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"B" is for Bad Girls by Rebecca Cantrell,Sean Black Pdf
From New York Times bestseller Rebecca Cantrell and Sean Black comes the sequel to "A" is for Actress and another fast-paced, funny novel that's perfect for fans of Janet Evanovich. Maloney Investigation's newest private detective, Sofia Salgado, is back on the case that turns into her mother's worst nightmare when she ends up undercover in one of Malibu's many rehab clinics—complete with pictures and an offer to star in a reality TV show. But the clinic isn’t a safe place. If Sofia doesn't solve the find out who killed an up an coming rock star soon, she and all the bad girls she meets inside, including rock star Brandi Basher and reality TV train wreck Monaco Jane, might just end up going to the big rehab center in the sky.
Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s tale about finding a community on the margins. In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila. Sheltered in Auntie Encarna’s fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories—of a mute young woman who transforms into a bird, of a Headless Man who fled his country’s wars—as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s. Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity.
Grimms' Bad Girls and Bold Boys by Ruth B. Bottigheimer Pdf
In this book -- the first in more than fifty years to treat the entire body of Grimms' Tales -- Ruth B. Bottigheimer provides a thorough analysis of the stories' content, focusing in particular on the matter of gender. By combining a sociohistorical examination of the stories with close scrutiny of the language in which they are told, Bottigheimer reveals coherent patterns of motif, plot, and image and brings new insight into the moral and social vision of the collection.
A lovely collection of bad girls in various fetish, space girl and sacrilegious attire. You will love coloring in every curve and detail bringing them to life.
Sensational and unapologetic, B movie bad girls of the big screen starred in sexy suspense thrillers during film's golden age. A celebration of the wicked, the wayward, and the wanton, Bad Girls: Film Fatales, Sirens, and Molls remembers the actresses who gave those celluloid sinners their oomph. Blinded by desire, crazed with jealousy, and ripe with sin, these luscious, lascivious ladies broke the female stereotype as they antagonized with a vengeance, hiding guns in their garters and knives in their hair. Working with scant scripts, they relied on their beauty, bodies, and female prowess to carve their own niche in the man's world of moviemaking. Prized for their campy quality and over-acting, these bad girls redefined the Hollywood girl-next-door ideal and paved the walk of fame for villainous vixens to come. Encompassing film noir femme fatales, brassy blondes, juvenile delinquents, and their foreign 'sisters, ' we will shine a spotlight (or would an interrogation lamp be more fitting?) on several genres of filmmaking where these man traps flourished
"Explores the lives of ten famous women who have used clothing to make a statement, change perceptions, break rules, attract power, or express their individuality. Included are Cleopatra, Marie Antoinette, Coco Chanel, Marlene Dietrich, Madonna, and Lady Gaga. Sidebar subjects include: Elizabeth I, Marilyn Monroe, Rihanna, and Vivienne Westwood."--Provided by publisher.
In this innovative and revealing study of midcentury American sex and culture, Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II–era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms. Building on a new generation of research on postwar society, Littauer tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, and pleasure in modern sexual life.
The bestselling author of B-More Careful, Shannon Holmes, delivers Bad Girlz, another wild adventure into the streets. The setting this time is the Badlands, one of the toughest and poorest communities in Philadelphia. Bad Girlz takes you into the mysterious and often dangerous lives of young women who turn to the streets and strip clubs as a means of survival. These are girls who, along the way, suffer bad breaks and find themselves ripe for exploitation by men and women who pretend to be their saviors. Tender and Goldie were taken under wing by Kat, a veteran stripper, who enjoyed the life and the risks she had to take to stay in the mix of the sex trade. Both of these young and beautiful girls had ended up in dire straits and in need of Kat's help in different ways, but ultimately for the same reasons: They lacked the love and support that most of us expect to get at home and in our communities. Where they live, illegal money is often the only money to be made, and the difference between the law and the outlaw is tough to discern. Holmes tells a page-turning story of sex, money, and murder in the name of survival and reveals the many ways that good girls, trying to get by in desperate situations, become Bad Girlz.
Bad Girls and Transgressive Women in Popular Television, Fiction, and Film by Julie Chappell,Mallory Young Pdf
This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
African American Musical Heritage by Lenard C. Bowie Pdf
LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician. He is a classical trumpet artist, accomplished band director, effective music administrator, skilled lecturer and publi shed author. As an author, Bowie's expertise in several fields of endeavor has been documented through the following subjects, as published in the professional music journals indicated: "Solving Problems of Young Trumpet Players, " published in the Music Educators National Journal (December, J979) , a critical review of "Black University Marching Bands in the 80's." published by The Marching Band (January, 198 1), and the Proceedings of an Informal Research Conference whose mission was to document the extent to which African American music courses were offered in Florida's Public Schools was published by the Florida Music Educator (June, 2002). As an undergraduate, Bowie was plagued bymany questions concerning the absence of formal instruction in the music of his people, especially when considering the fact that there were only two authentic types of American music -- that of the American Indians and that of African Americans, with African American Music being the most important of the two. Bowie's search for answers to his probing questions began when he enrolled in Professor Willie Ruffs course in Black Music as a graduate student at Yale University in 1974. This course opened Bowie's eyes, ears and mind to many of his here-to-fore unanswered questions; including the extent to which African music traditions are practiced in African American Music today, and the impact that African American Music has made on the social, political, economic, and religious climates of modern American Society. After graduating from Yale with a Master of Musical Arts Degree in 1976, Bowie struck out on a mission to enlarge on what he had learned about African American Music.This mission brought him in contact with a wealth of information through independent study of numerous publications and documentaries; lectures, festivals, concerts; and personal contacts with scholars who were, or have become, major players in the research, dissemination, performance and composition of African American Music. Some of these scholars include former colleagues Dr.Oily W. Wilson, composer and Chair of Composition at UCLA , Berkeley, Samuel Floyd, Founder and Director of the Center for Black Music Research, found at Fisk University, now housed at ColumbiaCollege,Chicago,Dr. AaronHorne,AfricanAmericanMusic Biographer and Dean of Fine Arts, Winston Salem Unive rsity, North Caro lina, Aramentha Adams - Hummings, Founder and Director ofthe Gateways Music Festival , initiated at the North Carolina School of the Arts, now housed at the East man School of Music in Rochester,New York, Operatic Tenor and Music Educator, the late Dr. William A, Brown. Others include Dr. Portia Maultsby, Professor of Music at Indiana University, Dr. Dena Epstein, Retired Music Librarian, Archival Researcher and Author, Chicago, Dr. Rene Boyer-White, Professor of Music Education, College-Conservatory of Music, The University of Cincinnati, and Dr. John Smith, Dean of Fine Arts, The Univers ity of South Florida at Tampa. During the first of Dr. Bowie's two terms as Music Department Chair at The University of North Florida, he was afforded an opportunity to apply and distribute his long sought know ledge. The opportunity came in the form ofa Mill ion Dollar Endowment from the Koger Company to develop programs of study in American Music. The response of the faculty to the endowmentwas to institute two programs: a Jazz Studies Program and a program in African American Music. The Jazz Studies Program has become nationally recognized for outstanding achievements in jazz theory, history and performance. The latter program , designed and developed by Bowie, was chall
Kim’s gang had better watch out! Tanya’s my friend now, and she’ll show them! Mandy has been picked on at school for as long as she can remember, so she is delighted when cheeky, full-of-fun Tanya befriends her. Mum isn’t happy – she thinks Tanya’s a “bad girl” and a bad influence. Is she or isn’t she?
Beyond Bad Girls by Meda Chesney-Lind,Katherine Irwin Pdf
In this important new work, two respected criminologists challenge the characterization of the new 'bad girl' arguing that it is only a new attempt to punish girls who are not the stereotypical depiction of good. Through interviews with young women, educators and people in the criminal justice system, Beyond Bad Girls exposes the formal and informal systems of socio-cultural control imposed on girls.
Author : Christine Alder,Anne Worrall Publisher : State University of New York Press Page : 225 pages File Size : 55,6 Mb Release : 2010-03-18 Category : Social Science ISBN : 9780791484913
In this heart-pounding, starkly colored, and visually stunning “noir comic not to be missed” (CrimeReads), three women are running out of time to get out of Cuba with six million dollars on the night of New Year’s Eve 1958. Gangster’s moll Carole, jazz singer Taffy, and mambo queen Ana all have their reasons for needing to escape the El Eden Casino in Havana. And on the tumultuous night of New Year’s Eve, when Cuban dictator Fulgencio Batista flees the country and the nation falls to Fidel Castro, they get their chance...with the help of six suitcases filled with stolen dirty money. Of course, it’s one thing to get the cash...and quite another to get off the island alive... Acclaimed creators Alex de Campi and Victor Santos weave an unforgettable and glittering noir thriller—all wrapped up in the humid, fateful Caribbean night that marked the very end of the great mob casinos. “Readers will revel in this fast-paced noir, embracing both its elegant period detail and pulpy genre roots” (Publishers Weekly).
Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.