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The Artificial Paradise by Sharona Ben-Tov,Sharona Muir Pdf
Why do Americans find it appealing to create and live in artificial worlds--whether in space, at Disneyland, in computer networks, or in our own minds?
At the time of its release in 1860, Baudelaire's "Artificial Paradises" met with immediate praise. Beautifully wrought, this portrait of the effects of wine, opium, and hashish on the mind captures the dreamlike visions that the author experienced during his narcotic trances. **Lightning Print On Demand Title
This sensational anthology features a rich tapestry of voices exploring the powerful role that mind-altering drugs have played throughout history. It brings together a multiplicity of voices to explore the presence -- both secret and public -- of drugs in the overlapping dialogues of science and religion, pleasure and madness, individualism and social control. Featuring writings by William Burroughs, Hunter S. Thompson, Aldous Huxley, Alice B. Toklas, Charles Baudelaire, Sigmund Freud, and an array of other seekers, Artificial Paradises locates the origins, busts the myths, examines the scientific studies, and embraces the controversy surrounding drugs, offering an honest, if not psychedelic, portrait of the lives and minds of those who have used them.
There is an epigram in this book from the Phil Ochs song, "Crucifixion", about the Kennedy assassination, that states: I fear to contemplate that beneath the greatest love, lies a hurricane of hate. On February 11th 1963, the Beatles recorded "There's a Place", a dazzling, unheralded tune which was included on their electrifying debut album, Please Please Me. This song firmly laid the foundation on which a huge utopian dream of the sixties would be built. Within that dream, however, also lay the seeds of a darker vision that would emerge out of the very counterculture that the Beatles and their music helped create. Thus, even as their music attracted adoring fans, it also enticed the murderous ambitions of Charles Manson; and though the Beatles may have inspired others to form bands, their own failed hopes ultimately led to their breakup. The disillusionment with the sixties, and the hopes associated with the group, would many years later culminate in the assassination of John Lennon and the attempted slaying of George Harrison by deranged and obsessive fans. In this incisive examination, author Kevin Courrier (Dangerous Kitchen: the Subversive World of Zappa, Randy Newman's American Dreams) examines how the Fab Four, through their astonishing music and comically rebellious personalities, created the promise of an inclusive culture built on the principles of pleasure and fulfillment. By taking us through their richly inventive catalogue, Courrier illustrates how the Beatles' startling impact on popular culture built a bond with audiences that was so strong, people today continue to either cling nostalgically to it, or struggle - and often struggle violently - to escape its influence.
This early work by Arthur Benjamin Reeve was originally published in 1912 and we are now republishing it with a brand new introductory biography. This is one of Reeve's short stories featuring the popular Professor Craig Kennedy. Kennedy is sometimes comp
Author : Emanuel J. Mickel Jr. Publisher : Unc Department of Romance Studies Page : 0 pages File Size : 52,8 Mb Release : 1969-01-30 Category : Drug abuse in literature ISBN : 0807890847
The Artificial Paradises in French Literature by Emanuel J. Mickel Jr. Pdf
This is a study that traces the influence of drugs on French literature. The first three chapters acquaint the reader with various aspects of the use and effect of opium and hashish. Later chapters analyze the influence on the works of various writers of the period, particularly Baudelaire.
Jens Naumann, a typical energetic young man of 17 had just moved out of his parent’s home in Northern British Columbia, moving into a railway camp as an employee with the British Columbia Railway. All goes well as Jens enjoys his new found freedom, treasuring his driver’s license and its associated freedom of travel. Then on a wintry day in 1981, fate rears its ugly head and strikes him blind in his left eye. Jens quickly rearranges his life to accommodate his new found fear - that of losing his remaining eye now that the true vulnerability of his eyesight is revealed. As his life continues onwards despite the initial readjustment, he finds ultimate happiness in his new marriage to his young wife Lorri, and just when life stands at its threshold of paradise exploring fatherhood along with the beauty of travel and thrill, his worst nightmare becomes reality not once, but twice in the most bizarre series of unforeseen incidents of bad luck; as Jens is totally blinded with no foreseeable chance of seeing again according to the best medical experts. Jens tries his best to adjust to this unwanted situation, exploring conventional methods of rehabilitation to live with blindness, as well as using imaginative, totally unheard - of activities in order to pass his time in a hope of someday being able to see again despite all the odds stacked against him. Close to the turn of the century, Jens unexpectedly receives news of an American Medical Device Engineer, Dr. William H. Dobelle, inviting blind adults as patients for his newly developed artificial vision system designed to provide limited vision via visual cortex stimulation. Dr. Dobelle claims that his system has a good chance in functioning based on previous experimenting with volunteers, at the same time classifying the surgical procedure as minor. The system and its related components is complicated; consisting of not only the implants, but a series of “electrical sockets” protruding from the patients head to which an array of computer boxes and stimulator hardware is connected and worn by the patient. Jens is determined to be one of the patients, regardless of the remoteness of the chance of being one out of literally millions of blind people in the World possibly lining up to have this procedure in hopes of ending their blindness for once and for all. To his absolute surprise, Jens is accepted as the first patient for this procedure and slowly builds a relationship with Dr. Dobelle as Jens overcomes obvious barriers of raising enough money for the very expensive procedure, as well as fighting the challenges of relentless forces working against him for his involvement in the Dobelle vision project. Armed with preconceived ideas of how a research institute should be run, Jens travels overseas for the various stages of the procedure, only to find the most astonishing facts of what goes on in the heart of a renowned medical research institute. Not only is Jens looking at the workings of the Dobelle Institute from the view of a patient, but in short time Jens is hired by the firm as Patient Representative, providing further exploration yet on the inner most details concerning a research company and its treatment of the 15 additional implanted patients. Throughout the book, Jens describes the devastation, exhilaration, disappointment, elation, and confusion that attempts at sight recovery, medical intervention, media propaganda, and ethical boundaries conjure in the most illustrative intensity. The manner in which the book ends is most indescribable; one could view it as the final straw, the beginning of a new era, the curse of the unforgiven, the sadness of a crushing reality, the beginning of a good job left unfinished; or that of the birth of a new expert compelled to unleash the new found knowledge for the whole World to thrive. Just as many questions are answered, many more yet are opened and left so far undiscovered. Search for Paradise is ce
Le site de l'éditeur indique : "Throughout history, humans have always been fascinated by drugs and altered states. Despite the risk of addiction, many have used drugs as technologies to induce moments of meaning-making transcendence. This book traces the quest for transcendence and meaning through drugs in the modern West. Starting with the Romantic fascination with opium, it goes on to chronicle the discovery of anesthetics, psychiatric and religious interest in hashish, the bewitching power of mescaline and hallucinogenic fungi, as well as the more recent uses of LSD. It fills a major gap in our understanding of contemporary alternative and in the study of countercultures and popular culture. Today we are seeing increased social and scientific attention to both the positive and the negative effects of psychoactive drugs, particularly following the legalization of marijuana for medicinal and/or recreational use in some US states, as well as court cases involving the sacramental use of drugs. This fascinating and wide-ranging exploration of the controversial relationship between drugs and spirituality could not be more timely."
Of all the plants men have ever grown, none has been praised and denounced as often as marihuana (Cannabis sativa). Throughout the ages, marihuana has been extolled as one of man's greatest benefactors and cursed as one of his greatest scourges. Marihuana is undoubtedly a herb that has been many things to many people. Armies and navies have used it to make war, men and women to make love. Hunters and fishermen have snared the most ferocious creatures, from the tiger to the shark, in its herculean weave. Fashion designers have dressed the most elegant women in its supple knit. Hangmen have snapped the necks of thieves and murderers with its fiber. Obstetricians have eased the pain of childbirth with its leaves. Farmers have crushed its seeds and used the oil within to light their lamps. Mourners have thrown its seeds into blazing fires and have had their sorrow transformed into blissful ecstasy by the fumes that filled the air. Marihuana has been known by many names: hemp, hashish, dagga, bhang, loco weed, grass-the list is endless. Formally christened Cannabis sativa in 1753 by Carl Linnaeus, marihuana is one of nature's hardiest specimens. It needs little care to thrive. One need not talk to it, sing to it, or play soothing tranquil Brahms lullabies to coax it to grow. It is as vigorous as a weed. It is ubiquitous. It fluorishes under nearly every possible climatic condition.
This comparative history examines the divergent paths taken by Britain and France in managing opiate abuse during the late nineteenth and early twentieth centuries. Though the governments of both nations viewed rising levels of opiate use as a problem, Britain and France took opposite courses of action in addressing the issue. The British sanctioned maintenance treatment for addiction, while the French authorities did not hesitate to take legal action against addicts and the doctors who prescribed drugs to them. Drawing on primary documents, Howard Padwa examines the factors that led to these disparate approaches. He finds that national policies were influenced by shifts in the composition of drug-using populations of the two countries and a marked divergence in British and French conceptions of citizenship. Beyond shared concerns about public health and morality, Britain and France had different understandings of the threat that opiate abuse posed to their respective communities. Padwa traces the evolution of thinking on the matter in both countries, explaining why Britain took a less adversarial approach to domestic opiate abuse despite the productivity-sapping powers of this social poison, and why the relatively libertine French chose to attack opiate abuse. In the process, Padwa reveals the confluence of changes in medical knowledge, culture, politics, and drug-user demographics throughout the period, a convergence of forces that at once highlighted the issue and transformed it from one of individual health into a societal concern. An insightful look at the development of drug discourses in the nineteenth century and drug policy in the twentieth century, Social Poison will appeal to scholars and students in public health and the history of medicine. -- David Courtwright, author of Dark Paradise and Forces of Habit
The Poem of Hashish (1821) by Charles Pierre Baudelaire was first published in 1850. This is the Aleister Crowley translation of 1895. Charles Baudelaire was an early precursor to the French symbolist movement of the late nineteenth century. The literary movement was a reaction to realism and placed a lot of emphasis on the power of dreams and the imagination as tools for communicating ideals through symbols. Synaesthesia was one the great tools of the symbolists and Baudelaire wrote of hashish: "By graduations, external objects assume unique appearances in the endless combining and transfiguring of forms. Ideas are distorted; perceptions are confused. Sounds are clothed in colors and colors in music." Baudelaire utilised the dream as the symbolic ground of the drug experience. Charles Baudelaire (1821 – 1867) was a French poet who produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in modern, industrializing Paris during the 19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé among many others. He is credited with coining the term "modernity" to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience.
Self-styled 'Satanic man' Charles Baudelaire's collection The Flowers of Evil is marked by paeans to sexual degradation such as 'The Litanies of Satan' and 'Metamorphosis of the Vampire'. A new translation vivdly brings Baudelaire's masterpiece to life for the 21st century in this collection, which also includes key texts from Artificial Paradise, Baudelaire's notorious examination of the effects of alcohol and psychotropic drugs.