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White Zombie combine an alternative attitude, heavy metal intensity and a techno approach to create a sound that's on the outermost edge of modern rock. This album-matching folio includes: More Human Than Human * Blood, Milk and Sky * Blur the Technicolor * El Phantasmo and the Chicken-Run Blast-O-Rama * I, Zombie and more
"A fascinating scrapbook documenting a time in the life of a female musician . . . Tales of tours, blowouts, relationships with names such as The Cramps, Pantera, Ramones, Alice Cooper, Kyuss, Monster Magnet, Marilyn Manson, Coffin Joe and Danzig make this book essential as a time capsule of a certain era in the world of hard rock." —Uber Rock Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn't stop them from carving out a place for themselves in music history. The band became a multiplatinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto. But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman. I'm In the Band combines eleven years of tour diaries, flyers, and personal photos and ephemera to chart White Zombie's rise from the gritty music scene of New York's Lower East Side in the eighties to arena headliners during the nineties. It also shares the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene. With I'm In the Band, Yseult has created both a coffee table book and a striking visual memoir. Her personal memorabilia offers fans a unique vantage on the life of a mega-band during rock's last golden age.
The Top 500 Heavy Metal Albums of All Time by Martin Popoff Pdf
The result of an extensive poll asking heavy metal fans to list their favourite high-octane albums, this compendium combines those survey results with Popoff's original interviews with world famous rockers who reveal recording session secrets in addition to their own heavy classics and ear-splitting faves. When all of this is melded with Popoff's unique and celebrated insights into the metal of yesterday and today, an essential resource becomes a rock-writing standard. From AC/DC to ZZ Top and from Black Sabbath to Pantera, both headbanging chart-toppers and lesser-known gems are catalogued and critically appraised. With reviews of early metal albums of the 1960s, as well as the latest hits, The Top 500 Heavy Metal Albums of All Time blends praise with criticism to produce an honest assessment of the most influential and important heavy metal recordings. Also featured are photos and appendices that revel in mountains of metal minutiae. "Martin Popoff has no doubt supplied the raw material for all manner of intense debates among the former denizens of basement bedrooms everywhere." 'The Toronto Sun.
Encyclopedia of Heavy Metal Music by William Phillips,Brian Cogan Pdf
It has been reviled, dismissed, attacked, and occasionally been the subject of Congressional hearings, but still, the genre of music known as heavy metal maintains not only its market share in the recording and downloading industry, but also as a cultural force that has united millions of young and old fans across the globe. Characterized by blaring distorted guitars, drum solos, and dramatic vibrato, the heavy metal movement headbanged its way to the popular culture landscape with bands like Led Zeppelin and Black Sabbath the 1970s. Motley Crue and Metallica made metal a music phenomenon in the 1980s. Heavy metal continues to evolve today with bands like Mastodon and Lamb of God. Providing an extensive overview of the music, fashion, films, and philosophies behind the movement, this inclusive encyclopedia chronicles the history and development of heavy metal, including sub-movements such as death metal, speed metal, grindcore, and hair metal. Essential and highly entertaining reading for high school and undergraduate courses in popular music studies, communications, media studies, and cultural studies, the Encyclopedia of Heavy Metal Music and Culture offers a guide to the ultimate underground music, exploring its rich cultural diversity, resilience, and adaptability. Entries for musicians include a discography for those wanting to start or develop their music collections.
American filmmaker Ted V. Mikels holds a unique position as one of the most unconventional directors of exploitation cinema. Famous for his eccentric home life (he once lived with a harem in a castle with secret passage-ways) and promotional gimmicks (he was known for having nurses and ambulances on hand to assist "scared-to-death" movie-goers), Mikels is considered a pioneering master of low-budget movie making. This unique work examines each of Mikels' 19 major film or video productions, beginning with his first feature Strike Me Deadly (1959). Each entry includes a full list of cast and crew credits, along with a plot synopsis and, frequently, behind-the-scenes anecdotes. Also included are a complete filmography, an overview of Ted V. Mikels memorabilia, and a transcript of the author's personal interview with Mikels.
Blast, Corrupt, Dismantle, Erase by Brett Josef Grubisic,Gisèle M. Baxter,Tara Lee Pdf
What do literary dystopias reflect about the times? In Blast, Corrupt, Dismantle, Erase, contributors address this amorphous but pervasive genre, using diverse critical methodologies to examine how North America is conveyed or portrayed in a perceived age of crisis, accelerated uncertainty, and political volatility. Drawing from contemporary novels such as Cormac McCarthy’s The Road, Neil Gaiman’s American Gods, and the work of Margaret Atwood and William Gibson (to name a few), this book examines dystopian literature produced by North American authors between the signing of NAFTA (1994) and the tenth anniversary of 9/11 (2011). As the texts illustrate, awareness of and deep concern about perceived vulnerabilities—ends of water, oil, food, capitalism, empires, stable climates, ways of life, non-human species, and entire human civilizations—have become central to public discourseover the same period. By asking questions such as “What are the distinctive qualities of post-NAFTA North American dystopian literature?” and “What does this literature reflect about the tensions and contradictions of the inchoate continental community of North America?” Blast, Corrupt, Dismantle, Erase serves to resituate dystopian writing within a particular geo-social setting and introduce a productive means to understand both North American dystopian writing and its relevant engagements with a restricted, mapped reality.
How did the popularity of the Beatles lead to the birth of metal music? What do metal artists have in common with classical composers such as Bach and Vivaldi? Readers will explore the answers to these questions and more as they journey through the history of metal music, from Black Sabbath to Slipknot. Readers will gain a deeper appreciation for this complex genre as they explore the evolution of metal and its sub-genres through annotated quotes from musicians and critics, full-color photographs, and a discography of some of the most influential albums in headbanging history.
The GorehoundÕs Guide to Splatter Films of the 1960s and 1970s by Scott Aaron Stine Pdf
For the uninitiated the author has obligingly supplied a definition for the slasher/splatter film: “Any motion picture which contains scenes of extreme violence in graphic and grisly detail....” For those film viewers who think this is a good thing and are more likely to select The Texas Chainsaw Massacre than The Remains of the Day, or for those who are not quite sure but are nevertheless drawn to the phantasmagoric, or for those horrified by gratuitous violence and blood for blood’s sake but are researching this filmic phenomenon, this reference book provides all the gory details. From At Midnight I'll Take Your Soul Away to Zombie 2: The Dead Are Among Us, this book is an exhaustive study of the splatter films of the 1960s and 1970s. After a history of the development of the genre, the main meat of the book is a filmography. Each entry includes extensive credits, alternate names and foreign release titles; availability of the film on videocassette; availability of soundtracks and film novelization; and reviews. Extensive cross-referencing is also included.
The Encyclopedia of Heavy Metal by Daniel Bukszpan Pdf
Headbangers rejoice, because this fantastically illustrated encyclopedia includes all things Metal, from influential bands such as Led Zeppelin, Blue Cheer, Iron Butterfly, Kiss, and Queen, to M�tley Crue, Black Sabbath (before Ozzy became a family sitcom star), Deep Purple, Twisted Sister, and Aerosmith, right up to Jane's Addiction, Las Cruces, Limp Bizkit, and today's most extreme death metal bands. Not a single sub-genre or band goes uncovered. Well-researched and fact-filled, the witty text befits the raucous bands that push musical-and all other-boundaries. From obscure groups like Armored Saint and Norway's Mayhem to pioneers Grand Funk Railroad and Iron Maiden to megastars like Ozzy Osbourne, Alice Cooper, Lita Ford, Van Halen, Joan Jett, and Marilyn Manson, each entry contains vital statistics: a description of the band's history and sound; an essential discography; the most current, comprehensive, popular compilations; and much more. Special features cover such important details as "Metal Fashion" and the various metal genres. Def Leppard, Faith No More, Guns n' Roses, Judas Priest, Metallica, AC/DC, Nine-Inch Nails, Poison, Rage Against the Machine, and Japan's Loudness: all of the favorite (and not so favorite) adrenaline-pumped, bizarre bands that make heavy metal the unique form it is appear in all their glory.
Goth Chic is the first book to properly explore Gothic culture in the modern world. Gavin Baddeley unearths hidden gems from the underground alongside better-known manifestations, including horror comics, fetish clubs, Goth-rock superstars and vampire cultists. The result is a book that provides a peerless primer for Gothic culture novices and an incisive analysis to challenge and compel even the most seasoned veteran of this dark underworld.
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
I Am Michael Alago by Michael Alago,Laura Davis-Chanin Pdf
Record label executive, photographer, and author, Michael Alago takes readers through this amazing journey that is his life. Alago grew up in Brooklyn, New York, in a large, spirited, and devoted Puerto Rican family. Through his early passion for music, art, theater, and photography, he soon found himself rubbing elbows with many downtown NYC scene makers, from Stiv Bators to Jean Michel Basquiat, Cherry Vanilla and Wayne County to Deborah Harry and Robert Mapplethorpe. As an underage teenager going to Max's Kansas City, CBGB, and various art galleries, Alago also began running The Dead Boys fan club. A few years later, he became the assistant music director for legendary nightclubs the Ritz and the Red Parrot. At age twenty-four, he began a storied career as an A&R executive at Elektra Records that started with signing Metallica in the summer of 1984, changing the entire landscape of rock 'n' roll and heavy metal. Alago continued to work in A&R for both Palm Pictures and Geffen Records. He was thrilled to executive-produce albums by Cyndi Lauper, Public Image Ltd, White Zombie, and Nina Simone. In the late 1980s, he was diagnosed with HIV, which manifested into full-blown AIDS ten years later. He survived to continue his music career, but in 2005, he left music to pursue his other love: photography. Alago went on to publish three bestselling books: Rough Gods, Brutal Truth, and Beautiful Imperfections with German-based publisher Bruno Gmünder. He has since overcome his longtime addiction to drugs and alcohol. In his clean and sober life, he has reconnected with his family, continues to be a working photographer as well as record producer, and only through the grace of his 12-Step program is he able to live this big, beautiful life. In 2017, a documentary directed by Drew Stone and produced by Michael Alex on Alago's wildly successful career in music was released in theaters and on Netflix, entitled Who the Fuck Is That Guy? The Fabulous Journey of Michael Alago.
James Piazza is a Western New York-based archivist and music historian. He developed a series of multimedia presentations on experimental music, ambient sound, archival techniques for digital audio, and lectures on personal media servers for large file libraries. His primary goal is to create a greater public understanding and awareness of 20th century music and sound. Piazza founded Innerspace Labs as an independent music archive chiefly communicating with the public via The Innerspace Connection music blog. He manages a library of over 300,000 soundworks focusing on ambient and experimental recordings. This book comprises the first 12 years of our publications showcasing highlights of the Archive, as well as select previously unpublished works.
Two million dollars in a black bag. The meaning of life hidden on a deviously encrypted web site. And several dozen heavily armed guys with serious existential issues. The hunt is on for The Manuscript. The Manuscript is a philosophical cyber-thriller – a novel of huge ideas disguised as a blow-your-hair-back thrill ride. Its cast of unforgettable characters includes a gun-toting urban professional with a tragic weakness for Internet discussion groups; a former chemistry student and hacker turned wildly successful online narcotics dealer; a pair of slacker post-grads with big questions and rapidly escalating problems; a demonstrably unstoppable hitman; a dodgy federal agent with his hands in the cookie jar up to both elbows; a nameless cadre of menacing and well-armed mercenaries (possibly in the employ of one of the world's major religions); and an entire gang of Angry Young Taoists, serenely blasting hell out of all and sundry. What could bring a group like this together? Nothing less than the meaning of life – discovered in the remote highlands of South America by an infamous 19th-century explorer, and now said to be hidden in the vast out-of-bounds spaces at the far edge of a shadow Internet. This is the Manuscript. Caught up in a perilous race to recover and control it are a group of young people so beset by existential unease that they are willing to risk death to know the truth; and others, backed by powerful interests, who have little compunction about killing to keep it hidden. Get ready for an ungentle ride where a number of people will get enlightened, a few will get rich, and all too many will get dead. Along the way, be prepared for some uncommon commentary on the eternal verities, computer security, rules for gunfights, post-millennial information soot, and the possibility of human connection for a generation that believes in nothing – save what they read on the Net.
Hellraisers by Axl Rosenberg,Christopher Krovatin Pdf
A pair of metalheads well versed in everything from Anthrax to Zeppelin take you through the metal halls of history in Hellraisers. Time to crank the volume and throw the horns! Take a journey through the history of metal music from its earliest roots with Led Zeppelin and Black Sabbath to its popular modern incarnations like experimental black metal, stoner doom, and djent. Get incredible looks at modern prog metal musicians tearing up the fret board, or remember some of your favorite, old 38s from years gone by. Everything from AC/DC and Anthrax to Meshuggah and Mastodon is on display in this superfan's-eye-view exploration of metal’s most innovative and hardcore sounds that can be heard around the world. Co-authored by Axl Rosenberg and Chris Krovatin of the hugely popular blog metalsucks.com, this is a visually dynamic history, complete with exclusive band interviews, over 200 full color photos, genre-by-genre playlists, and plenty more to keep you throwing horns all night long.