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A stunning, evocative novel set in Ireland and Canada, Away traces a family’s complex and layered past. The narrative unfolds with shimmering clarity, and takes us from the harsh northern Irish coast in the 1840s to the quarantine stations at Grosse Isle and the barely hospitable land of the Canadian Shield; from the flourishing town of Port Hope to the flooded streets of Montreal; from Ottawa at the time of Confederation to a large-windowed house at the edge of a Great Lake during the present day. Graceful and moving, Away unites the personal and the political as it explores the most private, often darkest corners of our emotions where the things that root us to ourselves endure. Powerful, intricate, lyrical, Away is an unforgettable novel.
Return to the world of FIREFLY LANE—now a Netflix series—from #1 New York Times bestselling author Kristin Hannah. Once, a long time ago, I walked down a night-darkened road called Firefly Lane, all alone, on the worst night of my life, and I found a kindred spirit. That was our beginning. More than thirty years ago. TullyandKate. You and me against the world. Best friends forever. But stories end, don't they? You lose the people you love and you have to find a way to go on. . . . Tully Hart has always been larger than life, a woman fueled by big dreams and driven by memories of a painful past. She thinks she can overcome anything until her best friend, Kate Ryan, dies. Tully tries to fulfill her deathbed promise to Kate--to be there for Kate's children--but Tully knows nothing about family or motherhood or taking care of people. Sixteen-year-old Marah Ryan is devastated by her mother's death. Her father, Johnny, strives to hold the family together, but even with his best efforts, Marah becomes unreachable in her grief. Nothing and no one seems to matter to her . . . until she falls in love with a young man who makes her smile again and leads her into his dangerous, shadowy world. Dorothy Hart--the woman who once called herself Cloud--is at the center of Tully's tragic past. She repeatedly abandoned her daughter, Tully, as a child, but now she comes back, drawn to her daughter's side at a time when Tully is most alone. At long last, Dorothy must face her darkest fear: Only by revealing the ugly secrets of her past can she hope to become the mother her daughter needs. A single, tragic choice and a middle-of-the-night phone call will bring these women together and set them on a poignant, powerful journey of redemption. Each has lost her way, and they will need each one another--and maybe a miracle--to transform their lives. An emotionally complex, heart-wrenching novel about love, motherhood, loss, and new beginnings, Fly Away reminds us that where there is life, there is hope, and where there is love, there is forgiveness. Told with her trademark powerful storytelling and illuminating prose, Kristin Hannah reveals why she is one of the most beloved writers of our day.
An explosive book that exposes the abuses of institutionalization. "How many brothers and sisters do you have?" It was one of the first questions kids asked each other when Catherine McKercher was a child. She never knew how to answer it. Three of the McKercher children lived at home. The fourth, her youngest brother, Bill, did not. Bill was born with Down syndrome. When he was two and a half, his parents took him to the Ontario Hospital School in Smiths Falls and left him there. Like thousands of other families, they exiled a child with disabilities from home, family, and community. The rupture in her family always troubled McKercher. Following Bill's death in 1995, and after the sprawling institution where he lived had closed, she applied for a copy of Bill's resident file. What she found shocked her. Drawing on primary documents and extensive interviews, McKercher reconstructs Bill's story and explores the clinical and public debates about institutionalization: the pressure to "shut away" children with disabilities, the institutions that overlooked and sometimes condoned neglect and abuse, and the people who exposed these failures and championed a different approach.
One minute Jack's in math class. The next, he's on a dark, cobblestoned, empty street. Empty, that is, except for a skinny girl wrapped in a threadbare shawl. "Matches, mister?" she asks, and just like that, Jack's life collides with one of Hans Christian Andersen's grimmest tales. And just when he has almost convinced himself it was just a weird dream, it happens again. Suddenly, Jack's ideas about what is "real" or "possible" no longer apply. While he and his new girlfriend, Lucy, struggle to understand who or what the Match Girl is, they come to realize they must also find a way to keep Jack away from her. The Match Girl is not just a sad, lonely soul; she's dangerous. And each time Jack is drawn into her gray, solitary world, she becomes stronger, more alive...and more attached to Jack. She wants to keep Jack for her very own, even if that means he will die.
From internationally bestselling author Harlan Coben comes this third action-packed installment of his bestselling young adult series. It’s been eight months since Mickey Bolitar witnessed the shocking, tragic death of his father. Eight months of lies, dark secrets, and unanswered questions. While he desperately wants answers, Mickey’s sophomore year of high school brings on a whole new set of troubles. Spoon is in the hospital, Rachel won’t tell him where he stands, his basketball teammates hate him . . . and then there’s Ema’s surprise announcement: She has an online boyfriend, and he’s vanished. As he’s searching for Ema’s missing boyfriend (who may not even exist!), Mickey also gets roped into helping his nemesis, Troy Taylor, with a big problem. All the while, Mickey and his friends are pulled deeper into the mysteries surrounding the Abeona Shelter, risking their lives to find the answers—until the shocking climax, where Mickey finally comes face-to-face with the truth about his father.
Matt, a white quarterback from Montreal, Quebec, flies to France (without his parents’ permission) to play football and escape family pressure. Freeman, a black football player from San Antonio, Texas, is in Paris on a school trip when he hears about a team playing American football in a rough, low-income suburb called Villeneuve-La-Grande. Matt and Free join the Diables Rouges and make friends with the other players, who come from many different ethnic groups. Racial tension erupts into riots in Villeneuve when some of their Muslim teammates get in trouble with the police, and Matt and Free have to decide whether to get involved and face the very real risk of arrest and violence.
A summer of firsts Sixteen-year-old Eliza Miller has never made a phone call, never tried on a pair of jeans, never sat in a darkened theater waiting for a movie to start. She's never even talked to someone her age who isn't Amish, like her. A summer of good-byes When she leaves her close-knit family to spend the summer as a nanny in suburban Chicago, a part of her can't wait to leave behind everything she knows. She can't imagine the secrets she will uncover, the friends she will make, the surprises and temptations of a way of life so different from her own. A summer of impossible choices Every minute Eliza spends with her new friend Josh feels as good as listening to music for the first time, and she wonders whether there might be a place for her in his world. But as summer wanes, she misses the people she has left behind, and the Plain life she once took for granted. Eliza will have to decide for herself where she belongs. Whichever choice she makes, she knows she will lose someone she loves.
After a member of her competitive cheerleading team is injured in practice, sixteen-year-old Marnie is asked to be a flyer-the most coveted role in cheerleading. The Soar Starlings team has a real shot at the provincial championship, and Marnie has only a few weeks to prepare. But as she scrambles to polish her lifts and throws, Marnie's personal life begins to unravel. First, her boyfriend of two years breaks up with her, and then her best friend Arielle, captain of the Starlings, disappears during a team trip to Toronto. As Marnie struggles to adjust to being both a flyer and the team's new captain, she realizes that, to be a leader, you have to let go of old alliances to make room in your life for new ones.
Don't Look Away by Iheoma Iruka,Stephanie Curenton,Tonia Durden,Kerry-Ann Escayg Pdf
Every day, 250 children are suspended from school. Many are children of color, deprived of opportunities to experience learning at the same rate and quality as white children. Many families don't feel heard or respected in their child's schools. Don't Look Away: Embracing Anti-Bias Classrooms leads early childhood professionals to explore and address issues of bias, equity, low expectations, and family engagement to ensure culturally responsive experiences. Importantly, this book will challenge you to consider your perceptions and thought processes: Identify your own unconscious biases-we all have them! Recognize and minimize bias in the classroom, school, and community Connect with children and their families Help close the opportunity gap for children from marginalized communities This book offers strategies, tools, and information to help you create a culturally responsive and equitable learning environment.
This is a unique selection of wide-ranging experiences of British and Commonwealth Bomber Command aircrew during World War II. Their endearing bravery and fortitude and sometimes their despondency and cynicism, shows through in these stirring, daring, often irreverent, humorous and sometimes sardonic but memorable stories. All reflect the ethos, camaraderie, fear and bravery of the largely ordinary men, most of whom were plucked from 'civvy street' and thrust into a frightening, bitter conflict which was made even more dangerous by the lethal advance of technology.Death would normally come from an anonymous assassin, either in the black of night, or from behind a cloud or out of the sun, or simply from the Flak gunner on the ground. And, if all this was not enough, the often unmerciful weather was no respecter of mortality. There was no escaping the all-embracing shock wave that rippled through the bomber squadrons after a heavy mauling over enemy territory. Nothing could be more poignant than the vacuous places at tables in the depleted mess halls, the empty locker of the departed, or the dog pining by the barracks for its missing master. Each man had to deal with tragedy in his own inimitable way. Some hid their feelings better than others did only for the pain to resurface months or even years later. Some who had survived the physical pressures and who completed their tours then succumbed to the mental torture that had eaten away at their psyche during the incessant and interminable onslaught day after day, night after night. There was little respite. The valorous men of Bomber Command were, in turn, the Light Brigade, the stop gap, the riposte, the avengers, the undefeated. Always, they were expendable.
WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013 Carried Away is a dazzling selection of stories–seventeen favorites chosen by the author from across her distinguished career. With an Introduction by Margaret Atwood. Alice Munro has been repeatedly hailed as one of our greatest living writers, a reputation that has been growing for years. The stories brought together here span a quarter century, drawn from some of her earliest books, The Beggar Maid and The Moons of Jupiter, through her recent best-selling collection, Runaway. Here are such favorites as “Royal Beatings” in which a young girl, her father, and stepmother release the tension of their circumstances in a ritual of punishment and reconciliation; “Friend of My Youth” in which a woman comes to understand that her difficult mother is not so very different from herself; and “The Albanian Virgin," a romantic tale of capture and escape in Central Europe that may or may not be true but that nevertheless comforts the hearer, who is on a desperate adventure of her own. Munro’s incomparable empathy for her characters, the depth of her understanding of human nature, and the grace and surprise of her narrative add up to a richly layered and capacious fiction. Like the World War I soldier in the title story, whose letters from the front to a small-town librarian he doesn’t know change her life forever, Munro’s unassuming characters insinuate themselves in our hearts and take permanent hold.
“If Alfred Hitchcock could remake Fargo, it might feel something like Carkeet’s comic-absurd latest” (Publishers Weekly). Denny Braintree, a wisecracking loner devoted to model trains, has found himself stranded in Vermont. His night at the hotel begins promisingly—until his prospective one-night stand walks out on him. As he prepares to leave town, someone mistakes Denny for Homer Dumpling—a local man who mysteriously disappeared three years earlier, and who apparently looks a whole lot like Denny. Instead of correcting the mistake, Denny slips into his new identity as easily as a winter fleece. And it’s a good thing too, because the woman he’d hoped to sleep with has turned up dead, and the chief suspect is the out-of-towner who was pursuing her at the hotel . . . As Denny tries to unravel the mystery, he struggles to hide his true identity from Homer’s increasingly suspicious circle of family and friends, including Homer’s prickly girlfriend. The adventures of this fast-talking bumbler as his survival instincts are put to the test make for a rollicking novel by an author who has produced “some of the funniest writing since Mark Twain” (Jonathan Kellerman, New York Times–bestselling author of Night Moves). “A deftly funny book.” —Carl Hiaasen
Though we are the most wasteful people in the history of the world, very few of us know what becomes of our waste. In Waste Away, Joshua O. Reno reveals how North Americans have been shaped by their preferred means of disposal: sanitary landfill. Based on the authorÕs fieldwork as a common laborer at a large, transnational landfill on the outskirts of Detroit, the book argues that waste management helps our possessions and dwellings to last by removing the transient materials they shed and sending them elsewhere.Ê Ethnography conducted with waste workers shows how they conceal and contain other peopleÕs wastes, all while negotiating the filth of their occupation, holding on to middle-class aspirations, and occasionally scavenging worthwhile stuff from the trash. Waste Away also traces the circumstances that led one community to host two landfills and made Michigan a leading importer of foreign waste. Focusing on local activists opposed to the transnational waste trade with Canada, the bookÕs ethnography analyzes their attempts to politicize the removal of waste out of sight that many take for granted. Documenting these different ways of relating to the management of North American rubbish, Waste Away demonstrates how the landfills we create remake us in turn, often behind our backs and beneath our notice.
