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Author : United States Centennial Commission
Publisher : Unknown
Page : 186 pages
File Size : 46,9 Mb
Release : 1876
Category : Centennial Exhibition
ISBN : UCBK:C039980723
Author : United States Centennial Commission
Publisher : Unknown
Page : 148 pages
File Size : 51,9 Mb
Release : 1876
Category : Art
ISBN : OCLC:36583356
Author : Susanna Gold
Publisher : Taylor & Francis
Page : 211 pages
File Size : 47,6 Mb
Release : 2016-12-08
Category : Art
ISBN : 9781315453125
The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.
Author : United States Centennial Commission
Publisher : Unknown
Page : 184 pages
File Size : 55,6 Mb
Release : 1876
Category : Art
ISBN : SRLF:AA0000691816
Author : United States Centennial Commission
Publisher : Unknown
Page : 128 pages
File Size : 46,9 Mb
Release : 1876
Category : Centennial Exhibition
ISBN : OCLC:213817025
Author : Anonim
Publisher : Unknown
Page : 170 pages
File Size : 54,9 Mb
Release : 1876
Category : Art, Modern
ISBN : UIUC:30112032515675
Author : Jana Wijnsouw
Publisher : Routledge
Page : 322 pages
File Size : 50,9 Mb
Release : 2017-09-27
Category : Art
ISBN : 9781351778145
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
Author : United States Centennial Commission
Publisher : Unknown
Page : 0 pages
File Size : 46,9 Mb
Release : 1876
Category : Art
ISBN : OCLC:166605186
Author : Silas Edgar Trout
Publisher : Unknown
Page : 288 pages
File Size : 53,7 Mb
Release : 1929
Category : Centennial Exhibition
ISBN : PSU:000015969071
Author : Anonim
Publisher : Unknown
Page : 436 pages
File Size : 46,6 Mb
Release : 1993
Category : United States
ISBN : UVA:X004795656
Author : Commission United States Centennial
Publisher : Unknown
Page : 128 pages
File Size : 41,6 Mb
Release : 1901
Category : Electronic
ISBN : 0259708496
Author : Centennial Exhibition (1876 Philade
Publisher : Legare Street Press
Page : 158 pages
File Size : 54,5 Mb
Release : 2021-09-09
Category : Electronic
ISBN : 1013593839
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Harvard University. Fine Arts Library
Publisher : Unknown
Page : 850 pages
File Size : 45,7 Mb
Release : 1971
Category : Art
ISBN : STANFORD:36105003681165
Author : Catherine Holochwost
Publisher : Routledge
Page : 276 pages
File Size : 52,6 Mb
Release : 2020-03-05
Category : Art
ISBN : 9780429615306
This book reveals a new history of the imagination told through its engagement with the body. Even as they denounced the imagination’s potential for inviting luxury, vice, and corruption, American audiences avidly consumed a transatlantic visual culture of touring paintings, dioramas, gift books, and theatrical performances that pictured a preindustrial—and largely imaginary—European past. By examining the visual, material, and rhetorical strategies artists like Washington Allston, Asher B. Durand, Thomas Cole, and others used to navigate this treacherous ground, Catherine Holochwost uncovers a hidden tension in antebellum aesthetics. The book will be of interest to scholars of art history, literary and cultural history, critical race studies, performance studies, and media studies.
Author : Bruno Giberti
Publisher : University Press of Kentucky
Page : 427 pages
File Size : 52,9 Mb
Release : 2021-03-17
Category : Architecture
ISBN : 9780813181486
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.