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Arts and Crafts in Iron Age East Yorkshire by Helen Chittock Pdf
This volume presents a new approach to art in Iron Age Britain and beyond. It aims to collapse the historic distinction between arts and crafts during the period 400BC-AD100 by examining the purposeful nature of patterns on all decorated Iron Age objects. A case study from East Yorkshire (UK), a region well known for its elaborate Iron Age metalwork, is presented.
The Arras Culture of Eastern Yorkshire – Celebrating the Iron Age by Peter Halkon Pdf
In 1817 a group of East Yorkshire gentry opened barrows in a large Iron Age cemetery on the Yorkshire Wolds at Arras, near Market Weighton, including a remarkable burial accompanied by a chariot with two horses, which became known as the King’s Barrow. This was the third season of excavation undertaken there, producing spectacular finds including a further chariot burial and the so-called Queen’s barrow, which contained a gold ring, many glass beads and other items. These and later discoveries would lead to the naming of the Arras Culture, and the suggestion of connections with the near European continent. Since then further remarkable finds have been made in the East Yorkshire region, including 23 chariot burials, most recently at Pocklington in 2017 and 2018, where both graves contained horses, and were featured on BBC 4’s Digging for Britain series. This volume bring together papers presented by leading experts at the Royal Archaeological Institute Annual Conference, held at the Yorkshire Museum, York, in November 2017, to celebrate the bicentenary of the Arras discoveries. The remarkable Iron Age archaeology of eastern Yorkshire is set into wider context by views from Scotland, the south of England and Iron Age Western Europe. The book covers a wide variety of topics including migration, settlement and landscape, burials, experimental chariot building, finds of various kinds and reports on the major sites such as Wetwang/Garton Slack and Pocklington.
The Arras Culture of Eastern Yorkshire – Celebrating the Iron Age by Peter Halkon Pdf
In 1817 a group of East Yorkshire gentry opened barrows in a large Iron Age cemetery on the Yorkshire Wolds at Arras, near Market Weighton, including a remarkable burial accompanied by a chariot with two horses, which became known as the King’s Barrow. This was the third season of excavation undertaken there, producing spectacular finds including a further chariot burial and the so-called Queen’s barrow, which contained a gold ring, many glass beads and other items. These and later discoveries would lead to the naming of the Arras Culture, and the suggestion of connections with the near European continent. Since then further remarkable finds have been made in the East Yorkshire region, including 23 chariot burials, most recently at Pocklington in 2017 and 2018, where both graves contained horses, and were featured on BBC 4’s Digging for Britain series. This volume bring together papers presented by leading experts at the Royal Archaeological Institute Annual Conference, held at the Yorkshire Museum, York, in November 2017, to celebrate the bicentenary of the Arras discoveries. The remarkable Iron Age archaeology of eastern Yorkshire is set into wider context by views from Scotland, the south of England and Iron Age Western Europe. The book covers a wide variety of topics including migration, settlement and landscape, burials, experimental chariot building, finds of various kinds and reports on the major sites such as Wetwang/Garton Slack and Pocklington.
This volume brings together recent excavations at two sites in Pocklington, East Yorkshire. The main focus of the Volume will be examining Iron Age burials, which included chariots, sword and spears and will also include earlier Prehistoric and later Roman activity. The excavations have enabled further scientific evidence for migration and mobility in the Iron Age population and secure chronologies for artefacts. New evidence from osteological analysis gives support for Warrior Graves and burial rites. The Pocklington shield has been described as one of the most significant pieces of Iron Age art. The exceptional Finds including a dismantled chariot with horses and an upright chariot also with horses captured the worlds media and the public imagination. The excavations at Pocklington in 2017& 2018 were featured on BBC 4’s Digging for Britain series and was voted Current Archaeology Rescue Project of the Year 2018. The Anglian elements will be included in an additional volume.
Art in the Eurasian Iron Age by Courtney Nimura,Helen Chittock,Peter Hommel,Chris Gosden Pdf
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.
Broken Bodies, Places and Objects by Anna Sörman,Astrid A. Noterman,Markus Fjellström Pdf
Broken Bodies, Places and Objects demonstrates the breadth of fragmentation and fragment use in prehistory and history and provides an up-to-date insight into current archaeological thinking around the topic. A seal broken and shared by two trade parties, dog jaws accompanying the dead in Mesolithic burials, fragments of ancient warships commodified as souvenirs, parts of an ancient dynastic throne split up between different colonial collections... Pieces of the past are everywhere around us. Fragments have a special potential precisely because of their incomplete format – as a new matter that can reference its original whole but can also live on with new, unrelated meanings. Deliberate breakage of bodies, places and objects for the use of fragments has been attested from all time periods in the past. It has now been over 20 years since John Chapman’s major publication introducing fragmentation studies, and the topic is more present than ever in archaeology. This volume offers the first European-wide review of the concept of fragmentation, collecting case studies from the Neolithic to Modernity and extending the ideas of fragmentation theory in new directions. The book is written for scholars and students in archaeology, but it is also relevant for neighbouring fields with an interest in material culture, such as anthropology, history, cultural heritage studies, museology, art and architecture.
Sentient Archaeologies by Courtney Nimura,Rebecca O’Sullivan,Richard Bradley Pdf
Archaeology in the past century has seen a major shift from theoretical frameworks that treat the remains of past societies as static snapshots of particular moments in time to interpretations that prioritize change and variability. Though established analytical concepts, such as typology, remain key parts of the archaeologist’s investigative toolkit, data-gathering strategies and interpretative frameworks have become infused progressively with the concept that archaeology is living, in the sense of both the objects of study and the discipline as a whole. The significance for the field is that researchers across the world are integrating ideas informed by relational epistemologies and mutually constructive ontologies into their work from the initial stage of project design all the way down to post-excavation interpretation. This volume showcases examples of such work, highlighting the utility of these ideas to exploring material both old and new. The illuminating research and novel explanations presented contribute to resolving long-standing problems in regional archaeologies across Africa, Asia, Australia, Europe, and Oceania. In this way, this volume reinvigorates approaches taken towards older material but also acts as a springboard for future innovative discussions of theory in archaeology and related disciplines.
Grave Goods by Anwen Cooper,Duncan Garrow,Catriona Gibson,Melanie Giles,Neil Wilkin Pdf
A large-scale investigation into grave goods (c. 4000 BC-AD 43), enabling a new level of understanding of mortuary practice, material culture, technological innovation and social transformation.
Archaeology with Art by Helen Chittock,Joana Valdez-Tullett Pdf
Based on a 2013 Theoretical Archaeology Group (TAG) conference session, this book aims to merge the perspectives of artists and archaeologists on making art. It explores the relationship between archaeology and art practice, the interactions between materials and practitioners, and the processes that result in the objects and images we call ‘art’.
Early Celtic art' - typified by the iconic shields, swords, torcs and chariot gear we can see in places such as the British Museum - has been studied in isolation from the rest of the evidence from the Iron Age. This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society. The contributions move beyond the traditional concerns with artistic styles and continental links, to consider the material nature of objects, their social effects and their role in practices such as exchange and burial. The aesthetic impact of decorated metalwork, metal composition and manufacturing, dating and regional differences within Britain all receive coverage. The book gives us a new understanding of some of the most ornate and complex objects ever found in Britain, artefacts that condense and embody many histories.
This volume brings together recent excavations at two sites in Pocklington, East Yorkshire. The main focus of the Volume will be examining Iron Age burials, which included chariots, sword and spears and will also include earlier Prehistoric and later Roman activity. The excavations have enabled further scientific evidence for migration and mobility in the Iron Age population and secure chronologies for artefacts. New evidence from osteological analysis gives support for Warrior Graves and burial rites. The Pocklington shield has been described as one of the most significant pieces of Iron Age art. The exceptional Finds including a dismantled chariot with horses and an upright chariot also with horses captured the worlds media and the public imagination. The excavations at Pocklington in 2017& 2018 were featured on BBC 4’s Digging for Britain series and was voted Current Archaeology Rescue Project of the Year 2018. The Anglian elements will be included in an additional volume.
Iron Age Cemeteries in East Yorkshire by Ian Mathieson Stead Pdf
The La Tene 'Arras Culture' in East Yorkshire is best known for its burials, including cart-burials, most of which were in barrows defined by square-plan ditches. Many of these were excavated in the nineteenth century, and it was not until the record was augmented by air photography in the 1960s that more cemeteries became known and available for excavation. This book records the excavation of 267 burials, including two cart-burials.Two different types of burial are distinguished: crouched, orientated north-south, and extended, orientated east-west. The range of grave-goods with the different types of burial varied also: brooches and sheep bones were common with the crouched burials, while swords, spearheads, tools, and pig bones characterised the extended burials. Several of the corpses had been speared as part of the burial ritual.The two cart-burials included a more varied range of artefacts, including decorated metalwork and the most complete example of a mail tunic from the entire Celtic world. They also provided a great deal of information about Iron Age carts and provoked a reconsideration of their reconstruction. Descriptions and catalogues of the grave-goods are augmented by full environmental reports on the human and animal bones, the textiles, the molluscan, pollen, and soil evidence, and the geophysical prospecting. Scientific and dating evidence is included, together with a preliminary statistical survey of the human bones.
Technologies of Enchantment? by Duncan Garrow,Chris Gosden Pdf
While Celtic art includes some of the most famous archaeological artefacts in the British Isles, such as the Battersea shield or the gold torcs from Snettisham, it has often been considered from an art historical point of view. Technologies of Enchantment? Exploring Celtic Art attempts to connect Celtic art to its archaeological context, looking at how it was made, used, and deposited. Based on the first comprehensive database of Celtic art, it brings together current theories concerning the links between people and artefacts found in many areas of the social sciences. The authors argue that Celtic art was deliberately complex and ambiguous so that it could be used to negotiate social position and relations in an inherently unstable Iron Age world, especially in developing new forms of identity with the coming of the Romans. Placing the decorated metalwork of the later Iron Age in a long-term perspective of metal objects from the Bronze Age onwards, the volume pays special attention to the nature of deposition and focuses on settlements, hoards, and burials -- including Celtic art objects' links with other artefact classes, such as iron objects and coins. A unique feature of the book is that it pursues trends beyond the Roman invasion, highlighting stylistic continuities and differences in the nature and use of fine metalwork.
With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia rivals that of other provinces and deserves comparison with the art of metropolitan Rome.
