryn Bunn-Marcuse,Aldona Jonaitis Pdf
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
"Art, History and the Senses " by Gabriel Koureas Pdf
Should sight trump the other four senses when experiencing and evaluating art? Art, History and the Senses: 1830 to the Present questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the roles of touch, taste, smell, and sound in the materiality of works of art. From the nineteenth century onward, notions of synaesthesia and the multi-sensorial were important to a series of art movements from Symbolism to Futurism and Installations. The essays in this collection evaluate works of art at specific moments in their history, and consider how senses other than the visual have (or have not) affected the works' meaning. The result is a re-evaluation of sensory knowledge and experience in the arts, encouraging a new level of engagement with ideas of style and form.
A Brief History of Art by Camilla De la Bédoyère Pdf
"The World's Greatest Art" series has been hugely successful on the back of the best-selling bigger book "The World's Greatest Art". Now, to fit in with the series as a whole we've introduced this "Brief History of Art" which covers popular art from 1200.
History of Art by Horst Woldemar Janson,Anthony F. Janson Pdf
This classic book uses an exceptional art program, featuring impeccable accurate five-color illustrations, to introduce readers to the vast world of painting, sculpture, architecture, photography, and the minor arts. With its effectively written, balanced, and interesting narrative, this book presents art as a succession of styles--from Prehistory through the 20th century--and enlarges the readers' capacity to appreciate works of art individually. Written more than 40 years ago, this text has been constantly reworked to respond to the needs of this ever-changing field. A reference work suitable for those employed in all art media, including painters, sculptors, photographers, and architects.