Austin In The Jazz Age Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Austin In The Jazz Age book. This book definitely worth reading, it is an incredibly well-written.
Though renowned, Austin's contemporary music scene pales in comparison with the explosion of creative talent the city spawned during the Jazz Age. Dozens of musicians who started out in the capital city attained national and international fame--but music was just one form of artistic expression that marked that time of upheaval. World War I's death and destruction bred a vehement rejection of the status quo. In its place, an enthusiastic adherence to life lived without question or consequence took root. The sentiment found fertile soil in Austin, with the University of Texas at the epicenter. Students indulged in the debauchery that typified the era, scandalizing Austin and Texas at large as they introduced a freewheeling, individualistic attitude that now defines the city. Join author Richard Zelade in a raucous investigation of the day and its most outstanding and outlandish characters.
Though renowned, Austin's contemporary music scene pales in comparison with the explosion of creative talent the city spawned during the Jazz Age. Dozens of musicians who started out in the capital city attained national and international fame--but music was just one form of artistic expression that marked that time of upheaval. World War I's death and destruction bred a vehement rejection of the status quo. In its place, an enthusiastic adherence to life lived without question or consequence took root. The sentiment found fertile soil in Austin, with the University of Texas at the epicenter. Students indulged in the debauchery that typified the era, scandalizing Austin and Texas at large as they introduced a freewheeling, individualistic attitude that now defines the city. Join author Richard Zelade in a raucous investigation of the day and its most outstanding and outlandish characters.
F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper. The jazz age set the sound of popular music into the 1950s. It included the flowering of improvised music by such artists as Armstrong, Bix Benderbecke, and Duke Ellington; the maturation and Americanization of the Broadway musical theatre; the explosion of the arts celebrated in the Harlem Renaissance; the rise of the classical blues singers starting with Mamie Smith and climaxing with Bessie Smith; the evolution of ragtime into stride piano; the spread of "speakeasy" night life and the emergence of the Cabaret singers; the musical creativity of a whole range of composers and songwriters including Kern, Gershwin, Berlin, Youmans, Rodgers and Hart, and Cole Porter, whom Shaw calls Song Laureate of the Roaring 20s. Here is a lively account of all these significant developments and personalities. A bibliography, detailed discography, and two informative lists--songs of the 20s in Variety's Golden 100 and films featuring singers and songwriters of the era--round out the book.
A collection of essays encompassing a wide variety of topics, people, and events that embodied the Jazz Age, both familiar and obscure. This volume in ABC-CLIO's social history series, People and Perspectives, looks at one of the most vibrant eras in U.S. history, a decade when American life was utterly transformed, often veering from freewheeling to fearful, from liberated to repressed. What did it mean to live through the Jazz Age? To answer this and other important questions, the volume broadens the spotlight from famous figures to cover everyday citizens whose lives were impacted by the times, including women and children, African Americans, rural Americans, immigrants, artists, and more. Chapters explore a wide range of topics beyond the music that came to symbolize the era, such as marriage, religion, consumerism, art and literature, fashion, the workplace, and more—the full cultural landscape of an extraordinary, if short-lived, moment in the life of a nation.
Features interviews of Sam Wooding, Benny Waters, Joe Tarto, Bud Freeman, Jimmy McPartland, Freddie Moore, and Jabbo Smith, and Bix Beiderbecke's letters to his family.
Jazz Music flourished between 1920 and 1930 - the Roaring Twenties, becoming the most acceptable form of popular music, so much so that the decade was named the Jazz Age. But what does the word jazz mean and where did it come from? In his latest work Jazz and the Jazz Age jazz historian Daniel Hardie traces the beginnings of jazz from roots in New Orleans to its appearance in Chicago in 1915 to its domination of popular music in the 1920’s and the wild extravagance of prohibition era Chicago and beyond.
When people imagine 1920s Chicago, they usually (and justifiably) think of Al Capone, speakeasies, gang wars, flappers and flivvers. Yet this narrative overlooks the crucial role the Windy City played in the modernization of America. The city's incredible ethnic variety and massive building boom gave it unparalleled creative space, as design trends from Art Deco skyscrapers to streamlined household appliances reflected Chicago's unmistakable style. The emergence of mass media in the 1920s helped make professional sports a national obsession, even as Chicago radio stations were inventing the sitcom and the soap opera. Join Joseph Gustaitis as he chases the beat of America's Jazz Age back to its jazz capital.
Encyclopedia of African American Music [3 volumes] by Tammy L. Kernodle,Horace Maxile,Emmett G. Price III Pdf
African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
Austin’s past is as weird as its present—including murderous neighbors, deadly political antics, and a serial killer suspected to be Jack the Ripper. Beneath Austin’s shiny veneer lies a dark past, filled with murder, lechery and deceit. Legislators, lawmen and lawyers killed, robbed and lied just as well and just as often as the drifters and grifters preying on newcomers. The nation’s first known serial killer made his debut in Austin in the form of the Servant Girl Annihilator, who is still rumored to be Jack the Ripper. After the Willis brothers murdered their neighbors over rumored buried gold, a lynch mob hanged the boys from live oaks on present-day Sixth Street. Freshman representative Louis Franke died after he was robbed and beaten on the steps of the statehouse. Author Richard Zelade delivers a fascinating look at the seedier side of Austin history. Includes photos!
Author : Alexandra Wilson Publisher : Oxford University Press, USA Page : 257 pages File Size : 46,5 Mb Release : 2018-12-31 Category : History ISBN : 9780190912666
Jazz, the Charleston, nightclubs, cocktails, cinema, and musical theatre: 1920s British nightlife was vibrant and exhilarating. But where did opera fit into this fashionable new entertainment world? Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a key historical moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." Literary studies of the so-called "battle of the brows" have been numerous, but this is the first book to consider the place of opera in interwar debates about high and low culture. This study by Alexandra Wilson argues that opera was extremely difficult to pigeonhole: although some contemporary commentators believed it to be too highbrow, others thought it not highbrow enough. Opera in the Jazz Age paints a lively and engaging picture of 1920s operatic culture, and introduces a charismatic cast of early twentieth-century critics, conductors, and celebrity singers. Opera was performed during this period to socially mixed audiences in a variety of spaces beyond the conventional opera house: music halls, cinemas, cafés and schools. Performance and production standards were not always high - often quite the reverse - but opera-going was evidently great fun. Office boys whistled operatic tunes they had heard on the gramophone and there was a genuine sense that opera was for everyone. In this provocative and timely study, Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-day discussions about elitism. The book makes a major contribution to our understanding of the cultural politics of twentieth-century Britain and is essential reading for anybody interested in the history of opera, the battle of the brows, or simply the perennially fascinating decade that was the 1920s.
Jazz-Age Boomtown by Jerome L. Rodnitzky,Shirley Reiger Rodnitzky Pdf
Views of main streets, fires, floods, the circus, movie theaters, sporting events, schools, ranches, shops, and restaurantscapturing the essence of the boomtown atmosphere. Clemons, the town's only professional photographer and most eccentric resident, traveled to California, the Pacific Northwest, and Alaska before returning to Texas in 1919 and settling in Breckenridge. His pictures reflect the transformation of rural to urban values in the early twentieth century.
How the Prohibition law of 1920 made alcohol, savored in secret, all the more delectable when the cocktail shaker was forced to go “underground” “Roaring Twenties” America boasted famous firsts: women’s right to vote, jazz music, talking motion pictures, flapper fashions, and wondrous new devices like the safety razor and the electric vacuum cleaner. The privations of the Great War were over, and Wall Street boomed. The decade opened, nonetheless, with a shock when Prohibition became the law of the land on Friday, January 16, 1920, when the Eighteenth Amendment banned “intoxicating liquors.” Decades-long campaigns to demonize alcoholic beverages finally became law, and America officially went “dry.” American ingenuity promptly rose to its newest challenge. The law, riddled with loopholes, let the 1920s write a new chapter in the nation’s saga of spirits. Men and women spoke knowingly of the speakeasy, the bootlegger, rum-running, black ships, blind pigs, gin mills, and gallon stills. Passwords (“Oscar sent me”) gave entrée to night spots and supper clubs where cocktails abounded, and bartenders became alchemists of timely new drinks like the Making Whoopee, the Petting Party, the Dance the Charleston. A new social event—the cocktail party staged in a private home—smashed the gender barrier that had long forbidden “ladies” from entering into the gentlemen-only barrooms and cafés. From the author of Gilded Age Cocktails, this book takes a delightful new romp through the cocktail creations of the early twentieth century, transporting readers into the glitz and (illicit) glamour of the 1920s. Spirited and richly illustrated, Jazz Age Cocktails dazzles with tales of temptation and temperance, and features charming cocktail recipes from the time to be recreated and enjoyed.
A Biographical Guide to the Great Jazz and Pop Singers by Will Friedwald Pdf
Will Friedwald’s illuminating, opinionated essays—provocative, funny, and personal—on the lives and careers of more than three hundred singers anatomize the work of the most important jazz and popular performers of the twentieth century. From giants like Ella Fitzgerald, Louis Armstrong, Frank Sinatra, and Judy Garland to lesser-known artists like Jeri Southern and Joe Mooney, they have created a body of work that continues to please and inspire. Here is the most extensive biographical and critical survey of these singers ever written, as well as an essential guide to the Great American Songbook and those who shaped the way it has been sung. The music crosses from jazz to pop and back again, from the songs of Irving Berlin and W. C. Handy through Stephen Sondheim and beyond, bringing together straightforward jazz and pop singers (Billie Holiday, Perry Como); hybrid artists who moved among genres and combined them (Peggy Lee, Mel Tormé); the leading men and women of Broadway and Hollywood (Ethel Merman, Al Jolson); yesterday’s vaudeville and radio stars (Sophie Tucker, Eddie Cantor); and today’s cabaret artists and hit-makers (Diana Krall, Michael Bublé). Friedwald has also written extended pieces on the most representative artists of five significant genres that lie outside the songbook: Bessie Smith (blues), Mahalia Jackson (gospel), Hank Williams (country and western), Elvis Presley (rock ’n’ roll), and Bob Dylan (folk-rock). Friedwald reconsiders the personal stories and professional successes and failures of all these artists, their songs, and their performances, appraising both the singers and their music by balancing his opinions with those of fellow musicians, listeners, and critics. This magisterial reference book—ten years in the making—will delight and inform anyone with a passion for the iconic music of America, which continues to resonate throughout our popular culture.
The Jazz Age was a boom time in the Bluff City. Murder was rampant, and politics were rough-and-tumble. First, Mayor Rowlett Paine and Boss E.H. Crump joined forces to fight the local Ku Klux Klan (and nearly lost). Then they turned on each other, and the political battle ensued. Other colorful characters weaving in and out of the story include Black political leader "Bob" Church, millionaire Clarence Saunders, Governor Austin Peay, evangelist Billy Sunday and even William Jennings Bryan. The city went on a building spree and a bootleg booze binge even as cotton prices plummeted. The Great Flood of 1927 added more strife with the addition of local refugees. Author Robert Lanier details these fascinating stories and more.