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Since the turn of the 21st century, countless literary endeavors by 'new Germans' have entered the spotlight of academic research. Yet 'minority writing', with its distinctive renegotiation of traditional concepts of cultural identity, is far from a recent phenomenon in German literature. A hundred years previously, the intense involvement of German-Jewish intellectuals in cultural and political discourses on Jewish identity put a clear stamp on German modernism. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines a variety of literary approaches to the thorny issue of cultural identity, while developing an overarching perspective on the ‘politics of literature’.
Since the turn of the 21st century, countless literary endeavors by 'new Germans' have entered the spotlight of academic research. Yet 'minority writing', with its distinctive renegotiation of traditional concepts of cultural identity, is far from a recent phenomenon in German literature. A hundred years previously, the intense involvement of German-Jewish intellectuals in cultural and political discourses on Jewish identity put a clear stamp on German modernism. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines a variety of literary approaches to the thorny issue of cultural identity, while developing an overarching perspective on the 'politics of literature'.
Taking as its starting point Franz Kafka's complex relationship to Jews and to communities in general, When Kafka Says We explores the ambivalent responses of major German-Jewish writers to self-enclosed social, religious, ethnic, and ideological groups. Vivian Liska shows that, for Kafka and others, this ambivalence inspired innovative modes of writing which, while unmasking the oppressive cohesion of communal groupings, also configured original and uncommon communities. Interlinked close readings of works by German-Jewish writers such as Kafka, Else Lasker-Schüler, Nelly Sachs, Paul Celan, Ilse Aichinger, and Robert Schindel illuminate the ways in which literature can subvert, extend, or reconfigure established visions of communities. Liska's rich and astute analysis uncovers provocative attitudes and insights on a subject of continuing controversy.
In this new selection and translation, Peter Wortsman mines Franz Kafka's entire opus of short prose--including works published in the author's brief lifetime, posthumously published stories, journals, and letters--for narratives that sound the imaginative depths of the great German-Jewish scribe from Prague. It is the first volume in English to consider his deeply strange, resonantly humane letters and journal entries alongside his classic short fiction and lyrical vignettes "Transformed" is a vivid retranslation of one of Kafka's signature stories, "Die Verwandlung," commonly rendered in English as "The Metamorphosis." Composed of short, black comic parables, fables, fairy tales, and reflections, Konundrums also includes classic stories like "In the Penal Colony," Kafka's prescient foreshadowing of the nightmare of the Twentieth Century, refreshing the writer's mythic storytelling powers for a new generation of readers. Contents: • Words are Miserable Miners of Meaning • Letter to Ernst Rowohlt • Reflections • Concerning Parables • Children on the Country Road • The Spinning Top • The Street-Side Window • At Night • Unhappiness • Clothes Make the Man • On the Inability to Write • From Somewhere in the Middle • I Can Also Laugh • The Need to Be Alone • So I Sat at My Stately Desk • A Writer's Quandary • Give it Up! • Eleven Sons • Paris Outing • The Bridge • The Trees • The Truth About Sancho Pansa • The Silence of the Sirens • Prometheus • Poseidon • The Municipal Coat of Arms • A Message from the Emperor • The Next Village Over • First Sorrow • The Hunger Artist • Josephine, Our Meistersinger, or the Music of Mice • Investigations of a Dog • A Report to an Academy • A Hybrid • Transformed • In the Penal Colony • From The Burrow • Selected Aphorisms • Selected Last Conversation Shreds • In the Caves of the Unconscious: K is for Kafka (An Afterword) • The Back of Words (A Post Script) From the Trade Paperback edition.
A Companion to the Works of Franz Kafka by James Rolleston Pdf
Kafka's novels and stories fascinate readers and critics of each generation. Although all theories attempt to appropriate Kafka, there is no one key to his work. This work aims to present a point of view while taking account of previous Kafka research.
DIVFive great stories in original German with new, literal English translations on facing pages: "The Metamorphosis," "The Judgment," "In the Penal Colony," "A Country Doctor" and "A Report to an Academy." /div
"Metamorphosis" by Franz Kafka is a haunting and surreal exploration of existentialism and the human condition. This novella introduces readers to Gregor Samsa, a diligent traveling salesman who wakes up one morning to find himself transformed into a gigantic insect. Kafka's narrative delves into the isolation, alienation, and absurdity that Gregor experiences as he grapples with his new identity. The novella is a profound examination of the individual's struggle to maintain a sense of self and belonging in a world that often feels incomprehensible. Kafka's writing is characterized by its dreamlike quality and a sense of impending doom. As Gregor's physical and emotional transformation unfolds, readers are drawn into a nightmarish world that blurs the lines between reality and illusion. "Metamorphosis" is a timeless work that continues to captivate readers with its exploration of themes such as identity, family, and the dehumanizing effects of modern society. Kafka's unique style and ability to evoke a sense of existential unease make this novella a literary classic. Step into the surreal and unsettling world of "Metamorphosis" and embark on a journey of self-discovery and existential reflection. Kafka's masterpiece challenges readers to confront the complexities of the human psyche and the enigmatic nature of existence. ABOUT THE AUTHOR Franz Kafka (1883-1924) was a Czech-born German-speaking novelist and short story writer whose works have had a profound influence on modern literature. Born in Prague, which was then part of the Austro-Hungarian Empire, Kafka's writing is characterized by its exploration of existentialism, alienation, and the absurdity of human existence. Kafka's most famous works include "Metamorphosis," where the protagonist wakes up one morning transformed into a giant insect, and "The Trial," a nightmarish tale of a man arrested and tried by an inscrutable and oppressive bureaucracy. His writing often delves into the themes of isolation and the struggle to find meaning in an indifferent world. Despite his relatively small body of work, Kafka's impact on literature and philosophy has been immense. His writings have been interpreted in various ways, and the term "Kafkaesque" is often used to describe situations characterized by surreal complexity and absurdity. Kafka's legacy as a literary innovator and his exploration of the human psyche continue to captivate readers and scholars alike, making him a central figure in the world of modern literature.
The eagerly anticipated final volume of the award-winning, definitive biography of Franz Kafka How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.
Anatomist of Power by Despiniadis Costas Despiniadis Pdf
Few twentieth-century writers remain as potent as Franz Kafka-one of the rare figures to maintain both a major presence in the academy and on the shelves of general readers. Yet, remarkably, no work has yet fully focused on his politics and anti-authoritarian sensibilities. The Anatomist of Power: Franz Kafka and the Critique of Authority is a fascinating new look at his widely known novels and stories (including The Trial, Metamorphosis, In the Penal Colony and Amerika), portraying him as a powerful critic of authority, bureaucracy, capitalism, law, patriarchy, and prisons. Making deft use of Kafka's diaries, his friends' memoirs, and his original sketches, Costas Despiniadis addresses his active participation in Prague's anarchist circles, his wide interest in anarchist authors, his skepticism about the Russian Revolution, and his ambivalent relationship with utopian Zionism. The portrait of Kafka that emerges is striking and fresh-rife with insights and a refusal to accept the structures of power that dominated his society.
Out of the massive research for an authoritative 1,500-page biography emerges this wunderkammer of 99 delightfully odd facts about Kafka In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka’s contemporaries that shed surprising light on his personality and his writing. Is that Kafka? presents the crystal granules of the real Kafka: he couldn’t lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic—and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter. For Is that Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledge-able commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure.
Franz Kafka and his Prague Contexts by Nekula, Marek Pdf
Franz Kafka is by far the Prague author most widely read and admired internationally. However, his reception in Czechoslovakia, launched by the Liblice conference in 1963, has been conflicted. While rescuing Kafka from years of censorship and neglect, Czech critics of the 1960s “overwrote” his German and Jewish literary and cultural contexts in order to focus on his Czech cultural connections. Seeking to rediscover Kafka’s multiple backgrounds, in Franz Kafka and His Prague Contexts Marek Nekula focuses on Kafka’s Jewish social and literary networks in Prague, his German and Czech bilingualism, and his knowledge of Yiddish and Hebrew. Kafka’s bilingualism is discussed in the context of contemporary essentialist views of a writer’s organic language and identity. Nekula also pays particular attention to Kafka’s education, examining his studies of Czech language and literature as well as its role in his intellectual life. The book concludes by asking how Kafka read his urban environment, looking at the readings of Prague encoded in his fictional and nonfictional texts. ‘Nekula’s work has had a major impact on our understanding of Kafka’s relation to the complex social, cultural and linguistic environment of early twentieth‑century Prague. While little of this work has been available in English until now, the present volume translates many of his most important studies, and includes revisions and expansions appearing now for the first time. Nekula challenges stubborn clichés and opens important new perspectives: readers interested in questions relating to Kafka and Prague will find this an essential and richly rewarding book.’ – Peter Zusi, University College London ‘Marek Nekula’s important book originally situates Franz Kafka within his Pragueand Czech contexts. It critically examines numerous distortions that accompanied the reception of Kafka, starting with the central issue of Kafka’s languages(Kafka’s Czech, Prague German), and the ideological discourse surrounding the author in communist Czechoslovakia. Astute and carefully argued, Franz Kafka and his Prague Contexts offers new perspectives on the writings of the Prague author. This book will benefit readers in German and Slavic Studies, in Comparative Literature, and History of Ideas.’ – Veronika Tuckerová, Harvard University Marek Nekula připravil soubor studií o tom, jak Praha formovala Kafkovu osobnost a dílo. Kniha začíná kritickou diskuzí o problematickém přijímání Franze Kafky v Československu, které začalo na konferenci v Liblici v roce 1963. Zde byl Kafka zachráněn před cenzurou za cenu "přepsání" jeho německého a židovského literárního a kulturního kontextu s cílem vyzdvihnout český vliv na jeho tvorbu. Studie se zaměřují na židovské sociální a literární prostředí v Praze, Kafkovu německo-českou dvojjazyčnost a jeho znalost jidiš a hebrejštiny. Kafkův bilingvismus je probírán v kontextu současných esencialistických názorů na spisovatelův jazyk a identitu. Nekula také věnuje zvláštní pozornost Kafkovu vzdělání, zkoumá jeho studia českého jazyka a literatury, jakož i jeho českou četbu a její roli v jeho intelektuálním životě. Knihu uzavírá otázkou, jak Kafka „četl“ své městské prostředí.
Franz Kafka met Felice Bauer in August 1912, at the home of his friend Max Brod. Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one—passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude. The more than five hundred letters Kafka wrote to Felice—through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life—reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft.
Schadenfreude, A Love Story by Rebecca Schuman Pdf
"This book is a wild and wonderful ride. Your guide, Rebecca Schuman, is a super-smart and very funny person who writes brilliantly about Germany and Germans (who are not what you think) and being young and insane and life in general and... just read it, OK?" -Dave Barry Sometimes Love Gets Lost in Translation You know that feeling you get watching the elevator doors slam shut just before your toxic coworker can step in? Or seeing a parking ticket on a Hummer? There’s a word for this mix of malice and joy, and the Germans (of course) invented it. It’s Schadenfreude, deriving pleasure from others’ misfortune. Misfortune happens to be a specialty of Slate columnist Rebecca Schuman—and this is great news for the Germans. For Rebecca adores the Vaterland with the kind of single-minded passion its Volk usually reserve for beer, soccer, and being right all the time. Let’s just say the affection isn’t mutual. Schadenfreude is the story of a teenage Jewish intellectual who falls in love – in love with a boy (who breaks her heart), a language (that’s nearly impossible to master), a culture (that’s nihilistic, but punctual), and a landscape (that’s breathtaking when there’s not a wall in the way). Rebecca is an everyday, misunderstood 90’s teenager with a passion for Pearl Jam and Ethan Hawke circa Reality Bites, until two men walk into her high school Civics class: Dylan Gellner, with deep brown eyes and an even deeper soul, and Franz Kafka, hitching a ride in Dylan’s backpack. These two men are the axe to the frozen sea that is Rebecca’s spirit, and what flows forth is a passion for all things German. First love might be fleeting, but Kafka is forever, and in pursuit of this elusive passion Rebecca will spend two decades stuttering and stumbling through German sentences, trying to win over a people who can’t be bothered. At once a snapshot of a young woman finding herself, and a country slowly starting to stitch itself back together after nearly a century of war (both hot and cold), Schadenfreude, A Love Story is an exhilarating, hilarious, and yes, maybe even heartfelt memoir proving that sometimes the truest loves play hard to get.
The eagerly anticipated final volume of the award-winning, definitive biography of Franz Kafka How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.
