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Author : John Milner
Publisher : Yale University Press
Page : 268 pages
File Size : 50,5 Mb
Release : 2000-01-01
Category : History
ISBN : 9780300084078
En beskrivelse af franske kunstneres opfattelse af Frankrigs krig mod Preussen, Pariserkommunen og den nye franske republik, som det kommer til udtryk i deres kunst
Author : Albert Boime
Publisher : Princeton University Press
Page : 250 pages
File Size : 48,8 Mb
Release : 1997-02-06
Category : Art
ISBN : 9780691015552
This exploration of the forces that shaped Impressionism proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.
Author : Owen Holland
Publisher : Rutgers University Press
Page : 269 pages
File Size : 43,8 Mb
Release : 2022-03-18
Category : History
ISBN : 9781978821934
The Parisian Communards fought for a vision of internationalism, radical democracy and economic justice for the working masses that cut across national borders. Its eventual defeat resonated far beyond Paris. Literature and Revolution examines how authors in Britain projected their hopes and fears in literary representations of the Commune.
Author : Shalon Parker
Publisher : Rowman & Littlefield
Page : 185 pages
File Size : 45,9 Mb
Release : 2018-11-19
Category : Art
ISBN : 9781611496710
In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.
Author : Douglas Fermer
Publisher : Pen and Sword
Page : 460 pages
File Size : 42,8 Mb
Release : 2013-11-20
Category : History
ISBN : 9781473831452
Tension and rivalry between France and Germany shaped the history of Western Europe in the century from 1860. Three times that hostility led to war and the invasion of France - in 1870, 1914 and 1940. The outcomes of the battles that followed reset the balance of power across the continent. Yet the German invasions tend to be viewed as separate events, in isolation, rather than as connected episodes in the confrontation between the two nations. Douglas Fermer's fresh account of the military campaigns and the preparations for them treats them as part of a cycle of fear, suspicion, animosity and conflicting ambitions extending across several generations. In a clear, concise account of the decisive opening phase of each campaign, he describes the critical decision-making, the manoeuvres and clashes of arms in eastern France as German forces advanced westwards. As the 100th anniversary of the start of the Great War approaches, this is a fitting moment to reconsider these momentous events and how they fit into the broad sweep of European history.
Author : Karine Varley
Publisher : Taylor & Francis
Page : 204 pages
File Size : 40,5 Mb
Release : 2024-06-14
Category : History
ISBN : 9781040046128
The Franco-Prussian War of 1870–71 has traditionally been seen as a limited conflict between French and German forces. This edited volume challenges this view and shows that it was a war of ideas, values, and perceptions, which transformed the political, diplomatic, and military culture across Europe. Based on interdisciplinary research, the book suggests that the war raised new questions about power, the nation, violence, and notions of civilization, which brought about a decisive shift in how warfare was experienced and perceived. While the Franco-Prussian War may have begun as a traditional dynastic struggle, it became a modern war and an important precursor to the First World War in its use of new weaponry and industrialized warfare. At the same time, the development of humanitarian movements and international law on the conduct of war meant that the fighting was subjected to unprecedented scrutiny, while new technologies accelerated the pace at which narratives about the war were constructed and consumed. This volume will appeal to scholars in the fields of war studies, international relations and diplomacy, and intellectual and cultural history. It will also be a useful addition to undergraduate and postgraduate courses on nineteenth-century European history and cultural studies.
Author : Thijs Dekeukeleire,Henk de Smaele,Marjan Sterckx
Publisher : Leuven University Press
Page : 321 pages
File Size : 54,7 Mb
Release : 2022-01-10
Category : Social Science
ISBN : 9789462702813
Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.
Author : K. Varley
Publisher : Springer
Page : 299 pages
File Size : 53,5 Mb
Release : 2008-09-24
Category : History
ISBN : 9780230582347
Based on extensive archival research, this book is the first wide-ranging analysis of how memories of the Franco-Prussian War shaped French political culture and identities. Examining war remembrance as an emerging mass phenomenon in Europe, it sheds new light on the relationship between memories and the emergence of new concepts of the nation.
Author : Thomas Cardoza
Publisher : Indiana University Press
Page : 313 pages
File Size : 53,7 Mb
Release : 2010-04-05
Category : History
ISBN : 9780253354518
"Based on previously unpublished French archival records as well as published primary sources from France, its enemies, and its allies from the early 1700s until the Great War, Intrepid women is the first serious ... study of a previously ignored aspect women's and military history. Thomas Cardoza shows that these women were far more numerous and far more important to French logistics and morale than previously recognized, and suggests that their suppression was both premature and ultimately counterproductive. He also paints ... a complete picture of these women's daily lives: social origins, recruitment, business dealings, behavior on the battlefield, marriage and family life, retirement, and death"--Jacket.
Author : Ross King
Publisher : Anchor Canada
Page : 690 pages
File Size : 41,9 Mb
Release : 2012-01-11
Category : Art
ISBN : 9780307374967
Another fascinating book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art.’ Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information and a colourful cast of characters that includes Baudelaire, Courbet and Zola, with walk-on parts for Monet, Renoir, Degas and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
Author : Thomas W. Gaehtgens
Publisher : Getty Publications
Page : 224 pages
File Size : 51,9 Mb
Release : 2013-03-05
Category : Art
ISBN : 9781606061367
The Getty Research Journal publishes the original research underway at the Getty and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. Articles explore the collections of the J. Paul Getty Museum and Research Institute, as well as the annual themes and ongoing research projects of the Research Institute. Shorter texts highlight new acquisitions and discoveries, and focus on the diverse tools for scholarship being developed at the Getty. This issue features essays on early modern alchemy; portraits of the Orsini family; a decorative design for a Borghese palace; the Eruditi Italiani archive; the collecting habits of Louis-Philippe, duc d'Orléans; Félix Bracquemond's sketches of the Paris Commune; the art dealer David Croal Thomson; the Russian avant-garde book Mirskontsa; Malvina Hoffman's Heads and Tales; and Yves Klein at Galerie Schmela. In a new section about tools of art historical scholarship, authors discuss the Spanish translation of the Art & Architecture Thesaurus® and the creative potential of digital architectural taxonomies. Short texts examine ancient Roman terracotta fragments, prints by Albrecht Dürer, designs for the Palacio Salvo in Montevideo, the textile collection of Ulrich Middeldorf, a New York "pottery happening," and the German writer Christa Wolf.
Author : Mark Carroll
Publisher : Routledge
Page : 615 pages
File Size : 41,6 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351557719
This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.
Author : Marc Gotlieb
Publisher : University of Chicago Press
Page : 320 pages
File Size : 51,5 Mb
Release : 2016-06-09
Category : Art
ISBN : 9780226298856
This is the first book in English on Henri Regnault (1843–71), a forgotten star of the European fin-de-siècle. A brilliant maverick who once seemed to hold the future of French painting in his hands, Regnault enjoyed a meteoric rise that was cut short when he died at the age of twenty-seven in the Franco-Prussian War. The story of his glamorous career and patriotic death colored French commemorative culture for nearly forty years—until his memory was swept away by the vast losses of World War I. In The Deaths of Henri Regnault, Marc Gotlieb reintroduces this important artist while offering a new perspective on the ultimate decline of nineteenth-century salon painting. Gotlieb traces Regnault’s trajectory after he won the prestigious Grand Prix de Rome, a fellowship that provided four years of study in Italy. Arriving in Rome, however, Regnault suffered a profound crisis of originality that led him to flee the city in favor of Spain and Morocco. But the crisis also proved productive: from Rome, Madrid, Tangier, and Paris, Regnault enthralled audiences with a bold suite of strange, seductive, and violent Orientalist paintings inspired by his exotic journey—images that, Gotlieb argues, arose precisely from the crisis that had overtaken Regnault and that in key respects was shared by his more avant-garde counterparts. Both an in-depth look at Regnault’s violent art and a vibrant essay on historical memory, The Deaths of Henri Regnault lays bare a creative legend who helped shape the collective experience of a generation.
Author : Catherine E. Clark
Publisher : Oxford University Press
Page : 272 pages
File Size : 53,5 Mb
Release : 2018-07-19
Category : History
ISBN : 9780190681654
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.
Author : Jeremy Black
Publisher : Routledge
Page : 270 pages
File Size : 44,6 Mb
Release : 2004-09-02
Category : History
ISBN : 9781134477012
Rethinking Military History is a bold new 'thought book' that reconsiders military history at the beginning of the twenty-first century. The chapters provide a valuable and concise survey of the main themes in the study of military history from 1500 to the present day as Jeremy Black reveals the main trends in the practice and approach to mili
