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Author : Michael Jones (Archaeologist),Susanna McFadden
Publisher : Yale University Press
Page : 241 pages
File Size : 47,7 Mb
Release : 2015-01-01
Category : Architecture
ISBN : 9780300169126
"This publication is made possible by the generous support of the American people through the United States Agency for International Development (USAID)"--Page v.
Author : Vivien Green Fryd
Publisher : Unknown
Page : 292 pages
File Size : 47,9 Mb
Release : 2001
Category : Architecture
ISBN : UOM:39015055572468
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples. In Art and Empire, Vivien Green Fryd's revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works. This latest contribution to the United States Capitol Historical Society's Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls.
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 658 pages
File Size : 41,5 Mb
Release : 2000
Category : Art, American
ISBN : 9780870999574
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Author : Jaś Elsner
Publisher : Oxford University Press
Page : 337 pages
File Size : 41,9 Mb
Release : 2018
Category : Art, Early Christian
ISBN : 9780198768630
First edition published in 1998 by Oxford University Press with the title Imperial Rome and Christian triumph: the art of the Roman Empire, AD 100-450.
Author : Lee M. Jefferson,Robin M. Jensen
Publisher : Fortress Press
Page : 368 pages
File Size : 44,7 Mb
Release : 2015-10-01
Category : Religion
ISBN : 9781506402840
In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.
Author : Jeffrey F. Hamburger,Joshua O'Driscoll
Publisher : Giles
Page : 216 pages
File Size : 43,8 Mb
Release : 2021
Category : Antiques & Collectibles
ISBN : 1911282867
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
Author : Timothy Barringer,Geoff Quilley,Douglas Fordham
Publisher : Manchester University Press
Page : 464 pages
File Size : 47,8 Mb
Release : 2009-08-15
Category : Art
ISBN : 0719081939
This pioneering study argues that the concept of ‘empire’ belongs at the centre, rather than in the margins, of British art history. Recent scholarship in history, anthropology, literature and post-colonial studies has superseded traditional definitions of empire as a monolithic political and economic project. Emerging across the humanities is the idea of empire as a complex and contested process, mediated materially and imaginatively by multifarious forms of culture. The twenty essays in Art and the British Empire offer compelling methodological solutions to this ambiguity, while engaging in subtle visual analysis of a previously neglected body of work. Authors from Australia, Canada, New Zealand, South Africa, the USA and the UK examine a wide range of visual production, including book illustration, portraiture, monumental sculpture, genre and history painting, visual satire, marine and landscape painting, photography and film. Together these essays propose a major shift in the historiography of British art and a blueprint for further research.
Author : Natasha Eaton
Publisher : Bloomsbury Publishing
Page : 416 pages
File Size : 50,9 Mb
Release : 2013-10-28
Category : Social Science
ISBN : 9780857722768
Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the eighteenth-century Austrian Empress Maria Theresa to Rabindranath Tagore and Gandhi, to 1970s Bollywood, colour makes us adjust our take on the politics of the human sensorium as defamiliarising and disorienting. The four chapters conjecture how European, Indian and Papua New Guinean artists, writers, scientists, activists, anthropologists or their subjects sought to negotiate the highly problematic stasis of colour in the repainting of modernity. Specifically, the thesis of this book traces Europeans' admiration and emulation of what they termed 'Indian colour' to its gradual denigration and the emergence of a 'space of exception'. This space of exception pitted industrial colours against the colonial desire for a massive workforce whose slave-like exploitation ignited riots against the production of pigments - most notably indigo. Feared or derided, the figure of the vernacular dyer constituted a force capable of dismantling the imperial machinations of colour. Colour thus wreaks havoc with Western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, colour becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. The ideological reinvention of colour as a resource for independence struggles make it fundamental to multivalent genealogies of artistic and political action and their relevance to the present.
Author : Samuel Alexander
Publisher : Unknown
Page : 312 pages
File Size : 54,5 Mb
Release : 2017-09-19
Category : Art and social action
ISBN : 0994160690
What role might art need to play in the transition beyond consumer capitalism? Can 'culture jamming' contribute to the necessary revolution in consciousness? And might art be able to provoke social change in ways that rational argument and scientific evidence cannot? In this stimulating new book, "Art Against Empire: Toward an Aesthetics of Degrowth," degrowth scholar Samuel Alexander explores these questions, both in theory and practice. He begins with a novel theoretical defence of art and aesthetic interventions as activity that is necessary to effective social and political activism, and concludes by presenting over one hundred 'culture jamming' artworks from a range of contributors that challenge the status quo and expand the horizons of what alternatives are possible.
Author : Mark Ruwedel,Yale University. Art Gallery
Publisher : Yale University Press
Page : 0 pages
File Size : 52,7 Mb
Release : 2008
Category : Landscape
ISBN : 0300141343
A collection of photographs taken of abandoned railroad lines, built since 1869, landforms and ruins created by the railroads including cuts, grades, collapsed tunnels and derelict trestles.
Author : Adam Herring
Publisher : Cambridge University Press
Page : 263 pages
File Size : 40,7 Mb
Release : 2015-05-22
Category : Art
ISBN : 9781107094369
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.
Author : Karl J. Khandalavala
Publisher : Unknown
Page : 152 pages
File Size : 51,9 Mb
Release : 1991
Category : History
ISBN : UOM:39015028448754
Author : Matthew Rampley,Markian Prokopovych,Nóra Veszprémi
Publisher : Penn State Press
Page : 301 pages
File Size : 41,6 Mb
Release : 2021-02-25
Category : Art
ISBN : 9780271089065
This important critical study of the history of public art museums in Austria-Hungary explores their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg Empire. Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and Budapest, The Museum Age in Austria-Hungary traces the evolution of museum culture over the long nineteenth century, from the 1784 installation of imperial art collections in the Belvedere Palace (as a gallery open to the public) to the dissolution of Austria-Hungary after the First World War. Drawing on source materials from across the empire, the authors reveal how the rise of museums and display was connected to growing tensions between the efforts of Viennese authorities to promote a cosmopolitan and multinational social, political, and cultural identity, on the one hand, and, on the other, the rights of national groups and cultures to self-expression. They demonstrate the ways in which museum collecting policies, practices of display, and architecture engaged with these political agendas and how museums reflected and enabled shifting forms of civic identity, emerging forms of professional practice, the production of knowledge, and the changing composition of the public sphere. Original in its approach and sweeping in scope, this fascinating study of the museum age of Austria-Hungary will be welcomed by students and scholars interested in the cultural and art history of Central Europe.
Author : Annabel Jane Wharton
Publisher : Penn State University Press
Page : 216 pages
File Size : 40,9 Mb
Release : 1988
Category : Architecture
ISBN : MINN:31951002201864K
Between the ninth and twelfth centuries the Byzantine Empire encompassed a wide geographical territory extending from South Italy to Armenia, from the Danube to Cyprus. From the capital of the Empire, Constantinople, the all-powerful, God-elected emperor exercised autocratic control over the periphery. These structures of centralization stood in tension with the decentralizing force of local interests in the provinces. This present volume offers a comparative study of the form and patronage of surviving buildings and their painted decoration in four very different provinces-- Cappadocia, Cyprus, Macedonia, and South Italy--as a means of assessing the nature of Byzantine provincial art. All too often art historians have simplistically labeled high quality works in the provinces "metropolitan" and those of lesser aesthetic interests "provincial." The study establishes that a context in the hinterlands of the Empire affected the making of all provincial buildings--great and small. Local traditions and distinct patterns of patronage left their mark on even the most cosmopolitan structures. At the same time, the relative receptivity of the provinces to metropolitan artistic conventions indicates the ideological power of those conventions. Monumental works constructed in the provinces consistently served to reinforce Constantinopolitan hegemony. The reciprocity of these actions in the art of the Empire calls into question the facile equation of "provincial" with poor quality, derivativeness, and artistic insignificance. Most of the great fresco programs and buildings of the Byzantine Empire survive not in its capital, Constantinople, but in its provinces. Art of Empire is the only study to date which treats both the painting and architecture of these monuments comparatively within their geographical and social context. Though not a survey of provincial monuments, the book makes accessible to a broader audience a compendium of little-known and underappreciated works of great aesthetic and historical value.
Author : Kimbell Art Museum
Publisher : Metropolitan Museum of Art New York
Page : 0 pages
File Size : 54,9 Mb
Release : 1995
Category : Art
ISBN : 0870997386
"The British Museum has one of the finest collections of Assyrian artifacts in the world, centered around the famous carved stone reliefs from the palaces of the Assyrian kings at Nimrud and Nineveh. Dating from the ninth to the seventh centuries B.C., these remarkable sculptures show the kings' exploits in battle and in hunting, and ceremonies at the Assyrian court. This catalogue describes their excavation in the mid-nineteenth century and the excitement aroused in Western Europe by the discovery of reliefs depicting peoples mentioned in the Bible. A broader picture of life in Assyria is created by numerous smaller objects, such as delicate ivories, embossed bronze bowls, ceramic and glass vessels, and exquisite cylinder seals carved in miniature. Particularly important are the clay tablets from the royal library of King Ashurbanipal, written in the cuneiform script and dealing with a wide range of subjects, from the administration of the empire to magic, religion and divination, astronomy, mathematics, medicine, history and literature. The book is written by a team of experts, mainly from the British Museum, and more than 250 items are described and illustrated in color, providing a magnificent record of one of the great civilizations of antiquity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved