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At a Theater or Drive-in Near You by Randall Clark Pdf
Millions of Americans have been thrilled, scared, titillated, and shocked by exploitation movies, low budget films with many scenes of sex, violence, and other potentially lurid elements. The term derives from the fact that promoters of such films exploit the contents in advertising that plays up the sexual or violent aspects of the films. This is the first comprehensive study of the American exploitation film to be published. It discusses five distinct genres: the teen movie, the sexploitation film, the martial arts movie, the blaxploitation film and the lawbreaker picture. Contained within these genres are many popular American film types, including beach movies, biker pictures, and women's prison movies. The study provides a history and sociopolitical analysis of each genre, focusing on significant films in those genres. It also discusses the economics of exploitation films and their place in the motion picture industry, the development of drive-in theaters, the significance of the teenage audience, and the effect of the videocassette. Finally, the book applies major film and cultural theories to establish an aesthetic for evaluating the exploitation film and to explore the relationship between film and audience.
Opening Wednesday at a Theater or Drive-In Near You by Charles Taylor Pdf
“Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.” --Steve Erickson, author of Zeroville When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.
Coming Back to a Theater Near You by Brian Hannan Pdf
In the Silent Era, film reissues were a battle between rival studios—every Mary Pickford new release in 1914 was met with a Pickford re-release. For 50 years after the Silent Era, reissues were a battle between the studios, who considered old movies “found money,” and cinema owners, who often saw audiences reject former box office hits. In the mid–1960s, the return of The Bridge on the River Kwai (1957)—the second biggest reissue of all time—altered industry perceptions, and James Bond double features pushed the revival market to new heights. In the digital age, reissues have continued to confound the critics. This is the untold hundred-year story of how old movies saved new Hollywood. Covering the booms and busts of a recycling business that became its own industry, the author describes how the likes of Charlie Chaplin, Humphrey Bogart and Alfred Hitchcock won over new generations of audiences, and explores the lasting appeal of films like Napoléon (1927), Gone with the Wind (1939), The Rocky Horror Show (1975) and Blade Runner (1982).
Never Coming to a Theater Near You by Kenneth Turan Pdf
It is in the nature of today's movie business that while Hollywood blockbusters invade every megaplex, smaller, quality films often don't get screen time. Fans of finer films have to count on catching up with them on video and DVD, but even the most hard-core devotees have trouble remembering what sounded good when a film was originally released. Never Coming to a Theater Near You will remedy that situation. This selection of renowned film critic Kenneth Turan's absorbing and illuminating reviews, now revised and updated to factor in the tests of time, point viewers toward the films they can't quite remember, but should not miss. Moviegoers know they can trust Turan's impeccable taste. His eclectic selection represents the kind of sophisticated, adult, and entertaining films intelligent viewers are hungry for. More importantly, Turan shows readers what makes these unusual films so great, revealing how talented filmmakers and actors have managed to create the wonderful highs we experience in front of the silver screen.
In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco. Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.
THE NEW YORK TIMES BESTSELLER! "I had the choice to come back ... or not. I chose to return when I realized that 'heaven' is a state, not a place" In this truly inspirational memoir, Anita Moorjani relates how, after fighting cancer for almost four years, her body began shutting down—overwhelmed by the malignant cells spreading throughout her system. As her organs failed, she entered into an extraordinary near-death experience where she realized her inherent worth . . . and the actual cause of her disease. Upon regaining consciousness, Anita found that her condition had improved so rapidly that she was released from the hospital within weeks—without a trace of cancer in her body! Within this enhanced e-book, Anita recounts—in words and on video—stories of her childhood in Hong Kong, her challenge to establish her career and find true love, as well as how she eventually ended up in that hospital bed where she defied all medical knowledge. In "Dying to Be Me," Anita Freely shares all she has learned about illness, healing, fear, "being love," and the true magnificence of each and every human being!
The American Drive-In Movie Theater by Don Sanders,Susan Sanders Pdf
The drive-in movie theater brought together two distinct American institutions: cars and movies. Since the earliest drive-ins of the 1930s, these entertainment complexes have been an integral part of American culture. Their appeal stretched to people from all corners of the country, offering a place for social gathering and various amusements. Take a ride down memory lane in this entertaining look at every aspect of the drive-in movie theater: the architecture, the marquees, the cars, the food, and much more. Black-and-white and color photos, along with period ads and other memorabilia, provide a highly illustrated tour from the origins of the drive-in, through its heyday in the 1950s, its decline, and its subsequent revival.
A young woman holds her newborn son And looks at him lovingly. Softly she sings to him: "I'll love you forever I'll like you for always As long as I'm living My baby you'll be." So begins the story that has touched the hearts of millions worldwide. Since publication in l986, Love You Forever has sold more than 15 million copies in paperback and the regular hardcover edition (as well as hundreds of thousands of copies in Spanish and French). Firefly Books is proud to offer this sentimental favorite in a variety of editions and sizes: We offer a trade paper and laminated hardcover edition in a 8" x 8" size. In gift editions we carry: a slipcased edition (8 1/2" x 8 1/4"), with a laminated box and a cloth binding on the book and a 10" x 10" laminated hardcover with jacket. And a Big Book Edition, 16" x 16" with a trade paper binding.
Three comedic classics in one, by the legendary George Carlin. Includes Brain Droppings, Napalm and Silly Putty, and When Will Jesus Bring the Pork Chops? For four decades, George Carlin has been one of America's favorite comics, known as much for his willingness to take on taboo subjects as for his absurdist wordplay. As an author, he has proved equally popular: With combined sales of more than two million copies, Carlin's three books of razor-sharp and hilarious observations have topped bestseller lists nationwide. Now, for the first time as an ebook, Hachette Books proudly collects all three volumes--When Will Jesus Bring the Pork Chops?, Napalm and Silly Putty, and Brain Droppings--into one hilarious omnibus.
"Alain Miguelez has always been a movie buff; with rare investigative skills, he brings to light the whole story of every motion picture theatre that ever existed in the area of the nation's capital on both sides of the Ottawa River. Writing about these historic buildings and everything in them and everyone involved--from the moguls and ushers to the patrons and their communities--is a labour of love for Miguelez. You will meet the architects of these buildings and discover all the reasons why they built them as they did. Miguelez celebrates glittering opening nights in the movie palaces, along with the disasters that sometimes bring them down. You will share the enthusiasm and excitement of entrepreneurs who build dreams that fade with the changing times, and you will see the important roles played by TV and suburbia in the story of cinema in the nation's capital, as they do across the nation."--
A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City’s grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s modes and moods. In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade’s additional films of note.
It's the 1960s in Jacksonville, Florida (where the sixties are still the fifties). Some of America's last sweet moments of innocence are unfolding out on the coastal highway at the Flamingo, the largest drive-in movie theatre in the world. Its owner, Southern patriarch Hubert Lee, possesses a fervour matching the size of the Great White Wall of the Flamingo's gigantic screen tower, where John Wayne or Audrey Hepburn or invading body-snatchers flicker nightly. Hubert's unforgiving ego meets its match in Turner West, who owns the funeral home next door and wants to build a cemetery on land staked by his gleefully stubborn neighbour. So when Hubert's teenage son Abe develops his first adolescent crush, it makes devilish sense that the object of his affections should be Grace, Turner's only daughter and the apple of his eye. At once funny and heart-breaking, THE FLAMINGO RISING is a novel full of tenderness and insight about the power of love, the need for faith and the persistence of memory.
UFOs at the Drive-In!Just imagine: you're watching your favorite movie at the local drive-in theater when suddenly you see a strange flying object swoop down from above and hover right over the movie screen. The object is metallic, saucer-shaped, with portholes and colored lights, and is totally silent. It's a UFO! Cars start honking and flashing their lights. People exit their cars, pointing and screaming. Some drive away in terror. Then the UFO starts to move around over the theater putting on a show that's far more interesting than the movie itself! It may sound like science fiction, except it's true! This unique and groundbreaking book, by veteran UFO researcher Preston Dennett, documents more than 100 firsthand cases in which UFOs have targeted drive-in theaters. In these cases, UFOs hover at very low levels for long periods of time, and are observed by hundreds of witnesses. Often there are strange electromagnetic effects. Sometimes humanoids are seen. -ARIZONA, APRIL 1952: A metallic structured object hovers over the Yuma Drive-In Theater in Arizona, not once, but multiple times. -CALIFORNIA, AUGUST 1952: Visitors at the Terrace Drive-In undergo an incredible encounter, causing an investigation that reaches the highest levels of government. -MISSOURI, JULY 17, 1954: Peter Davenport and hundreds of others sight a glowing object at the Skyline Drive-In. Davenport later becomes the director of NUFORC. -MASSACHUSETTS, MAY 1963: A fleet of eight UFOs appears over the Wellington Circle Twins Drive-In, and puts on a display lasting an incredible 45 minutes long. -GEORGIA, JUNE 29, 1964: A large metallic saucer swoops repeatedly over the crowded Atlanta Drive-In, causing the audience to flee in panic. -OHIO, MID-1960s: UFOs swoop so low over the Mentor Drive-In that the movie is shut off so that the audience can enjoy the unexpected bonus show in the sky above. -KANSAS, 1966: Hundreds of people see a UFO hover directly next to the Southutch Drive-In, causing the entire audience to chase the object down the highway. -CALIFORNIA, 1972: The audience at the Paramount Drive-In flees in panic as a metallic saucer swoops down and hovers right next to the movie screen. -FLORIDA, 1973: When a metallic UFO hovers over the Fort Lauderdale Drive-In, the audience is amazed to see strange occupants peering from the portholes. -NEW YORK, 1974: Viewers at the East Park Drive-In are stunned to see a UFO hover over the parking lot and start sending beams of light onto the movie screen itself! -OHIO, 1974: A UFO targets the Ascot Park Drive-In, blacking out the movie and causing the entire audience to become hypnotically entranced. -MAINE, JUNE 15, 1975: A UFO buzzes the audience of the Portland Twin Drive-In Theater, causing the audiences for two separate movies to race away in fear. -CHINA, JULY 7, 1977: Three hundred people are injured and two are killed when a low-flying UFO targets an open-air showing of a movie to a crowd of 3000 people. -CALIFORNIA, 1983: The entire audience panics and drives away when a UFO swoops down and hovers right next to the movie screen of the Edgewood Drive-In. -OHIO, SEPTEMBER 2004: The entire audience observes a UFO which hovers above the Wilmington Drive-In and stays there for the entire length of the movie. There are too many cases to deny. This area of UFO research has been ignored for too long. Something profound is happening here. This book reveals a bizarre type of UFO behavior that only a lucky few have ever seen. So, come along on a fascinating journey that is sure to change the way you feel about UFOs.