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Many of the greatest film directors began their careers as graphic designers, painters, or illustrators, but aside from the few established artist-directors such as Derek Jarman and Jean Cocteau, little is known of their creative work outside the medium of film. For the first time, film writer Karl French presents the exciting, diverse artwork of over 20 international directors, offering a fascinating new perspective on their work. Recent exhibitions on the subject prove that the time is ripe for a book that explores this exciting crossover of film and art. Includes gems like Alfred Hitchcock's atmospheric storyboards for The 39 Steps, Charlie Chaplin's sketches, and John Huston's luminous paintings. An iconic film still accompanies the artwork of each director.
Art Directors in Cinema by Michael L. Stephens Pdf
Often forgotten among the actors, directors, producers and others associated with filmmaking, art directors are responsible for making movies visually appealing to audiences. As such they sometimes make the difference between a hit and a bomb. This biographical dictionary includes not only the world’s great and almost-great artists, but the unjustly neglected film designers of the past and present. Among the more than 300 art directors and designers are pioneers from silent films, designers from Hollywood and Europe’s Golden Ages, Asian figures, post–Golden Age personalities, leaders of the European and American New Waves, and many contemporary designers. Each entry consists of biographical information, an analysis of the director’s career and important films, and an extensive filmography including mentions of Academy Award nominations and winners.
A collection of the little-known artwork by some of the most influential film directors of all time. Many film directors began their careers as graphic designers, painters or illustrators but in most cases their creative work before film has been put aside. Karl French presents work by over 20 international directors.
The Art of Directing by Michaël Abecassis,Felicity Chaplin,Marcelline Block Pdf
«This erudite and informative book on French film directors is a comprehensive deep dive into the multi-faceted and interconnected landscape of Francophone cinema. From Akerman to Zidi, via Godard and Gondry, the volume marshals an impressive range of scholars who demonstrate how the French "art of directing" - whether from established legends or emerging voices - is a blend of the perceptive, the provocative and the populist.» (Ben McCann, Associate Professor of French Studies, University of Adelaide) It is not by chance that films by Renoir, Bresson, Varda, Godard, or Truffaut - to name just a few - have become widely studied around the world, with their directors becoming household names. Yet there are so many others who have made their mark on French and international cinema. The aim of this dictionary is to shed light on the directing process and to help people discover forgotten directors and rediscover prominent ones who have made Francophone cinema what it is today. This book is intended as a reference resource for students, scholars, and academics as well as film lovers, who will find both biographical and filmographic references, allowing them to gain an understanding in a nutshell of a particular director's career and its influences as well as its impact upon and legacy for the world of French cinema - and beyond. When one considers all the directors who have impacted French cinema - from the silent era to our current digital and streaming age - this work is as exhaustive and inclusive as possible.
Artists’ Film offers a lucid, accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries. International in scope and accessibly written by a renowned authority on the subject, Artists’ Film is an introductory guide to the exciting and expanding field of artists’ film and an alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of today, writer and curator David Curtis offers a vivid account of the many creators who have been inspired by the cinematic medium and who have felt compelled to interpret and respond to it in their own way. In doing so, Curtis discusses these artists’ widely differing achievements, aspirations, theories, and approaches. Featuring over four hundred international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation, and multimedia, this generously illustrated account offers an incomparable introduction to this continually evolving art form. A perfect read for anyone with an interest in the intersection of contemporary art and film.
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.
For well over a century, those who create motion pictures have touched our hearts and souls; they have transported and transformed our minds, intoxicated and entranced our senses. One artist's vision is the single most prominent force behind the scenes: the director. The Essential Directors illuminates the unseen forces behind some of the most notable screen triumphs from the aesthetic peak of silent cinema through the New Hollywood of the 1970s. Considering each artist's influence on the medium, cultural impact, and degree of achievement, Turner Classic Movies presents a compendium of Hollywood's most influential filmmakers, with profiles offering history and insight on the filmmaker's narrative style, unique touches, contributions to the medium, key films, and distinctive movie moments to watch for. The work of these game-changing artists is illustrated throughout by more than 200 full-color and black-and-white photographs. Featured directors include Charlie Chaplin, Cecil B. DeMille, Oscar Micheaux, Lois Weber, Dorothy Arzner, Frank Capra, Howard Hawks, Ernst Lubitsch, W. S. Van Dyke, John Ford, Orson Welles, William Wyler, Alfred Hitchcock, Ida Lupino, Billy Wilder, Federico Fellini, Stanley Kramer, David Lean, Robert Altman, Hal Ashby, Peter Bogdanovich, Francis Ford Coppola, Martin Scorsese, and Steven Spielberg.
Film Directors and Emotion by Darragh Greene,Graham Price Pdf
Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.
Covering classical Hollywood cinema, contemporary film-making and the classics of world cinema, this book is a visual guide to 250 of the all time greatest directors. Giving a page to each director, the book takes a still from a film that typifies each director's cinematic style. The words that accompany each still, describes the mise-en-scene and use this to describe the visual and thematic obsessions of each director's work - how they use focus, camera angle and motion, lighting, sound and sets and action to create the filmic reality that we the viewers are pulled into.
A fun introduction to 52 of the greatest film directors, from Almodovar to Ozu, Fellini to Tarantino, and many more. A striking, design-led reference book. A-Z Great Film Directors features Andy Tuohy's portraits of 52 directors significant for their contribution to cinema including kings of world cinema Wong Kar-Wai and Akira Kurosawa, arthouse pioneers Fritz Lang and David Lynch as well as the often under-appreciated female directors Kathryn Bigelow and Jane Campion. With text by film journalist Matt Glasby, each director's entry will also have a summary of the essential things you need to know about them, why they're important, a list of their must-see films, and a surprising fact or two about them, as well as images of their key films throughout. So whether you're already a film aficionado, or looking for a helpful cheat to pass convincingly as an arthouse fan, you'll love this guide to international directors, past and present.
What’s the Story? The Director Meets Their Screenplay by Peter Markham Pdf
A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.