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At Home on a Horse in the Woods by Janet Wolanin Alexander Pdf
Young Janet dreamed of owning a horse. Growing up her attempts were frustrated. About to give up, an unexpected message reopened her heart and her dream came true. These essays of inspiration, meditation, and dedication span Janet's journey from childhood cowgirl to woman At Home on a Horse in the Woods. May they inspire you to achieve your dream.
The compelling story of one family's life among the rugged landscapes of British Columbia's Coast Mountains, converting youthful ideals, raw land and a passion for the outdoors into a practical off-grid homestead. Rob Wood grew up in a village on the edge of the Yorkshire Moors, where he eventually developed a preoccupation with rock climbing. After studying architecture for five years at the Architectural Association School in London, England, he made his way to Montreal and ended up in Calgary. During his time in Calgary, Rob became a pioneer of ice climbing and posted numerous first ascents in the Rockies during the early 1970's. Eventually, life in corporate Alberta proved unfulfilling and Rob realized that he needed to find a place where he could reconnect with nature, which brought him to the remote reaches of Canada's West Coast. Settling on Maurelle Island, he and his wife built an off-the-grid homestead and focussed on alternative communities and developing a small house-design practice specializing in organic and wholesome building techniques. At Home in Nature is a gentle and philosophical memoir that focuses on living a life deeply rooted in the natural world, where citizens are connected to the planet and individuals work together to help, enhance and make the world a better -- and sustainable -- place.
At Home in the Woods by Bradford Angier,Elvena Angier Pdf
One hundred years ago, Henry Thoreau wrote of the charms and joys of simple living in the woods, away from the hectic nuisances of our city civilization. His philosophy has become part of our American heritage, as sound today as the day he first set it down. But his advice on the simple life has seemed too rugged for later generations, brought up in cities, pampered with conveniences and scared of nature. Vena and Brad Angier were fed up with their city bound existence and longtime readers and admirers of Thoreau, they set out to see if his discoveries were valid today. This is the account of two wilderness-loving tenderfeet, who headed for the tall timber on the banks of the Peace River, British Columbia. There near the trading post of Hudson Hope they found their Walden. How they made themselves ‘At Home in the Woods,’ stocked their cabin, met their interesting wilderness neighbors who helped them get settled and who saw them through their first winter makes honest and exciting reading. The city-bred Angiers found out that Thoreau was right when he wrote: “What people say you can not do, you try and find you can.”
The Way Through the Woods — One Hundred Classic Fairy Tales by Rudolph Amsel Pdf
The greatest fairy tales of all time. The 100 tales collected here throw open wide the gates to the realm of fairyland. Inside are princes and princesses, giants and dwarfs, heroes, heroines, simpletons, rogues, wizards, witches, ogres, trolls, elves, magical artefacts, and all manner of talking birds and beasts. As G. K. Chesterton has observed, fairyland is a place where happiness hangs upon a single thread: “Cinderella may have a dress woven on supernatural looms and blazing with unearthly brilliance; but she must be back when the clock strikes twelve. The king may invite fairies to the christening, but he must invite all the fairies or frightful results will follow. Bluebeard's wife may open all doors but one. A promise is broken to a cat, and the whole world goes wrong… A promise is broken to a yellow dwarf, and the whole world goes wrong.” This is also a world of contradiction and disproportion; where honesty may be a virtue, but so is the ability to tell the most outrageous lies conceivable. Here, the prize for treading on a cat’s tail, is a princess; and the penalty for expressing gratitude to a goblin, is a lifelong curse. In compiling this anthology, we have tried to include as many “tale types” as possible, and as much of the varied landscape of the fairy world—deserts, icefields, enchanted forests, underwater kingdoms—as we could fit in. Our principal sources are the great European collections of fairy tales and folk tales as compiled by Jacob and Wilhelm Grimm, Peter Asbjørnsen and Jørgen Moe, Hans Christian Andersen, Charles Perrault, Joseph Jacobs, and Alexander Afanasyev. But there are tales from further afield as well; from Asia, Africa and the Middle East. We have classified the tales thematically, and spread them evenly across ten chapters: 1) The Classic Characters: Heroes, Heroines, and their Foes 2) Birds and Beasts 3) Little; Big 4) The Ship of Fools 5) Quick Minds and Sharp Wits 6) The Royal Court 7) Into the World: Journeys, Quests, and Adventures 8) Magic and Witchcraft 9) Extraordinary Tales of Extraordinary Things 10) Tales for Winter We hope this structure will aid readers somewhat in their explorations. At the same time, we concur with W. H. Auden, who writes, “the way to read a fairy tale is to throw yourself in.”
Britain’s great cloak of natural forest disappeared mostly in prehistoric times. Over the passage of time and by the industrial revolution, Britain’s economy had become almost entirely dependent on timber imports from abroad. Shipping blockades in the First World War meant a frantic search for woodlands that could be cut down to make vital pit props and sawn wood for wartime construction. After the war, Britain’s tree cover was near to an all-time low. Only since 1919 have practical measures been taken to reverse the long history of forest decline, and a hundred years of tree planting has seen the forest cover of Britain more than double.Today, tree planting in Britain is motivated more by environmental and social concerns than purely timber production. In Woods and People, David Foot reveals the story of twentieth-century forest creation, and the eureka moment in the 1980s that challenged foresters and conservationists to work together on new ideas.
DigiCat Publishing presents to you this special edition of "The Horse and his Boy" by C. S. Lewis. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Stopping By Woods on a Snowy Evening by Robert Frost Pdf
The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. From the illustrator of the world’s first picture book adaptation of Robert Frost’s “The Road Not Taken” comes a new interpretation of another classic Frost poem: “Stopping By Woods on a Snowy Evening.” Weaving a simple story of love, loss, and memories with only illustrations and Frost’s iconic lines, this stirring picture book introduces young readers to timeless poetry in an unprecedented way.
A Breeze from the Woods, 2nd Ed. by William Bartlett Pdf
"A Breeze from the Woods, 2nd Ed" by W. C. Bartlett. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Every poem, Robert Frost declared, "is an epitome of the great predicament, a figure of the will braving alien entanglements". This study considers what Frost meant by those entanglements, how he braved them in his poetry, and how he invited his readers to do the same. In the process it contributes significantly to a new critical awareness of Frost as a complex artist who anticipated postmodernism--a poet who invoked literary traditions and conventions frequently to set himself in tension with them. Using the insights of reader-response theory, Judith Oster explains how Frost appeals to readers with his apparent accessibility and then, because of the openness of his poetry's possibilities, engages them in the process of constructing meaning. Frost's poems, she demonstrates, teach the reader how they should be read; at the same time, they resist closure and definitive reading. The reader's acts of encountering and constructing the poems parallel Frost's own encounters and acts of construction. Commenting at length on a number of individual poems, Oster ranges in her discussion from the ways in which the poet dramatizes the inadequacy of the self alone to the manner in which he "reads" the Book of Genesis or the writing of Emerson. Oster illuminates, finally, the central conflict in Frost: his need to be read well against his fear of being read; his need to share his creation against his fear of its appropriation by others.
A Breeze from the Woods, 2nd Ed by W. C. Bartlett Pdf
"A Breeze from the Woods, 2nd Ed" is a collection of essays by W. C. Bartlett. The essays included in the collection include "A Week in Mendocino," "Suburban Essays," "The Garden of The Hill," "Literature ad art," "The House on The Hill," "The Homestead by the Sea," and others.
