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Tribal Arts of Africa by Jean Baptiste Bacquart Pdf
This work displays and defines the fruits of thousands of years of black African creative endeavour. All the objects included were made by Africans for their own use, spanning a period from the beginning of the first millennium to the early 20th century, before the commercial production of art aimed at the tourist trade.
This magnificent celebration of the world's oldest and most diverse artistic traditions is considered the definitive book on African art. Ranging from the oldest known human artifact, circa 1.6 million BC, to pieces made within living memory, the objects collected in this extraordinary volume reflect a continent of enormous cultural and historical scope. Arranged chronologically within seven geographical sections, it offers an astonishing array of sculptures in wood, bronze, stone, and gold, as well as rock paintings, ceremonial pieces, ceramics, jewelry, and textiles culled from private and public collections around the world. Commentary by renowned scholars illuminates the cultural and historical significance of these pieces, and in-depth authoritative texts highlight critical aspects of each region. Together these words and images take readers on an artistic grand tour through a continent of unparalleled diversity, and towards the thrilling discovery of not one Africa, but many.
Arts of Africa by Grimaldi Forum (Monaco, Monaco) Pdf
"This beautifully illustrated volume highlights all the rich diversity of African cultures through a meaningful selection of masterpieces of traditional African art."--Global Books in Print.
For use in an undergraduate or graduate course in African Art; also suitable as a supplementary reading for art history surveys. Lavishly illustrated, this historically grounded text draws together key traditions from West, Central, Eastern and Southern Africa to present an informative and captivating survey of the most important royal arts in the great sub-Saharan African kingdoms. Exploring the diverse ways that African rulers employed art and architecture to define individual and state identity, it provides an overview of the major themes in royal African art and discusses what these arts reveal about the nature of kingship.
A History of Art in Africa by Monica Blackmun Visonà,Robin Poynor,Herbert M. Cole,Michael D. Harris Pdf
Informed by the latest scholarship yet written for the general reader, this is the first comprehensive book to present the arts of Africa in art-historical terms. The authors treat individual pieces as tangible manifestations of changing beliefs and customs, as products of complex cultural interactions, as expressions of historical and economic realities, and as creations of gifted individuals, and in so doing brilliantly offer up African art on its own terms. Organized in five major parts, A History of Art in Africa covers every corner of the continent, including Egypt, from prehistory to the present day and includes the art of the African diaspora. The Islamic influence and the Christian arts of Ethiopia and Nubia are treated as fully African expressions, as are tourist arts and the fascinating hybrid art that periodically arose from interaction with Europe. All art forms are given equal consideration: from such familiar categories as sculpture to such quintessentially African forms as masquerades, festivals, and personal and domestic adornment. The arts of daily life, of royal ceremony, and of state cosmology also receive compelling discussions. And throughout, the authors emphasize the cultural contexts in which art is produced and imbued with meaning. Contemporary art forms are explored both as part of the living splendors of modern Africa and as ingenious responses to the experience of diaspora. The illustrations present a vast and rich range of images, including superb colorplates of artworks, archival and contemporary field photographs, explanatory drawings and plans, and individual objects displayed in museums and in use. Book jacket.
The Art of Africa by Christa Clarke,Rebecca Arkenberg Pdf
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
African Art invites you to explore the dynamic origins of the vast artistic expressions arising from the exotic and mystifying African continent. Since the discovery of African art at the end of the nineteenth century during the colonial expositions it has been a limitless source of inspiration for artists who, over time, have perpetually recreated these artworks. The power of Sub-Saharan African art lies within its visual diversity, demonstrating the creativity of the artists who are continuing to conceptualize new stylistic forms. From Mauritania to South Africa and from the Ivory Coast to Somalia, statues, masks, jewelry, pottery and tapestries compose a variety of daily and ritual objects springing from these richly varied societies.
The Visual Arts of Africa by Judith Perani,Fred. T. Smith Pdf
Special features of this book: follows a geographical organization across the continent; each chapter is reader friendly with clear, accessible sub-headings; represents important religious and utilitarian art traditions from the Sahara desert, West Africa, Central Africa, Northeast Africa, Eastern Africa, and Southern Africa; gives special attention to the themes of gender, power, and life cycle rituals, which frequently intersect with one another to form an understanding of the arts of Africa; includes figurative sculpture, masquerades, architecture, textiles, dress, ceramics, wall painting, and leatherwork traditions; includes selected examples of the earliest known documented art works as well as contemporary art of each geographical region; includes an up-to-date bibliography, incorporating recent published field research for each chapter; and features 369 black and white illustrations, 16 colored plates, maps, and a time line.
A Companion to Modern African Art by Gitti Salami,Monica Blackmun Visona Pdf
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
African Art and Agency in the Workshop by Sidney Littlefield Kasfir,Till Förster Pdf
“Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review
This strikingly illustrated, authoritative reassessment of African art is based on the world-renowned collection housed in the British Museum. By presenting art from across the continent, past and present, the volume offers an innovative approach that allows the reader to appreciate African art in its totality. 200 illustrations, 150 in color.
"This book is published in conjunction with the centennial of the Newark Museum's African art collection and the opening of a new long-term gallery installation, Arts of Global Africa (November 2017)"--Colophon.
The Arts of Africa at the Dallas Museum of Art by Dallas Museum of Art,Roslyn A. Walker Pdf
This beautifully illustrated book showcases 110 objects from the Dallas Museum of Art's world-renowned African collection. In contrast to Western "art for art's sake," tradition-based African art served as an agent of religion, social stability, or social control. Chosen both for their visual appeal and their compelling histories and cultural significance, the works of art are presented under the themes of leadership and status; the cycle of life; decorative arts; and influences (imported and exported). Also included are many fascinating photographs that show the context in which these objects were originally used. Distributed for the Dallas Museum of Art
