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This Regency romance is “a beautifully crafted and well-written novel by a superb storyteller. I highly recommend it” (Heather Graham, New York Times–bestselling author of Come the Morning). When Elinor Ashton’s father forces her into a loveless marriage to satisfy his debts, she becomes the unhappiest bride in London society . . . and the property of Lord Kingsley, an elderly and enormously wealthy man whose jealousy leads him to concoct an unspeakable scheme. Lucien de Clare is England’s most handsome—and most brazen—lord, a man whose scandalous behavior made the doors to polite society close against him. This makes him the perfect pawn in Kingsley’s despicable plot to secure an heir. But the attempt at a deceitful seduction of Elinor leads to true desire, as Lucien is overcome by her beauty and charm. Neither treacherous intrigue nor vengeful deeds can temper their desire for forbidden kisses, or dampen the fire that fuels their love . . . “Powerful . . . A story to touch all of your emotions.” —Janelle Taylor, New York Times–bestselling author of Moondust and Madness
On the first day of her new life, Tawnia McKnight finds herself in Oregon, her fifth state in ten years. Another new job, new friends, a heartache left far behind. Maybe in Portland she can at last find what she is looking for. Maybe she can even forget Bret Winn. But when a tragic bridge collapse rocks the city, Tawnia is thrust back into the life of the man she thought shed never see again. Bret introduces her to the eccentric Autumn Raina stranger with inexplicably familiar eyesand Tawnia finds herself drawn into a web of confusion and deceit. Autumns suffering over her missing father seems to be real, but there is much that cannot be explained. Will Tawnia find what she is looking for, or will everything she is beginning to care about slip once again from her grasp?
"“Autumn wind, autumn rain, fill my heart with sorrow”—these were the last words of Qiu Jin (1875–1907), written before she was beheaded for plotting to overthrow the Qing empire. Eventually, she would be celebrated as a Republican martyr and China’s first feminist, her last words committed to memory by schoolchildren. Yet during her lifetime she was often seen as eccentric, even deviant; in her death, and still more in the forced abandonment of her remains, the authorities had wanted her to disappear into historical oblivion.Burying Autumn tells the story of the enduring friendship between Qiu Jin and her sworn-sisters Wu Zhiying and Xu Zihua, who braved political persecution to give her a proper burial. Formed amidst social upheaval, their bond found its most poignant expression in Wu and Xu’s mourning for Qiu. The archives of this friendship—letters, poems, biographical sketches, steles, and hand-copied sutra—vividly display how these women understood the concrete experiences of modernity, how they articulated those experiences through traditional art forms, and how their artworks transformed the cultural traditions they invoked even while maintaining deep cultural roots. In enabling Qiu Jin to acquire historical significance, their friendship fulfilled its ultimate socially transformative potential."
Forced into a loveless marriage with an older and insanely jealous man when her father's debts soar too high, Elinor Ashton must rely on the help of Lucien de Clare, a man whose scandalous behavior has barred him from polite society. Original.
The fifth installment in the epic six-volume My Struggle cycle is here, highly anticipated by Karl Ove Knausgaard's dedicated fan club--and the first in the cycle to be published separately in Canada. The young Karl Ove moves to Bergen to attend the Writing Academy. It turns out to be a huge disappointment: he wants so much, knows so little, and achieves nothing. His contemporaries have their manuscripts accepted and make their debuts while he begins to feel the best he can do is to write about literature. With no apparent reason to feel hopeful, he continues his exploration of and love for books and reading. Gradually his writing changes; his relationship with the world around him changes too. This becomes a novel about new, strong friendships and a serious relationship that transforms him until the novel reaches the existential pivotal point: his father dies, Karl Ove makes his debut as a writer and everything disintegrates. He flees to Sweden, to avoid family and friends.
In the 22nd century, the first wonder of a brave new world is the Phoenix Space Elevator, designed to give mankind greater access to the frontier beyond Earth. Cooperatively built by the United States and the Eurasian Coalition, the Elevator is also a grand symbol of superpower alliance following a second cold war. And it’s just been destroyed. With suspicions rampant, armies and espionage teams are mobilized across the globe and beyond. Enter Claire Haskell and Jason Marlowe, U.S. counterintelligence agents and former lovers—though their memories may only be constructs implanted by their spymaster. Now their agenda is to trust no one. For as the crisis mounts, the lives of all involved will converge in one explosive finale—and a startling aftermath that will rewrite everything they’ve ever known—about their mission, their world, and themselves.
Crisp air and gray skies beckon a little girl to thoroughly investigate the outside world: chipmunks, squirrels, insects, and fallen leaves all hint that a change of season is coming. Young readers can explore the signs of autumn along with the adventurous child narrator in this charming conclusion to Wong Herbert Yee's series on the seasons (Tracks in the Snow, Who Likes Rain? and Summer Days and Nights).
From the award-winning, bestselling author of Hold Still and We Are Okay. (Cover may vary) Colby and Bev have a long-standing pact: graduate, hit the road with Bev's band, and then spend the year wandering around Europe. But moments after the tour kicks off, Bev makes a shocking announcement: she's abandoning their plans - and Colby - to start college in the fall. But the show must go on and The Disenchantments weave through the Pacific Northwest, playing in small towns and dingy venues, while roadie- Colby struggles to deal with Bev's already-growing distance and the most important question of all: what's next? Morris Award–finalist Nina LaCour draws together the beauty and influences of music and art to brilliantly capture a group of friends on the brink of the rest of their lives.
Another poetry book. This one to celebrate autumn and all its traditions. Plus classics to add variety to this book. Celebrate autumn as you read the nostalgia this season brings.
This book is a message of faith's journey, having a beginning, becoming dependent, being responsible, fruitful and then transforming the landscape through transplanted lives. The metaphor of the garden is carried throughout the book; beginning faith is nurtured by Spring Rain but transforming faith has a harvest, an abundance brought by the Autumn Rain, the rain of Harvest. It is a faith that continues to change the landscape of life. Like her second book, Light Breaking Through, Billie writes in a journalistic free verse style. In looking through the lens of her own life and finding stories of women who triumphed and persevered, Billie shares stories that are up-close and personal. She tells stories of the deep and abiding faith of John and June Cash and others in her family whose lives are a testament to the goodness of God. She challenges women to know, love and serve God; and to finish well.