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The Oxford Companion to Australian Children's Literature by Stella Lees,Pam Macintyre Pdf
Arranged alphabetically, The Oxford Companion to Australian Children's Literature contains 1600 entries covering authors, publishers, illustrators, famous characters, events, institutions, and awards--from Ned Kelly and the Eureka Stockade to Australian comics and the work of Evelyn Goode. The book is an invaluable resource for anyone interested in children's literature or Australian culture.
Examination of the representations of Australia's indigenous peoples in texts for children and of how these have helped to colour the attitudes, beliefs and assumptions of different generations of Australians. Draws on examples from popular and literary children's books of all genres - fiction, non-fiction, picture books and school texts - by both white and Aboriginal writers. Also uncovers the different ideologies of race that have informed Australian children's texts since the 19th century. Includes illustrations, endnotes, bibliography and index. Author is an Associate Professor in the School of Literary and Communication Studies at Deakin University.
Dog and Magpie are friends, but when Fox comes into the bush, everything changes. This breathtaking story has won acclaim around the world: CBCA Picture Book of the Year; two Premiers' literary awards; honours in Germany, Brazil, Japan; a shortlisting for the prestigious Kate Greenaway Medal in the UK, and more. 'A publishing landmark.' Magpies 'Magnificent.' Reading Time 'a stunning book' Australian Bookseller and Publisher 'The images from this unsettling, provocative story will resonate long after the book has been closed.' Publishers Weekly (Starred Review) 'A strongly atmospheric psycho-fable--visually striking--an open-ended discussion starter.' Kirkus Reviews 'Fox is an archetypal drama about friendship, loyalty, risk and betrayal - a story that is as rich for adults as for older children.' Los Angeles Times
Age range 6+ What makes a children's book character memorable?Is it their personality, the story they tell or the way they're depicted by theillustrator? Is it that they make us laugh or cry? Or is it that we canidentify with them? Often, even as adults, we can remember what our favouritechildren's book characters said or conjure an image of them in our mind's eye. From Snugglepot and Cuddlepie to the green sheep and Pig the Pug,Australian children's book characters have always delighted the young andyoung-at-heart. Get together with old friends and meet new ones in thislighthearted retrospective of much-loved characters from over a century of Australianillustrated books for children. Many will be delighted to reencounter Albert, the cranky cut-and-come-againmagic pudding, who has fought the puddin' thieves in multiple editions, as wellas across the stage in musical theatre, puppet shows, animated films and opera.Others will be thrilled to see lovable grass tree Grug, who was once describedby The New York Times as the 'Elmo ofDown Under', and who has bustled through over 30 picture books since he firstappeared in Grug in 1979. With such classic characters included alongside newer stars, parents andgrandparents can not only share their favourites, but can also get to know the newercharacters who enchant their children and grandchildren. Today's little oneslove to go searching for Mem Fox and Judy Horacek's green sheep, who won theCBCA Early Childhood Book of the Year Award in 2005. They grump along with NickBland's bear, who has been cranky, itchy, hungry and noisy, to name but a fewof his dispositions. And they giggle at greedy Pig, the pug, who is awfullymean to his flatmate Trevor, but who always gets his comeuppance in the end. All these characters and more showcase the breadth of Australianchildren's books over the last century and give readers of all ages the chanceto get to know their favourite characters a little better.
Finding the Heart of the Nation by Thomas Mayo Pdf
This is a book for all Australians. Since the Uluru Statement from the Heart was formed in 2017, Thomas Mayo has travelled around the country to promote its vision of a better future for Indigenous Australians. He’s visited communities big and small, often with the Uluru Statement canvas rolled up in a tube under his arm. Through the story of his own journey and interviews with 20 key people, Thomas taps into a deep sense of our shared humanity. The voices within these chapters make clear what the Uluru Statement is and why it is so important. And Thomas hopes you will be moved to join them, along with the growing movement of Australians who want to see substantive constitutional change. Thomas believes that we will only find the heart of our nation when the First peoples – the Aboriginal and Torres Strait Islanders – are recognised with a representative Voice enshrined in the Australian Constitution. ‘Thomas’s compelling work is full of Australian Indigenous voices that should be heard. Read this book, listen to them, and take action.’ – Danny Glover, actor and humanitarian
The all-time classic picture book, from generation to generation, sold somewhere in the world every 30 seconds! Have you shared it with a child or grandchild in your life? For the first time, Eric Carle’s The Very Hungry Caterpillar is now available in e-book format, perfect for storytime anywhere. As an added bonus, it includes read-aloud audio of Eric Carle reading his classic story. This fine audio production pairs perfectly with the classic story, and it makes for a fantastic new way to encounter this famous, famished caterpillar.
Go Home, Cheeky Animals! by Johanna Bell,Dion Beasley Pdf
WINNER: CBCA Book of the Year, Early Childhood, 2017 At Canteen Creek where we live, there are cheeky dogs everywhere. But when the cheeky goats, donkeys, buffaloes and camels make mischief in the camp, the dogs just lie there - until those pesky animals really go too far. Then the cheeky camp dogs roar into action! 'A funny, uplifting and beautifully written tale about family, home and place.' Ros Moriarty, author of Listening to Country. Johanna Bell lives in Darwin and works on storytelling projects as a creative producer and writer. Dion Beasley is well known for his Cheeky Dogs brand. He lives in Tennant Creek, NT.
Writing the Australian Child by Clare Bradford Pdf
This collection of essays redresses the paucity of literary critical material explicitly theorising text created for children. Drawing on Australian children's books and a range of theoretical perspectives, the essays consider a variety of topics, from clothed animals as metafictional markers to post-modern versions of Peter Pan.
Bush, City, Cyberspace by John Foster,Ern Finnis,Maureen Nimon Pdf
Aimed at academic, professional and general readers, Bush, city, cyberspace provides a snapshot of the state of Australian children's and adolescent literature in the early twenty-first century, and an insight into its history. In doing so, it promotes a sense of where Australian literature for young people may be going and captures a literary and critical mood with which readers in Australia and beyond will identify. The title of the work is intended to capture the fact that the field has changed dramatically in the century and a half that 'Australian children's literature' has existed, from the bush myths and heroism that inform the past and the present, through the recognition that the vast majority of authors and readers live in cities, to the third wave of 'cyberliterature' that incorporates multimedia, hypertext, weblinks and e-books - none of which lessens the enduring enthusiasm of practitioners and readers for books. Bush, city, cyberspace is not meant to be an encyclopedic volume. Rather, well-known, recent and/or award-winning works have been emphasised, with the addition of others where these help to illuminate particular points. The book is similar in coverage and approach to Australian Children's Literature: An Exploration of Genre and Theme, written by the same three authors and published by the Centre for Information Studies in 1995. In the intervening period, much has changed in the field, notable examples including the blurring of the dividing line between 'quality' and 'popular' literature; the blending of genres; the rise of a truly indigenous literature; the demise, to a significant extent, of 'Outbackery' in fiction; the acceptance of multiculturalism as the norm; and the advent of the literature of cyberspace, with new methods, and the sheer speed, of communication between writer and reader. All these trends, and others, are reflected in this work.