Arthur Koestler S Fiction And The Genre Of The Novel
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Arthur Koestler’s Fiction and the Genre of the Novel by Zénó Vernyik Pdf
Featuring a selection of brand new essays by a group of accomplished scholars, Arthur Koestler's Fiction and the Genre of the Novel covers all of Koestler's novels published in his lifetime, the first book to attempt this in English since Mark Levene's Arthur Koestler, published thirty-seven years ago. The team of contributors, with research backgrounds in history, political science, religious studies, law, linguistics and journalism besides literature, offers a truly multidisciplinary take on how Koestler's novels utilize, and at times transcend, the genre of the novel, and argues for their enduring relevance and appeal in the twenty-first century, inviting the reader to revisit and reassess them. With the topics of Koestler's novels including terrorism, massive migration, espionage, rape trauma, war trauma, the crisis of faith, propaganda, fake news and the role and responsibility of intellectuals in major international crises, as the volume aims to show, these texts are just as topical today, as they were at the time of their publication.
The newly discovered lost text of Arthur Koestler’s modern masterpiece, Darkness at Noon—the haunting portrait of a revolutionary, imprisoned and tortured under totalitarian rule—is now restored and in a completely new translation. Editor Michael Scammell and translator Philip Boehm bring us a brilliant novel, a remarkable discovery, and a new translation of an international classic. In print continually since 1940, Darkness at Noon has been translated into over 30 languages and is both a stirring novel and a classic anti-fascist text. What makes its popularity and tenacity even more remarkable is that all existing versions of Darkness at Noon are based on a hastily made English translation of the original German by a novice translator at the outbreak of World War II. In 2015, Matthias Weßel stumbled across an entry in the archives of the Zurich Central Library that is a scholar's dream: “Koestler, Arthur. Rubaschow: Roman. Typoskript, März 1940, 326 pages.” What he had found was Arthur Koestler’s original, complete German manuscript for what would become Darkness at Noon, thought to have been irrevocably lost in the turmoil of the war. With this stunning literary discovery, and a new English translation direct from the primary German manuscript, we can now for the first time read Darkness at Noon as Koestler wrote it. Set in the 1930s at the height of the purge and show trials of a Stalinist Moscow, Darkness at Noon is a haunting portrait of an aging revolutionary, Nicholas Rubashov, who is imprisoned, tortured, and forced through a series of hearings by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he re-lives a career that embodies the terrible ironies and betrayals of a merciless totalitarian movement masking itself as an instrument of deliverance. Koestler’s portrayal of Stalin-era totalitarianism and fascism is as chilling and resonant today as it was in the 1940s and during the Cold War. Rubashov’s plight explores the meaning and value of moral choices, the attractions and dangers of idealism, and the corrosiveness of political corruption. Like The Trial, 1984, and Animal Farm, this is a book you should read as a citizen of the world, wherever you are and wherever you come from.
In this novel the call-girls are the men and women of the international jet-set who, at the lift of a telephone, will fly from conference to congress to symposium to discuss subjects of world importance. This time the place is Switzerland and the subject Survival...
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
An examination of the human impulse towards self-destruction suggests that in the course of human evolution, a pathological split between emotion and reason developed
The second volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon. Taken together, Arthur Koestler's volumes of autobiography constitute an unrivalled study of a twentieth-century life. The Invisible Writing picks up where the first volume, Arrow in the Blue, ended, with Koestler joining the Communist Party. This second volume goes on to detail some of the most important, gruelling and electrifying experiences in his life. This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It tells of how he survived in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home.
The Narrative of Arthur Gordon Pym of Nantucket by Edgar Allan Poe Pdf
"The Narrative of Arthur Gordon Pym of Nantucket", a story by Edgar Allan Poe, recounts the adventure of Pym, who embarks clandestinely on a whaler. After a mutiny and various adversities, including cannibalism and natural disasters, the story culminates in a mysterious and inconclusive encounter at the South Pole.
Arthur Koestler, best known for his world-famous novel Darkness at Noon, stands as a cultural beacon in the post-1945 world. Along with Sartre, Camus and Orwell, he helped to shape the ideas of today. This major reassessment, based on groundbreaking and comprehensive research, sets Koestler's life and thoughts against the tumultuous century he chronicled and explores fully for the first time the continuing drama of his private life as a lover, a husband and a Jew. David Cesarani paints an explosive portrait of Koestler that bridges the gulf separating public and private life, contrasting the work of a genius against the backdrop of his tormented soul and brutal private life. In England, Cesarani's revelations led to the removal of Koestler's bust at the University of Edinburgh, so strong were the feelings roused by his dissection of Koestler as a thinker and as a man. A central European Jew born in 1905, Koestler was molded by his times. Uprooted by war and revolution and hounded by prejudice, he struggled to make sense of a world on the edge of apocalypse. His search for meaning, identity and belonging swept him up in the raging ideological torrents of his times -- Zionism, Communism, anti-Communism and both hard scientific and esoteric mystical pursuits -- and culminated in an idiosyncratic and deeply personal ideological position that has confused and eluded critics and commentators. Equally restless in his personal relationships, Koestler made and broke friendships and marriages. His violent affairs with women were legendary, but until now the shocking details of his private life were hidden from view by loyal friends and obscured by the Olympian prose of his autobiographicalwriting. Cesarani is the first to make unrestricted use of Koestler's private papers. He also draws on previously secret documents held by the KGB and FBI, which expose the depth of Koestler's involvement in the Communist Party and, later, his relations with the CIA. Once a Communist, Koestler eventually rejected Marxism and led the intellectual counterattack that culminated in the fall of the Berlin Wall. His speculations on human nature and the future of mankind in the atomic age were stamped upon a generation that lived in the shadow of the bomb. But alongside his brilliance and charm was a darker side, fully plumbed here for the first time, which led ultimately to the tragic dual suicide with his third wife, Cynthia, in 1983. With Arthur Koestler: The Homeless Mind David Cesarani has ensured Koestler's place in the pantheon of the intellectual giants of the twentieth century as surely as his forceful, provocative and groundbreaking study is guaranteed to reignite the controversy that swirled around Koestler in his life and his death, in his work and his actions.
From award-winning author Michael Scammell comes a monumental achievement: the first authorized biography of Arthur Koestler, one of the most influential and controversial intellectuals of the twentieth century. Over a decade in the making, and based on new research and full access to its subject’s papers, Koestler is the definitive account of this fascinating and polarizing figure. Though best known as the creator of the classic anti-Communist novel Darkness at Noon, Koestler is here revealed as much more–a man whose personal life was as astonishing as his literary accomplishments. Koestler portrays the anguished youth of a boy raised in Budapest by a possessive and mercurial mother and an erratic father, marked for life by a forced operation performed without anesthesia when he was five, growing up feeling unloved and unprotected. Here is the young man whose experience of anti-Semitism and devotion to Zionism provoked him to move to Palestine; the foreign correspondent who risked his life from the North Pole to Franco’s Spain, where he was imprisoned and sentenced to death; the committed Communist for whom the brutal truth of Stalin’s show trials inspired the superb and angry novel that became an instant classic in 1940. Scammell also provides new details of Koestler’s amazing World War II adventures, including his escape from occupied France by joining the Foreign Legion and his bluffing his way illegally to England, where his controversial novel Arrival and Departure, published in 1943, was the first to portray Hitler’s Final Solution. Without sentimentality, Scammell explores Koestler’s turbulent private life: his drug use, his manic depression, the frenetic womanizing that doomed his three marriages and led to an accusation of rape that posthumously tainted his reputation, and his startling suicide while fatally ill in 1983–an act shared by his healthy third wife, Cynthia–rendered unforgettably as part of his dark and disturbing legacy. Featuring cameos of famous friends and colleagues including Langston Hughes, George Orwell, and Albert Camus, Koestler gives a full account of the author’s voluminous writings, making the case that the autobiographies and essays are fit to stand beside Darkness at Noon as works of lasting literary value. Koestler adds up to an indelible portrait of this brilliant, unpredictable, and talented writer, once memorably described as “one third blackguard, one third lunatic, and one third genius.”
