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Author : Lynette M. F. Bosch Publisher : Penn State Press Page : 354 pages File Size : 47,9 Mb Release : 2010-11-01 Category : History ISBN : 0271043814
Art, Liturgy, and Legend in Renaissance Toledo by Lynette M. F. Bosch Pdf
Using patronage as a filter, Bosch relates the style, content, and function of these lavish manuscripts to the many-sided ritual life of the Cathedral and, beyond that, to its social and political role in efforts to forge Spanish identity in the midst of the Reconquista." "This book will appeal to art historians, Hispanists, and all those interested in Renaissance history and culture."--BOOK JACKET.
Liturgy, Books and Franciscan Identity in Medieval Umbria by Anna Welch Pdf
In Liturgy, Books and Franciscan Identity in Medieval Umbria, Anna Welch explores how early Franciscan friars produced the missals essential to their liturgical lives, and reflects on both the construction of ritual communal identity and historiographic trends regarding this process.
Medieval Toledo is famous as a center of Arabic learning and as a home to sizable Jewish, Muslim, and Christian communities. Yet its cathedral—one of the largest, richest, and best preserved in all of Europe—is little known outside Spain. In Toledo Cathedral, Tom Nickson provides the first in-depth analysis of the cathedral’s art and architecture. Focusing on the early thirteenth to the late fourteenth centuries, he examines over two hundred years of change and consolidation, tracing the growth of the cathedral in the city as well as the evolution of sacred places within the cathedral itself. He goes on to consider this substantial monument in terms of its location in Toledo, Spain’s most cosmopolitan city in the medieval period. Nickson also addresses the importance and symbolic significance of Toledo’s cathedral to the city and the art and architecture of the medieval Iberian Peninsula, showing how it fits in with broader narratives of change in the arts, culture, and ideology of the late medieval period in Spain and in Mediterranean Europe as a whole.
"The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo presents a model for realizing the fuller significance of illuminated music manuscripts as cultural artifacts, and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins, subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht Durer), its rare Spanish chants for the Mass, and two striking musical works for multiple voices (one by Josquin Desprez and another on "L'homme arme"). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo."--BOOK JACKET.
Mozarabs, Hispanics and Cross by Gomez-Ruiz, Raul Pdf
Veneration of the Cross plays a major role in Hispanic popular religion. But for the Mozarabs, a Catholic community that traces its roots to the Visigoths and Hispano-Romans of seventh-century Spain, veneration of the Cross--particularly the Lignum Crucis, a relic of the ""True Cross""--has served to join devotion to Christ with a powerful symbol of religio-ethnic identity and survival in the face of persecution. The Mozarabs (the term may mean ""Arabized"") of Toledo maintained their Catholic identity through the period of Islamic rule. After the Christian reconquest of Spain and the imposition of uniform Roman liturgical rites, they clung tightly to their own Mozarabic Rite, which is still recognized and celebrated today.
Narrative, Piety and Polemic in Medieval Spain by Alun Williams Pdf
This book presents an original perspective on the variety and intensity of biblical narrative and rhetoric in the evolution of history writing in León-Castile during the twelfth and thirteenth centuries. It focuses on six Hispano-Latin chronicles, two of which make unusually overt and emphatic use of biblical texts. Of particular importance is the part played by the influence of exegesis that became integral to scriptural and liturgical influence, both in and beyond monastic institutions. Alun Williams provides close analysis of the text and comparisons with biblical typology to demonstrate how these historians from the north of Iberia were variously dependent on a growing corpus of patristic and early medieval interpretation to understand and define their world and their sense of place. Narrative, Piety and Polemic in Medieval Spain sees Williams examine this material as part of a comparative exploration of language and religious allusion, showing how the authors used these biblical-liturgical elements to convey historical context, purpose and interpretation.
This book shows the influence of medieval musical manuscripts on the articulation of national identity in Enlightenment Spain. For the eighteenth century Jesuit Andrés Marcos Burriel (1719-1762) and his associate the calligrapher Francisco Palomares (1728-1796), the notation that preserved the music of the past was a central source in the study of history.
The Casa del Deán in Puebla, Mexico, is one of few surviving sixteenth-century residences in the Americas. Built in 1580 by Tomás de la Plaza, the Dean of the Cathedral, the house was decorated with at least three magnificent murals, two of which survive. Their rediscovery in the 1950s and restoration in 2010 revealed works of art that rival European masterpieces of the early Renaissance, while incorporating indigenous elements that identify them with Amerindian visual traditions. Extensively illustrated with new color photographs of the murals, The Casa del Deán presents a thorough iconographic analysis of the paintings and an enlightening discussion of the relationship between Tomás de la Plaza and the indigenous artists whom he commissioned. Penny Morrill skillfully traces how native painters, trained by the Franciscans, used images from Classical mythology found in Flemish and Italian prints and illustrated books from France—as well as animal images and glyphic traditions with pre-Columbian origins—to create murals that are reflective of Don Tomás’s erudition and his role in evangelizing among the Amerindians. She demonstrates how the importance given to rhetoric by both the Spaniards and the Nahuas became a bridge of communication between these two distinct and highly evolved cultures. This pioneering study of the Casa del Deán mural cycle adds an important new chapter to the study of colonial Latin American art, as it increases our understanding of the process by which imagery in the New World took on Christian meaning.
Imagining the Passion in a Multiconfessional Castile by Cynthia Robinson Pdf
"An interdisciplinary reassessment of the creation and reception of religious imagery, and of its place in the devotional practices of Castilian Christians, situated against the broader panorama of Spanish culture in the fourteenth and fifteenth centuries"--Provided by publisher.
The Cultural World of Eleonora di Toledo by Konrad Eisenbichler Pdf
Eleonora di Toledo was a powerful and influential woman who, over the course of nearly a quarter century (1539-62), contributed profoundly to the cultural flowering of ducal Florence. Her patronage of some of the leading artists of the time, her support of newly arrived Jesuit preachers, her involvement in charitable activities, her unfailing devotion to her husband and his policies, not to mention her successful farming and business ventures are only some of the areas where her influence was unambiguously exercised and felt. She also provided the House of Medici with a full stable of children to re-invigorate the failing family line, ensure male succession even in the face of unexpected calamities, and provide enough females to establish marriage connections with a variety of noble and ruling houses in Italy. In spite of all these contributions, Eleonora has attracted little attention from scholars. This apparent disinterest may be a factor of Eleonora's personal style, or of the bad press that, as a Spanish noblewoman, she quickly received from her Florentine subjects, or of modern antipathy for some of the basic characteristics of ducal Florence. An examination of her impact on Tuscany is long overdue. In fact, a fuller, more nuanced understanding of the duchess can shed a more profound light not only on her as a person, or on her impact on Tuscan culture in the sixteenth century, but also on the contribution of female consorts to the vitality of a successful early-modern state. The essays collected here bring together a variety of scholars working in various disciplines. While many of the articles take their cue from art history (a natural reflection of the innovative research recent art historians have carried out on the duchess), they also reach out towards other disciplines - political history, literature, spectacle, and religion to mention just a few. In so doing, they expand our understanding of Eleonora's place in her society and reveal a very complex,
Astronomical Knowledge Transmission Through Illustrated Aratea Manuscripts by Marion Dolan Pdf
This carefully researched monograph is a historical investigation of the illustrated Aratea astronomical manuscript and its many interpretations over the centuries. Aratus' 270 B.C.E. Greek poem describing the constellations and astrological phenomena was translated and copied over 800 years into illuminated manuscripts that preserved and illustrated these ancient stories about the constellations. The Aratea survives in its entirety due to multiple translations from Greek to Latin and even to Arabic, with many illuminated versions being commissioned over the ages. The survey encompasses four interrelated disciplines: history of literature, history of myth, history of science, and history of art. Aratea manuscripts by their nature are a meeting place of these distinct branches, and the culling of information from historical literature and from the manuscripts themselves focuses on a wider, holistic view; a narrow approach could not provide a proper prospective. What is most essential to know about this work is that because of its successive incarnations it has survived and been reinterpreted through the centuries, which speaks to its importance in all of these disciplines. This book brings a better understanding of the history, changes and transmission of the original astronomical Phaenomena poem. Historians, art historians, astronomy lovers, and historians of astronomy will learn more specialized details concerning the Aratea and how the tradition survived from the Middle Ages. It is a credit to the poetry of Aratus and the later interpreters of the text that its pagan aspects were not edited nor removed, but respected and maintained in the exact same form despite the fact that all sixty Aratea manuscripts mentioned in this study were produced under the rule of Christianity.
Examines how four volumes of invented "truths" about Sp[anish sacred histiory radically transformed the religious landscape in Counter-Reformation Spain. Explores the history, author, and legacy of the Cronicones, alleged to have been unearthed in 1595 and not definitively exposed as forgeries until centuries later.
The Hebrew Bible in Fifteenth-Century Spain by Jonathan Decter,Arturo Prats Pdf
The Hebrew Bible in Fifteenth-Century Spain: Exegesis, Literature, Philosophy, and the Arts investigates the relationship between the Bible and the cultural production of Iberian societies between the anti-Jewish riots of 1391 and the Expulsion of 1492. During this turbulent and transformative period, the Bible intersected with virtually all aspects of late medieval Iberian culture: its languages of expression, its material and artistic production, and its intellectual output in literary, philosophical, exegetic, and polemical spheres. The articles in this cross-cultural and interdisciplinary volume present instantiations of the Hebrew Bible’s deployment in textual and visual forms on diverse subjects (messianic exegesis, polemics, converso liturgy, Bible translation, conversion narrative, etc.) and utilize a broad range of methodological approaches (from classical philology to Derridian analysis).
Author : Isabel Alvarez Borland,Lynette M. F. Bosch Publisher : State University of New York Press Page : 237 pages File Size : 52,6 Mb Release : 2009-01-26 Category : Literary Criticism ISBN : 9780791493724
Cuban-American Literature and Art by Isabel Alvarez Borland,Lynette M. F. Bosch Pdf
This groundbreaking collection offers an understanding of why Cuban-American literature and visual art have emerged in the United States and how they are so essentially linked to both Cuban and American cultures. The contributors explore crucial issues pertinent not only to Cuban-American cultural production but also to other immigrant groups—hybrid identities, biculturation, bilingualism, immigration, adaptation, and exile. The complex ways in which Cuban Americans have been able to keep a living memory of Cuba while developing and thriving in America are both intriguing and instructive. These essays, written from a variety of perspectives, range from useful overviews of fictional and visual works of art to close readings of individual texts.