Art Ideology And Economics In Nazi Germany

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Art, Ideology, and Economics in Nazi Germany

Author : Alan E. Steinweis
Publisher : Univ of North Carolina Press
Page : 244 pages
File Size : 42,8 Mb
Release : 2017-11-01
Category : History
ISBN : 9780807864791

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Art, Ideology, and Economics in Nazi Germany by Alan E. Steinweis Pdf

From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, thus showing in whose interest cultural policies were formulated. He discusses such issues as insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis helps to explain the widespread acquiescence of German artists to artistic censorship and racial 'purification.' His work also sheds new light on the purge of Jews from German cultural life.

Social Outsiders in Nazi Germany

Author : Robert Gellately,Nathan Stoltzfus
Publisher : Princeton University Press
Page : 128 pages
File Size : 50,5 Mb
Release : 2018-06-05
Category : History
ISBN : 9780691188355

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Social Outsiders in Nazi Germany by Robert Gellately,Nathan Stoltzfus Pdf

When Hitler assumed power in 1933, he and other Nazis had firm ideas on what they called a racially pure "community of the people." They quickly took steps against those whom they wanted to isolate, deport, or destroy. In these essays informed by the latest research, leading scholars offer rich histories of the people branded as "social outsiders" in Nazi Germany: Communists, Jews, "Gypsies," foreign workers, prostitutes, criminals, homosexuals, and the homeless, unemployed, and chronically ill. Although many works have concentrated exclusively on the relationship between Jews and the Third Reich, this collection also includes often-overlooked victims of Nazism while reintegrating the Holocaust into its wider social context. The Nazis knew what attitudes and values they shared with many other Germans, and most of their targets were individuals and groups long regarded as outsiders, nuisances, or "problem cases." The identification, the treatment, and even the pace of their persecution of political opponents and social outsiders illustrated that the Nazis attuned their law-and-order policies to German society, history, and traditions. Hitler's personal convictions, Nazi ideology, and what he deemed to be the wishes and hopes of many people, came together in deciding where it would be politically most advantageous to begin. The first essay explores the political strategies used by the Third Reich to gain support for its ideologies and programs, and each following essay concentrates on one group of outsiders. Together the contributions debate the motivations behind the purges. For example, was the persecution of Jews the direct result of intense, widespread anti-Semitism, or was it part of a more encompassing and arbitrary persecution of "unwanted populations" that intensified with the war? The collection overall offers a nuanced portrayal of German citizens, showing that many supported the Third Reich while some tried to resist, and that the war radicalized social thinking on nearly everyone's part. In addition to the editors, the contributors are Frank Bajohr, Omer Bartov, Doris L. Bergen, Richard J. Evans, Henry Friedlander, Geoffrey J. Giles, Marion A. Kaplan, Sybil H. Milton, Alan E. Steinweis, Annette F. Timm, and Nikolaus Wachsmann.

The Arts in Nazi Germany

Author : Jonathan Huener,Francis R. Nicosia
Publisher : Berghahn Books
Page : 235 pages
File Size : 45,5 Mb
Release : 2007-09
Category : History
ISBN : 9781845453596

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The Arts in Nazi Germany by Jonathan Huener,Francis R. Nicosia Pdf

"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.

Art of Suppression

Author : Pamela M. Potter
Publisher : Univ of California Press
Page : 408 pages
File Size : 46,9 Mb
Release : 2016-06-28
Category : Art
ISBN : 9780520282346

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Art of Suppression by Pamela M. Potter Pdf

This provocative study asks why we have held on to vivid images of the NazisÕ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other Òenemies of the stateÓ was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.

Culture in Nazi Germany

Author : Michael H. Kater
Publisher : Yale University Press
Page : 388 pages
File Size : 54,9 Mb
Release : 2019-05-21
Category : History
ISBN : 9780300245110

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Culture in Nazi Germany by Michael H. Kater Pdf

“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship

Nazi Germany

Author : Jane Caplan
Publisher : Oxford University Press, USA
Page : 201 pages
File Size : 53,6 Mb
Release : 2019
Category : Electronic books
ISBN : 9780198706953

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Nazi Germany by Jane Caplan Pdf

Nazi Germany may have only lasted for 12 years, but it has left a legacy that still echoes with us today. This work discusses the emergence and appeal of the Nazi party, the relationship between consent and terror in securing the regime, the role played by Hitler himself, and the dark stains of war, persecution, and genocide left by Nazi Germany.

The Impact of Nazism

Author : Alan E. Steinweis,Daniel E. Rogers
Publisher : Unknown
Page : 0 pages
File Size : 40,6 Mb
Release : 2003
Category : History
ISBN : 0803222394

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The Impact of Nazism by Alan E. Steinweis,Daniel E. Rogers Pdf

The consequences of Germany's twelve-year Nazi regime continue to reverberate and to spark debate among scholars and the general public. In this volume leading scholars present provocative essays probing the nature, history, and aftermath of the Nazi regime, including its connections to the Federal Republic of Germany after the war. The essays address the nature of Nazism as reflected in contemporary perceptions of Nazi Germany in the United States; the origins and character of fascism; the many forms of antisemitism; German scholars' efforts to promote persecution in the Third Reich; the role of ethnic Germans in the anti-Jewish and anti-Slavic policies of the Reich; the actions of German police in the occupation of eastern Europe and in the Holocaust; Hitler's style of leadership; the nazification of the German military high command; and the politics surrounding the memory of Nazism and the Holocaust after 1945. The Impact of Nazism employs diverse approaches, exploits a variety of new and long-available sources, and asks new questions, making clear the profound connections between the Nazis and the world that survived them. Alan E. Steinweis is an associate professor of history and Judaic studies at the University of Nebraska-Lincoln. He is the author of Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. Daniel E. Rogers is an associate professor of history at the University of South Alabama. He is the author of Politics after Hitler: The Western Allies and the German Party System.

Nostalgia for the Future: Modernism and Heterogeneity in the Visual Arts of Nazi Germany

Author : Gregory Maertz
Publisher : BoD – Books on Demand
Page : 248 pages
File Size : 42,9 Mb
Release : 2019-04-30
Category : Language Arts & Disciplines
ISBN : 9783838212814

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Nostalgia for the Future: Modernism and Heterogeneity in the Visual Arts of Nazi Germany by Gregory Maertz Pdf

In the first chapter on the German military’s unlikely function as an incubator of modernist art and in the second chapter on Adolf Hitler’s advocacy for “eugenic” figurative representation embodying nostalgia for lost Aryan racial perfection and the aspiration for the future perfection of the German Volk, Maertz conclusively proves that the Nazi attack on modernism was inconsistent. In further chapters, on the appropriation of Christian iconography in constructing symbols of a Nazi racial utopia and on Baldur von Schirach’s heretical patronage of modernist art as the supreme Nazi Party authority in Vienna, Maertz reveals that sponsorship of modernist artists continued until the collapse of the regime. Also based on previously unexamined evidence, including 10,000 works of art and documents confiscated by the U.S. Army, Maertz’s final chapter reconstructs the anarchic denazification and rehabilitation of German artists during the Allied occupation, which had unforeseen consequences for the postwar art world.

Why Did Arno Breker Decide to Collaborate with the Nazi Cultural Programme?

Author : James Pinnock
Publisher : GRIN Verlag
Page : 12 pages
File Size : 48,9 Mb
Release : 2018-02-27
Category : History
ISBN : 9783668648326

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Why Did Arno Breker Decide to Collaborate with the Nazi Cultural Programme? by James Pinnock Pdf

Essay from the year 2011 in the subject History Europe - Germany - National Socialism, World War II, grade: 72.0%, Durham University, language: English, abstract: According to Jonathan Petropoulos, Arno Breker was arguably the artist most admired by the Nazi leaders and most celebrated by the Nazi regime. As such, Arno Breker does not represent a simple cog in the National Socialist cultural machine, but rather occupies a position of almost unrivalled prominence and esteem in the cultural history of the Third Reich. Importantly, within recent academic analysis of art and culture under the National Socialist regime, there has been an ostensible recognition among historians and art historians alike that our manner of approaching figures such as Breker must be altered significantly. Culture, and especially art occupied a position of unique significance in Nazi Germany, and the cultural policies of National Socialism worked to aestheticize politics and ideology. Indeed, Taylor and van der Will argue that under Adolf Hitler, Fascism came to represent a form of government which depended on such aestheticized politics, whereby the cultural programme was transmogrified into the ‘aesthetics of political symbolism’. It is within this vital framework of understanding that one must approach the multifarious motives for Arno Breker’s acquiescence with the Nazi regime after 1936-7. Although Breker possessed a truly impressive artistic pedigree prior to his ascent to fame in Nazi Germany, he did choose to continue his career, arguably in a different artistic style and approach, under the Nazis. It is in this decision that historians claim can be found Arno Breker’s ultimate undoing as an artist. The palpable changes evident in the sculptor’s artistic style raise the issue, as elucidated by Alan E. Steinweis, of the distinction between artists’ ‘passive compliance’ and ‘active collaboration’ with the regime’s cultural policies. However, the case of Arno Breker raises problems beyond Steinweis’ significant, but simultaneously constricted, scope of approach. The very motivations for his collaboration are overshadowed by the politically-dictated culture of which he became an indispensable part. One must question to what extent Arno Breker was transformed under National Socialism from a sculptor and an ‘artist’ into a purely political artist functioning to propagandize the ideological tenets of the Nazi regime.

The Law in Nazi Germany

Author : Alan E. Steinweis,Robert D. Rachlin
Publisher : Berghahn Books
Page : 256 pages
File Size : 42,5 Mb
Release : 2013-03-30
Category : History
ISBN : 9780857457813

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The Law in Nazi Germany by Alan E. Steinweis,Robert D. Rachlin Pdf

While we often tend to think of the Third Reich as a zone of lawlessness, the Nazi dictatorship and its policies of persecution rested on a legal foundation set in place and maintained by judges, lawyers, and civil servants trained in the law. This volume offers a concise and compelling account of how these intelligent and welleducated legal professionals lent their skills and knowledge to a system of oppression and domination. The chapters address why German lawyers and jurists were attracted to Nazism; how their support of the regime resulted from a combination of ideological conviction, careerist opportunism, and legalistic selfdelusion; and whether they were held accountable for their Nazi-era actions after 1945. This book also examines the experiences of Jewish lawyers who fell victim to anti-Semitic measures. The volume will appeal to scholars, students, and other readers with an interest in Nazi Germany, the Holocaust, and the history of jurisprudence.

The People's Dictatorship

Author : Alan E. Steinweis
Publisher : Cambridge University Press
Page : 295 pages
File Size : 49,8 Mb
Release : 2023-01-26
Category : History
ISBN : 9781009324977

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The People's Dictatorship by Alan E. Steinweis Pdf

In this up-to-date, succinct, and highly readable volume, Alan E. Steinweis presents a new synthesis of the origins, development, and downfall of Nazi Germany. After tracing the intellectual and cultural origins of Nazi ideology, the book recounts the rise and eventual victory of the Nazi movement against the background of the struggling Weimar Republic. The book details the rapid transformation of Germany into a dictatorship, focusing on the interplay of Nazi violence and the readiness of Germans to accommodate themselves to the new regime. Steinweis chronicles Nazi efforts to transform German society into a so-called People's Community, imbued with hyper-nationalism, an authoritarian spirit, Nazi racial doctrine, and antisemitism. The result was less a People's Community than what Steinweis calls a People's Dictatorship – a repressive regime that acted brutally toward the targets of its persecution, its internal opponents, and its foreign enemies even as it enjoyed support across much of German society.

Nazi Ideology and the Holocaust

Author : Anonim
Publisher : Unknown
Page : 180 pages
File Size : 41,5 Mb
Release : 2007
Category : History
ISBN : UOM:39015080739892

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Nazi Ideology and the Holocaust by Anonim Pdf

A popularly written and illustrated history of the Holocaust. Deals with all of the victims of the Nazis' genocidal campaign: communists, Jehovah's Witnesses, homosexuals, Poles and other Slavs, and Soviet POWs, as well as the "racial enemies" - Afro-Germans, the mentally and physically disabled, Gypsies, and Jews. Jews were regarded by the Nazis as the foremost "racial enemy". Pp. 110-156, "The Holocaust", deal specifically with the destruction of the Jews - from the first Nazi anti-Jewish measures in Germany, through the "Kristallnacht" pogrom and murders of Jews in Poland and the USSR, to the total mass murder in the death camps.

Building Nazi Germany

Author : Joshua Hagen,Robert C. Ostergren
Publisher : Rowman & Littlefield
Page : 510 pages
File Size : 54,6 Mb
Release : 2019-08-19
Category : Architecture
ISBN : 9780742567993

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Building Nazi Germany by Joshua Hagen,Robert C. Ostergren Pdf

This richly illustrated book details the wide-ranging construction and urban planning projects launched across Germany after the Nazi Party seized power. The authors show that it was an intentional program to thoroughly reorganize the country's economic, cultural, and political landscapes in order to create a dramatically new Germany, saturated with Nazi ideology.

Mein Kampf

Author : Adolf Hitler
Publisher : ببلومانيا للنشر والتوزيع
Page : 522 pages
File Size : 41,8 Mb
Release : 2024-02-26
Category : Biography & Autobiography
ISBN : 8210379456XXX

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Mein Kampf by Adolf Hitler Pdf

Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.

Fascism: A Very Short Introduction

Author : Kevin Passmore
Publisher : OUP Oxford
Page : 176 pages
File Size : 55,9 Mb
Release : 2014-05-29
Category : Political Science
ISBN : 9780191508554

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Fascism: A Very Short Introduction by Kevin Passmore Pdf

What is fascism? Is it revolutionary? Or is it reactionary? Can it be both? Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That is overtly macho in style, yet attracts many women? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society? In the new edition of this Very Short Introduction, Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world—tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I, including fascist regimes in Italy and Germany, and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.