Arts In The Margins Of World Encounters

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Arts in the Margins of World Encounters

Author : Willemijn de Jong,Eriko Aoki,John Clammer
Publisher : Vernon Press
Page : 251 pages
File Size : 42,9 Mb
Release : 2021-09-07
Category : Art
ISBN : 9781648892752

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Arts in the Margins of World Encounters by Willemijn de Jong,Eriko Aoki,John Clammer Pdf

'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.

Global Encounters in the World of Art

Author : Ria Lavrijsen
Publisher : University of Washington Press
Page : 176 pages
File Size : 44,9 Mb
Release : 1998
Category : Art
ISBN : UOM:39015050493041

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Global Encounters in the World of Art by Ria Lavrijsen Pdf

When referring to the art of Africa, Asia, the Caribbean, Latin America and the Arab world, people often think of traditional art forms. Contemporary artists from cultures and countries outside Europe are highly critical of this common Western expectation that non-Western cultures should above all be traditional. The contributors (artists, curators and scientists) try to point out that there's also modern art outside Europe and pay attention to the relationship between the old and the new.

Alternative Art and Anthropology

Author : Arnd Schneider
Publisher : Routledge
Page : 224 pages
File Size : 54,8 Mb
Release : 2020-05-14
Category : Social Science
ISBN : 9781000189902

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Alternative Art and Anthropology by Arnd Schneider Pdf

While the importance of the relationship between anthropology and contemporary art has long been recognized, the discussion has tended to be among scholars from North America, Europe, and Australia; until now, scholarship and experiences from other regions have been largely absent from mainstream debate. Alternative Art and Anthropology: Global Encounters rectifies this by offering a ground-breaking new approach to the subject. Entirely dedicated to perspectives from Asia, Latin America, and Africa, the book advances our understanding of the connections between anthropology and contemporary art on a global scale. Across ten chapters, a range of anthropologists, artists, and curators from countries such as China, Japan, Indonesia, Bhutan, Nigeria, Chile, Ecuador, and the Philippines discuss encounters between anthropology and contemporary art from their points of view, presenting readers with new vantage points and perspectives. Arnd Schneider, a leading scholar in the field, draws together the various threads to provide readers with a clear conceptual and theoretical narrative. The first to map the relationship between anthropology and contemporary art from a global perspective, this is a key text for students and academics in areas such as anthropology, visual anthropology, anthropology of art, art history, and curatorial studies.

Arts and Culture in Global Development Practice

Author : Cindy Maguire,Ann Holt
Publisher : Routledge
Page : 226 pages
File Size : 46,5 Mb
Release : 2022-03-30
Category : Art
ISBN : 9781000548907

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Arts and Culture in Global Development Practice by Cindy Maguire,Ann Holt Pdf

This book explores the role that arts and culture can play in supporting global international development. The book argues that arts and culture are fundamental to human development and can bring considerable positive results for helping to empower communities and provide new ways of looking at social transformation. Whilst most literature addresses culture in abstract terms, this book focuses on practice-based, collective, community-focused, sustainability-minded, and capacity-building examples of arts and development. The book draws on case studies from around the world, investigating the different ways practitioners are imagining or defining the role of arts and culture in Belize, Canada, China, Ethiopia, Guatemala, India, Kosovo, Malawi, Mexico, Peru, South Africa, Sri Lanka, Taiwan, Thailand, the USA, and Western Sahara refugee camps in Algeria. The book highlights the importance of situated practice, asking what questions or concerns practitioners have and inviting a dialogic sharing of resources and possibilities across different contexts. Seeking to highlight practices and conversations outside normative frameworks of understanding, this book will be a breath of fresh air to practitioners, policy makers, students, and researchers from across the fields of global development, social work, art therapy, and visual and performing arts education.

Outsider Art

Author : David Maclagan
Publisher : Reaktion Books
Page : 194 pages
File Size : 40,8 Mb
Release : 2010-01-15
Category : Art
ISBN : 9781861897176

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Outsider Art by David Maclagan Pdf

The term outsider art has been used to describe work produced exterior to the mainstream of modern art by certain self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals, and others beyond the perceived margins of society. Yet the idea of such a raw, untaught creativity remains a contentious and much-debated issue in the art world. Is this creative instinct a natural, innate phenomenon, requiring only the right circumstances—such as isolation or alienation—in order for it to be cultivated? Or is it an idealistic notion projected onto the art and artists by critics and buyers? David Maclagan argues that behind the critical and commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, originality, and artistic eccentricity. Although outsider art is often presented as a recent discovery, these ideas, Maclagan reveals, belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. In Outsider Art, Maclagan challenges many of the current opinions about this increasingly popular field of art and explores what happens to outsider artists and their work when they are brought within the very world from which they have excluded themselves.

On The Margins Of Art Worlds

Author : Larry Gross,Larry P. Gross
Publisher : Westview Press
Page : 304 pages
File Size : 51,7 Mb
Release : 1995-04-09
Category : Art
ISBN : UOM:39015034298102

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On The Margins Of Art Worlds by Larry Gross,Larry P. Gross Pdf

The art worlds analysis represented in this collection of original studies questions the social arrangements that determine the recruitment and training of artists, the institutional mechanisms that govern distribution and influence success, the processes of innovation within art worlds, and the emergence of new formations around new media or new players. These studies share a focus on borderline cases and questions - on actions, transactions, and transitions at the margins of art worlds.

Alien Agency

Author : Chris Salter
Publisher : MIT Press
Page : 327 pages
File Size : 45,5 Mb
Release : 2023-10-31
Category : Art
ISBN : 9780262549615

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Alien Agency by Chris Salter Pdf

An investigation into what happens in creative practice when the materials of art and research behave and perform in ways beyond the creators' intentions. In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the “stuff of the world”—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages—assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid “semi-living” machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' “ways of sensing.” Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?

On The Margins Of Art Worlds

Author : Larry Gross
Publisher : Routledge
Page : 432 pages
File Size : 50,6 Mb
Release : 2019-06-04
Category : Art
ISBN : 9781000307153

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On The Margins Of Art Worlds by Larry Gross Pdf

During the late 1980s, the near-worship of artistic genius produced auction sales of works by Vmcent Van Gogh and Pablo Picasso for tens of millions of dollars, over $15 million for a painting by Jasper Johns, and record prices for works by many other deceased and even living masters. At the same time, it was no longer controversial in academic and intellectual circles to maintain that art works are the products of what Howard Becker has termed collective activity carried out within loosely defined art worlds: Works of art, from this point of view, are not the products of individual makers, "artists" who possess a rare and special gift. They are, rather, joint products of all the people who cooperate via an art world's characteristic conventions to bring works like that into existence. Artists are some sub-group of the world's participants who, by common agreement, possess a specialgift, therefore make a unique and indispensable contribution to the work, and thereby make it art. (1982: 35) The concept of the art world-with its central focus on the collective, social, and conventional nature of artistic production, distribution, and appreciation--confronts and potentially undermines the romantic ideology of art and artists still dominant in Western societies.

Encounters Beyond the Gallery

Author : Renate Dohmen
Publisher : Bloomsbury Publishing
Page : 288 pages
File Size : 48,7 Mb
Release : 2016-08-24
Category : Art
ISBN : 9781786730251

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Encounters Beyond the Gallery by Renate Dohmen Pdf

Encounters Beyond the Gallery challenges the terms of their exclusion, looking to relational art, Deleuze-Guattarean aesthetics and notions of perception, as well as anthropological theory for ways to create connections between seemingly disparate worlds. Embracing a unique and experimental format, the book imagines encounters between the art works and art worlds of Rirkrit Tiravanija, Tamil women, the Shipibo-Conibo of Eastern Peru and a fictional female contemporary artist named Rikki T, in order to rethink normative aesthetic and cultural categories. Its method reflects the message of the book, and embraces a plurality of voices and perspectives to steer critical attention towards the complexity of artistic life beyond the gallery.

The Global Work of Art

Author : Caroline A. Jones
Publisher : University of Chicago Press
Page : 380 pages
File Size : 46,5 Mb
Release : 2017-06-01
Category : Art
ISBN : 9780226291888

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The Global Work of Art by Caroline A. Jones Pdf

Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that “globalism” was incubated in a century of international art contests and today constitutes an important tactic for artists. As world’s fairs brought millions of attendees into contact with foreign cultures, products, and processes, artworks became juxtaposed in a “theater of nations,” which challenged artists and critics to think outside their local academies. From Gustave Courbet’s rebel pavilion near the official art exhibit at the 1855 French World’s Fair to curator Beryl Madra’s choice of London-based Cypriot Hussein Chalayan for the off-site Turkish pavilion at the 2006 Venice Biennale, artists have used these exhibitions to reflect on contemporary art, speak to their own governments back home, and challenge the wider geopolitical realm—changing art and art history along the way. Ultimately, Caroline A. Jones argues, the modern appetite for experience and event structures, which were cultivated around the art at these earlier expositions, have now come to constitute contemporary art itself, producing encounters that transform the public and force us to reflect critically on the global condition.

Circulations in the Global History of Art

Author : Assoc Prof Catherine Dossin,Dr Béatrice Joyeux-Prunel,Professor Thomas DaCosta Kaufmann
Publisher : Ashgate Publishing, Ltd.
Page : 265 pages
File Size : 43,5 Mb
Release : 2015-05-28
Category : Art
ISBN : 9781472454560

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Circulations in the Global History of Art by Assoc Prof Catherine Dossin,Dr Béatrice Joyeux-Prunel,Professor Thomas DaCosta Kaufmann Pdf

Essays in this volume emphasize questions of transcultural encounters and exchanges as circulations, and provide an overview of current research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies.

Arts-Research-Education

Author : Linda Knight,Alexandra Lasczik Cutcher
Publisher : Springer
Page : 250 pages
File Size : 46,9 Mb
Release : 2017-12-01
Category : Education
ISBN : 9783319615608

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Arts-Research-Education by Linda Knight,Alexandra Lasczik Cutcher Pdf

Drawing from an international authorship and having global appeal, this book scrutinizes, suggests and aggravates the relationships, boundaries and connections between arts, research and education in various contexts. Building upon existing publications in the field of arts-based educational research, it deliberately connects and disconnects the terms in order to expose and broaden the scope of this field thereby encouraging fresh perspectives. This book portrays both contemporary theoretical prospects as well as contemporary examples of practice. It also presents work of emerging scholars, thereby ‘growing the field’. The book includes academic text-based chapters, as well as poetry, narrative fiction, visual essays, and combinations of text-image-sound/video that demonstrate performance of music, theatre, exhibition and dance. This book provides and provokes critical dialogue about the forms, representations, dissemination and intersections of the arts, research and education. This is a focused collection and resource for scholars and students with an international authorship, perspective and audience.

International Opportunities in the Arts

Author : Mary Sherman
Publisher : Vernon Press
Page : 520 pages
File Size : 52,5 Mb
Release : 2019-09-03
Category : Art
ISBN : 9781622737390

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International Opportunities in the Arts by Mary Sherman Pdf

This book is a compilation of papers derived from talks, presented at TransCultural Exchange’s 2018 International Conference on Opportunities in the Arts. The aim of these talks was to inspire artists to think across disciplines and cultures and to suggest other career models beyond the typical studio to gallery/museum model. Much of this content is unique in that it not only addresses the practical needs of artists but, even more importantly, it does so in the context of today’s global reality. As artists have noted on post-Conference surveys, this information is “the missing link in the art world; the bridge between academic and real-world practice; between a local and international career in the arts.” By making this information available long-after the Conference’s end and to those who could not directly participate in the Conference, many more artists will have access to where to find jobs/residency programs and funding for their work, information on how to put together successful residency applications, how to market their work, and other professional development programming. In addition, they (and interested members of the public) will have access to the Conference talks on what leading artists are doing across disciplines, with new technologies, and in the public sphere.

A Violent Embrace

Author : renée c. hoogland
Publisher : Dartmouth College Press
Page : 249 pages
File Size : 46,9 Mb
Release : 2014-01-07
Category : Art
ISBN : 9781611684926

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A Violent Embrace by renée c. hoogland Pdf

Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.

Networking the Bloc

Author : Klara Kemp-Welch
Publisher : MIT Press
Page : 388 pages
File Size : 46,6 Mb
Release : 2019-02-12
Category : Art
ISBN : 9780262038300

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Networking the Bloc by Klara Kemp-Welch Pdf

The story of the experimental zeitgeist in Eastern European art, seen through personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976—points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences—a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.