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Audrey Wood and the Playwrights by M. Barranger Pdf
From Tennessee Williams and Carson McCullers to Arthur Kopit and Brian Friel, agent Audrey Wood encouraged and guided the unique talents of playwrights in the Broadway theatre of her day. Her quiet determination and burning enthusiasm brought America's finest mid-century playwrights to prominence and altered stage history.
Audrey Wood and the Playwrights by M. Barranger Pdf
From Tennessee Williams and Carson McCullers to Arthur Kopit and Brian Friel, agent Audrey Wood encouraged and guided the unique talents of playwrights in the Broadway theatre of her day. Her quiet determination and burning enthusiasm brought America's finest mid-century playwrights to prominence and altered stage history.
THE STORY: Seated at two simple desks at opposite sides of the stage the young Tennessee Williams and his agent-to-be speak of his early years as a writer and of his fateful meeting with the remarkable woman who was the first to recognize his poten
When he was twelve, Joe snuck into the field on the edge of town and saw the Town Mayor with his sister Peregrine. This one moment has overwhelmed and transformed his life, becoming the only thing that holds any importance to him. Years later, in jail for murder, Joe waits for Peregrine so that he can explain his plan for her future, a plan so intricately assembled that he has given it a name--New Light Shine.Four characters in Shannon Murdoch's bold new play are trapped in an argument of memory that threatens to turn perception into truth. Their task is to dig through years of silence and half-truths to arrive at a future that may at last bring peace. In the ensuing struggles, disturbing questions arise--about female and child sexuality as well as the responsibilities of government and community in raising children.Selecting Murdoch's "New Light Shine" from more than 800 submissions that arrived from the far reaches of the English-speaking world, contest judge John Guare praises the distinct voice of this play and its challenging subject. "I read it, put it aside, went back to it, couldn't get it out of my head," he recollects. "This raw, haunting, richly poetic, deeply emotional play affected me as no other entry did."
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
Modern American Drama: Playwriting in the 1950s by Susan C. W. Abbotson Pdf
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).
This book is a biography of Willian Inge, the American playwright who committed suicide in 1973. By 1962 he had written an unprecedented string of Broadway hits Picnic, Bus Stop, The Dark at the Top of the Stairs and Come Back, Little Sheba. All four plays had become successful films featuring top Hollywood stars. Inge had received a Pulitzer Prize for Picnic and an Academy Award for his screenplay, Splendour in the Grass. Even his long-time friend and mentor, Tennesse Williams, was envious of his success.
