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This unique work lifts the African question out of the dust. Against the backdrop of prison life, it explores the complex reality of being an African in today's world. Through the tight sensitivity and illuminating knowledge of its two principal characters, themselves victims of misplaced justice, greed and lust, it captures the pain and sadness that almost always comes in the wake of betrayal and egotism. The work's message is strong, and is delivered with equal strength by characters whose individual convictions also sway us to their side. We have here a new, powerful shaft of light on the landscape of recent African writing.
The acclaimed classical composer chronicles his life and work in twentieth-century Soviet Russia with the help of a distinguished musicologist. Since the time of his death, Dmitri Shostakovich’s place in the pantheon of twentieth-century composers has become more commanding and more celebrated, while his musical legacy, with all its wonderfully varied richness, is performed with increasing frequency throughout the world. This seemingly endless surge of interest can be attributed, at least in part, to Testimony, the powerful memoirs the ailing compose dictated to the young Russian musicology Solomon Volkov. When Testimony was first published in the West in 1979, it became an international bestseller, and was called the “book of the year” by The Times in London. The Guardian heralded Testimony as “the most influential music book of the 20th century.” Testimony offers a chance to reckon with the life and work of one of history’s most lauded musical geniuses—as a man and an artist.
Dmitry Shostakovich was one of the most successful composers of the twentieth century—a musician who adapted as no other to the unique pressures of his age. By turns vilified and feted by Stalin during the Great Purge, Shostakovich twice came close to succumbing to the whirlwind of political repression of his times and remained under political surveillance all his life, despite the many privileges and awards heaped upon him in old age. Through it all, Shostakovich showed a remarkable ability to work with, rather than against, prevailing ideological demands, and it was this quality that ensured both his survival and his musical posterity. Pauline Fairclough’s absorbing new biography offers a vivid portrait of Shostakovich. Featuring quotations from previously unpublished letters as well as rarely seen photographs, Fairclough’s book provides fresh insight into the music and life of a composer whose legacy, above all, was to have written some of the greatest and most cherished music of the last century.
Yevtushenko Poems presents a compilation of poems by Yevgeny Yevtushenko, a Russian poet. This book shows Yevtushenko's literary style in writing novels, essays, dramas, and poetry. Comprised of 37 chapters, this book begins with an overview of the advantage of poetry over prose in its retentiveness. This text then discusses the characteristics of Yevtushenko's poems, which are varied in the means of substantiation and in their themes. Other chapters present the greatest of Yevtushenko's poems, which is epic in its size, length, and scope. This book is a valuable resource for teachers and students.
An internationally acclaimed documentary novel that describes the fateful collision of Russia, Ukraine, and Nazi Germany, and one of the largest mass executions of the Holocaust “I wonder if we will ever understand that the most precious thing in this world is a man’s life and his freedom? Or is there still more barbarism ahead? With these questions I think I shall bring this book to an end. I wish you peace. And freedom.” At the age of 12, Anatoly Kuznetsov experienced the Nazi invasion of Ukraine, and soon began keeping a diary of the brutal occupation of Kiev that followed. Years later, he combined those notebooks with other survivors’ memories to create a classic work of documentary witness in the form of a novel. When Babi Yar was first published in a Soviet magazine in 1966, it became a literary sensation, not least for its powerful and unprecedented narratives of the Nazi massacre of the city’s Jews, and later Roma, prisoners of war, and other victims, at the Babi Yar ravine—one of the largest mass killings of the Holocaust. After Kuznetsov defected to Great Britain in 1969, he republished the book in a new edition that included extensive passages censored by Soviets, and later reflections. In its fully realized form, Babi Yar is a classic of Holocaust and World War II testimony. With sustained immediacy, it relates a scrappy but principled boy’s day to day fight to survive, and provide for his family. He dodges bullets and transport to Germany, befriends black market horse dealers and prerevolutionary aristocrats, wonders at the pomp of the Nazi’s opera performances, overhears his mother and grandparents debate the merits of German and Soviet rule, collects grenades, digs hiding places, and confronts the moral dilemmas of assisting neighbors or looting stores—all the while hearing the constant hum of bullets at the Babi Yar ravine nearby. In a bravura feat of reporting, he tells the story of what happened at Babi Yar—from the deceptive roundup of the city’s Jews and execution of the national soccer team to the memoires of the site’s few survivors, and the story of a daring escape. The book’s once-censored passages explore the Soviet effort to hide the realities of the massacre, and other facts about wartime the regime did not want discussed. In the manner of Elie Wiesel’s Night or The Diary of Anne Frank, here is a book that tells some of the most uncomfortable truths of the past century—and the most essential.
Leningrad: Siege and Symphony by Brian Moynahan Pdf
The “gripping story” of a Nazi blockade, a Russian composer, and a ragtag band of musicians who fought to keep up a besieged city’s morale (The New York Times Book Review). For 872 days during World War II, the German Army encircled the city of Leningrad—modern-day St. Petersburg—in a military operation that would cripple the former capital and major Soviet industrial center. Palaces were looted and destroyed. Schools and hospitals were bombarded. Famine raged and millions died, soldiers and innocent civilians alike. Against the backdrop of this catastrophe, historian Brian Moynahan tells the story of Dmitri Shostakovich, whose Seventh Symphony was first performed during the siege and became a symbol of defiance in the face of fascist brutality. Titled “Leningrad” in honor of the city and its people, the work premiered on August 9, 1942—with musicians scrounged from frontline units and military bands, because only twenty of the orchestra’s hundred members had survived. With this compelling human story of art and culture surviving amid chaos and violence, Leningrad: Siege and Symphony “brings new depth and drama to a key historical moment” (Booklist, starred review), in “a narrative that is by turns painful, poignant and inspiring” (Minneapolis Star-Tribune). “He reaches into the guts of the city to extract some humanity from the blood and darkness, and at its best Leningrad captures the heartbreak, agony and small salvations in both death and survival . . . Moynahan’s descriptions of the battlefield, which also draw from the diaries of the cold, lice-ridden, hungry combatants, are haunting.” —The Washington Post
(Amadeus). The New York Philharmonic, from Bernstein to Maazel continues the story of America's oldest orchestra as told in Howard Shanet's Philharmonic: A History of New York's Orchestra . That volume ended with the 1970-71 season, just before the arrival of Pierre Boulez as music director. Obviously, much has happened since. This book begins, however, with a retrospective account of the controversial last years of the tenure of Dimitri Mitropoulos and the ascendancy of Leonard Bernstein to the music directorship. Having been a Philharmonic assistant conductor during Bernstein's tenure, and an inveterate Philharmonic watcher ever since, the author brings some personal insights to the story as well as moments of humor. A sub-theme of the book concerns the way the Philharmonic and its music directors have been treated by the New York press, the Times in particular. Howard Taubman's attacks on Mitropoulos, Harold Schonberg's on Bernstein, and Donal Henahan's on Zubin Mehta are all covered here, as are the writings of various critics on those and other conductors, and on the orchestra itself. The New York Philharmonic is the only orchestra ever to undertake a foreign tour solely on the initiative of its musicians, without benefit or support from management. How this came about is chronicled, as are the opening of Lincoln Center, the Parks Concerts, Promenades, Prospective Encounters, Rug Concerts, tours, and, of course, the subscription seasons. John Canarina shows how the New York Philharmonic weathered extraordinary ups and downs during this period, while remaining a vital component of New York's cultural life.
The Cambridge Companion to Shostakovich by Pauline Fairclough,David Fanning Pdf
As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.
Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.
Kirill Kondrashin: His Life in Music presents a full biography of the artist, from his humble background and early conducting experience at age 17, through his 20 years in Leningrad and at the Bolshoi Theatre; from his breaking with the Bolshoi and the expanded symphonic career that followed, through his defection in 1978 and his unexpected death of a heart attack in 1981. Twenty photos are included, as well as a full discography, bibliography, and index.
This discography addresses all the recordings made by The Boston Symphony Orchestra and by the Boston Symphony Chamber Players. Each entry contains complete details of the recording session and work, including all the soloists and choruses, as well as issued discs and tapes in many formats. The material is cross-referenced in indexes organized by composer, conductor, and soloist. In addition to commercial recordings, this volume has separate sections on recordings issued by the U.S. government, recordings made by BSO musicians under other ensemble names, and 'pirate' recordings of BSO concerts and broadcasts.
The Oxford Handbook of Holocaust Studies by Peter Hayes,John K. Roth Pdf
Few scholarly fields have developed in recent decades as rapidly and vigorously as Holocaust Studies. At the start of the twenty-first century, the persecution and murder perpetrated by the Nazi regime have become the subjects of an enormous literature in multiple academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as politics, ethics and religion. Forward-looking and multi-disciplinary, this handbook draws on the work of an international team of forty-seven outstanding scholars. The handbook is thematically divided into five broad sections. Part One, Enablers, concentrates on the broad and necessary contextual conditions for the Holocaust. Part Two, Protagonists, concentrates on the principal persons and groups involved in the Holocaust and attempts to disaggregate the conventional interpretive categories of perpetrator, victim, and bystander. It examines the agency of the Nazi leaders and killers and of those involved in resisting and surviving the assault. Part Three, Settings, concentrates on the particular places, sites, and physical circumstances where the actions of the Holocaust's protagonists and the forms of persecution were literally grounded. Part Four, Representations, engages complex questions about how the Holocaust can and should be grasped and what meaning or lack of meaning might be attributed to events through historical analysis, interpretation of texts, artistic creation and criticism, and philosophical and religious reflection. Part Five, Aftereffects, explores the Holocaust's impact on politics and ethics, education and religion, national identities and international relations, the prospects for genocide prevention, and the defense of human rights.
