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Educational Research and Innovation Art for Art's Sake? The Impact of Arts Education by Winner Ellen,Goldstein Thalia R.,Vincent-Lancrin Stéphan Pdf
Arts education is often said to be a means of developing critical and creative thinking. This report examines the state of empirical knowledge about the impact of arts education on these kinds of outcomes.
A unique look inside a world of design sophistication, this volume showcases the interiors of the world's most prestigious art dealers. From New York to London, Paris to Monaco, the private residences of the greatest and most illustrious names in the art world boast some of the world's most outstanding collections. Antique masterpieces, modern chefs d'oeuvre, and contemporary creations are set against exquisite--and at times audacious--interiors exuding bold, unique style. A first of its kind, this elegant volume grants readers exclusive access to these houses and gives life to enthralling contrasts, echoes, and unexpected dialogues by juxtaposing unparalleled art collections with interiors designed by the most renowned names, such as Peter Marino, François Marcq, Jacques Grange, and Toshiko Mori. The result is a gallery of striking beauty, most of which is revealed to the public eye for the very first time and captured by photographer Jean-François Jaussaud. Demirdjian's texts guide the reader through these private spaces, while excerpts from exclusive interviews with some of the spaces' owners, such as Dominique Lévy, Brett Gorvy, Almine Rech, Barbara Gladstone, Kamel Mennour, and Axel and May Vervoordt, enrich this volume.
Art for Art's Sake & Literary Life by Gene H. Bell-Villada Pdf
Art for Art's Sake and Literary Life is a dynamic history of literary aestheticism from the eighteenth century to academic deconstruction in our own time. Gene H. Bell-Villada examines an enormous range of writings by critics, philosophers, and writers from Europe, Latin America, and the United States. Uniting all is his conviction that "there are concrete social, economic, political, and cultural reasons for the emergence, growth, diffusion, and triumph of l'art pour l'art over the past two centuries." Bell-Villada begins by considering how such thinkers as Shaftesbury, Kant, and Schiller described beauty as a phenomenon to be weighed not in isolation from other aspects of our existence but as part of our general development as human beings. He recounts how the original vision of Kant and Schiller was simplified and debased within new cultural, political, and economic contexts, leading to the "aesthetic separatism" promoted by lyric poets in France. Bell-Villada then examines how the ideology of Art for Art's Sake took on new forms in Europe and the Americas, culminating in present-day versions associated with the academicization (and ever greater marginalization) of literature. Artfully combining an exceptional amount of learning with a sharp polemical focus, Art for Art's Sake and Literary Life will appeal to a wide range of scholars and general readers for whom literature, aesthetics, and the relations of culture and society are vitally important matters.
What does God say about the arts? Can you be a Christian and an artist? How do the arts impact your church? The creation sings to us with the visual beauty of God's handiwork. But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church. If all of life is to be viewed as "under the lordship of Christ," can we rediscover what God's plan is for the arts? Philip Graham Ryken brings into sharp focus a biblical view of the arts and the artists who make art for God's sake. This is a concise yet comprehensive treatment of the major issue of the arts for all who seek answers.
"Current museum lighting practice is governed by conservation concerns, the aim being to minimize light exposure of exhibits to protect them from degradation. [This book] puts emphasis upon providing excellent visual presentation of the exhibits, and achieving this with light exposure ... [It] explores different approaches to museum lighting; examines visual responses to light and the damage caused by light exposure; reviews daylighting and electric lighting installations and how they are controlled; leads to practical procedures for designing, installing and maintaining effective museum lighting; [and] is illustrated with copious examples of daylighting and electric lighting installations fro museums around the world"--Page 4 of cover.
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors. What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as masterpieces? Ladenson's narrative starts with Madame Bovary (Flaubert was tried in France in 1857) and finishes with Fanny Hill (written in the eighteenth century, put on trial in the United States in 1966); she considers, along the way, Les Fleurs du Mal, Ulysses, The Well of Loneliness, Lady Chatterley's Lover, Tropic of Cancer, Lolita, and the works of the Marquis de Sade. Over the course of roughly a century, Ladenson finds, two ideas that had been circulating in the form of avant-garde heresy gradually became accepted as truisms, and eventually as grounds for legal defense. The first is captured in the formula "art for art's sake"-the notion that a work of art exists in a realm independent of conventional morality. The second is realism, vilified by its critics as "dirt for dirt's sake." In Ladenson's view, the truth of the matter is closer to -dirt for art's sake-"the idea that the work of art may legitimately include the representation of all aspects of life, including the unpleasant and the sordid. Ladenson also considers cinematic adaptations of these novels, among them Vincente Minnelli's Madame Bovary, Stanley Kubrick's Lolita and the 1997 remake directed by Adrian Lyne, and various attempts to translate de Sade's works and life into film, which faced similar censorship travails. Written with a keen awareness of ongoing debates about free speech, Dirt for Art's Sake traces the legal and social acceptance of controversial works with critical acumen and delightful wit.
"Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alientation, and decay. This ... book looks closely at this strand of fashion design in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties ... Fashion at the Edge considers a range of cutting-edge contemporary fashion in ... depth and detail, including the works of such current designers as John Galliano, Alexander McQueen, Hussein Chalayan, Viktor and Rolf and Martin Margiela"--Cover.
In the London circles of Dante Gabriel Rossetti and Frederic Leighton, the notion of "art for art's sake" became a shared concern: if art is not created for the sake of preaching a moral lesson, or supporting a political cause, or making a fortune, or any other objective, what might art be? Art historian Elizabeth Prettejohn traces the emergence of the debates over this issue in the 1860s and 1870s, focusing especially on the Rossetti, Whistler, Leighton, and other protagonists of the Aesthetic Movement and their paintings--some of the most haunting and memorable images in modern art. The English painters' search for the formula to best express the idea of "art for art's sake" was a unified and powerful artistic undertaking, Prettejohn demonstrates, and the Aesthetic Movement made important contributions to the history of modern art. Published for the Paul Mellon Centre for Studies in British Art
The first serious study of one of America's earliest motion picture comedians, later one of the most popular actors of the silent screen, and the worlds greatest cock-eyed mirthmaker, Ben Turpin. This book is the result of over forty years of researching and collecting anything and everything on this legendary - though sadly forgotten - comic. Never has such a wealth of information been assembled on one of the most respected comedians of his day, and this book, many are sure to agree, is too long overdue. Leaving no stone unturned - from old magazines and newspapers, to genealogy records, to business associates and family descendants - the author makes this the most complete reference book on the life, career and the films of Ben Turpin, and the most complete appreciation ever. Illustrated with hundreds of rare photos, many never-before-seen, most from the author's long-time personal collection, this book will prove indispensible to anyone and everyone interested in movie comedy and film history.
A literary thriller about an infamous desert art installation, the cult it inspired, and the search for a missing young woman that is “cinematic . . . readers will be compelled to start again at page one to discover how O’Connor pieces together his suspenseful, incredibly well–written narrative” (Library Journal, starred review). Los Angeles, the late 1970s: Jess Shepard is an installation artist who creates environments that focus on light and space, often leading to intense sensory experiences for visitors to her work. A run of critically lauded projects peaks with Zero Zone, an installation at the once upon a time site of nuclear bomb testing in the New Mexico desert. But when a small group of travelers experience what they perceive as a religious awakening inside Zero Zone, they barricade themselves in the installation until authorities are forced to intervene. That violent showdown becomes a media sensation, and its aftermath follows Jess wherever she goes. Devastated by the attack and the distortion of her art, Jess retreats from the world. Unable to work, Jess unravels mentally and emotionally, plagued by a nagging uncertainty as to her culpability for what happened. Three years later, a survivor from Zero Zone comes looking for Jess, who must move past her self imposed isolation to face down her fears and recover her art and possibly her life from a violent cult intent of making it their own.
