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Loosely based on the Haitian slave insurrection of 1791, Babouk is a biting account of colonialism at its peak. By using the imagination of the novelist to fill in the gaps in the historical record, Endore is able to show us how slavery felt to the slaves who experienced it. His novel is rare for its depiction of the shared history of the slaves and its attention to the variety of the slave experience. It provides the reader with a vivid history of Haiti and a compelling account of slavery and rebellion.
In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics. Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left's positions on the "Negro question" and the "woman question" enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres. Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally.
Modernist Work by John Attridge,Helen Rydstrand Pdf
Through a wide-ranging selection of essays representing a variety of different media, national contexts and critical approaches, this volume provides a broad overview of the idea of work in modernism, considered in its aesthetic, theoretical, historical and political dimensions. Several individual chapters discuss canonical figures, including Richard Strauss, Joseph Conrad, Virginia Woolf, Franz Kafka and Gertrude Stein, but Modernist Work also addresses contexts that are chronologically and geographically foreign to the main stream of modernist studies, such as Swedish proletarian writing, Haitian nationalism and South African inheritors of Dada. Prominent historical themes include the ideas of class, revolution and the changing nature of women's work, while more conceptual chapters explore topics including autonomy, inheritance, intention, failure and intimacy. Modernist Work investigates an important but relatively neglected topic in modernist studies, demonstrating the central relevance of the concept of “work” to a diverse selection of writers and artists and opening up pathways for future research.
The American Biographical Novel by Michael Lackey Pdf
Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history.
Author : James A. Miller Publisher : Princeton University Press Page : 298 pages File Size : 42,5 Mb Release : 2021-07-13 Category : History ISBN : 9781400833221
How one of the greatest miscarriages of justice in the United States continues to haunt the nation’s racial psyche In 1931, nine black youths were charged with raping two white women in Scottsboro, Alabama. Despite meager and contradictory evidence, all nine were found guilty and eight of the defendants were sentenced to death—making Scottsboro one of the worst travesties of justice to take place in the post-Reconstruction South. Remembering Scottsboro explores how this case has embedded itself into the fabric of American memory and become a lens for perceptions of race, class, sexual politics, and justice. James Miller draws upon the archives of the Communist International and NAACP, contemporary journalistic accounts, as well as poetry, drama, fiction, and film, to document the impact of Scottsboro on American culture. The book reveals how the Communist Party, NAACP, and media shaped early images of Scottsboro; looks at how the case influenced authors including Langston Hughes, Richard Wright, and Harper Lee; shows how politicians and Hollywood filmmakers invoked the case in the ensuing decades; and examines the defiant, sensitive, and savvy correspondence of Haywood Patterson—one of the accused, who fled the Alabama justice system. Miller considers how Scottsboro persists as a point of reference in contemporary American life and suggests that the Civil Rights movement begins much earlier than the Montgomery Bus Boycott of 1955. Remembering Scottsboro demonstrates how one compelling, provocative, and tragic case still haunts the American racial imagination.
Discussion of fiction, poetry and cultural history is given central place in Wald's analysis. From this perspective he argues that the contemporary concerns of race, gender and culture have created a powerful new leftist critique. The book argues that that the left can draw strength by reconceptualizing its cultural legacy as a rich, diverse stream of political and cultural experiences flowing over six decades. It draws deeply on this tradition, highlighting its contemporary relevance. Alan Wald is the author of "James T. Farrell: The Revolutionary Socialist Years", "The Revolutionary Imagination", "The New York Intellectuals" and "The Responsibility of Intellectuals".
African Americans and the Haitian Revolution by Maurice Jackson,Jacqueline Bacon Pdf
Bringing together scholarly essays and helpfully annotated primary documents, African Americans and the Haitian Revolution collects not only the best recent scholarship on the subject, but also showcases the primary texts written by African Americans about the Haitian Revolution. Rather than being about the revolution itself, this collection attempts to show how the events in Haiti served to galvanize African Americans to think about themselves and to act in accordance with their beliefs, and contributes to the study of African Americans in the wider Atlantic World.
Echoes of the Haitian Revolution, 1804-2004 by Martin Munro,Elizabeth Walcott-Hackshaw Pdf
The bicentenary of Haitian independence in 2004 triggered a renewed interest in Haitian history and culture. In many ways, however, much work is still required in this fertile field. Reinterpreting the Haitian Revolution and Its Cultural Aftershocks, the first collection of essays edited by Martin Munro and Elizabeth Walcott-Hackshaw, addressed the repercussions of the Haitian Revolution in Haiti, the Caribbean, North America and Europe. This present volume develops and complements the previous collection to meet the growing demand for original scholarly work on Haiti. Widening the cultural lens to include diasporic studies, art, and questions of race and gender, Echoes of the Haitian Revolution exposes how the history of Haiti has shaped our ideas of race, nation and civilization in ways that we are often unaware of. Haiti's lessons continue to engage us in a dynamic dialog that compels us to question and revisit received arguments. The essays collected here provoke and stimulate these necessary conversations by approaching the legacies and repercussions of the revolution from a cultural perspective.
Postcolonial Slavery by Charlotte Baker,Jennifer Jahn Pdf
This collection of eight essays by research students and academics from the UK, France, Germany and the USA examining different forms and manifestations of postcolonial slavery underlines the significance of the year 2007, marking the bicentennial anniversary of the passage of the British law banning the slave trade. Slavery and its legacies galvanized a diachronic series of ethnic crossings and transformations that engendered new and complex patterns of crosscultural contact. And the importance of communities of runaway slaves can scarcely be overstated as a symbol of an insistent black resistance and self-affirmation. But in bringing the material realities of slavery to the forefront of the imagination, this volume also highlights the marginalization of British and French colonial practices in institutionalized frameworks of historical knowledge. Actively contesting the related traumas of transplantation, the middle passage, and the fracturing of the collective memory, and drawing actively on a wide range of approaches and perspectives, this collection seeks to reinscribe a material historical consciousness of slavery and its legacies through a strategic interaction between history, subjectivity, and representation. —H. Adlai Murdoch, University of Illinois at Urbana-Champaign
Twentieth-Century Americanism by Andrew Yerkes Pdf
First Published in 2005. The main purpose of the book is to expand the scope of revisionary studies of the thirties by analyzing novels using recent innovations in critical theory. The book adds to the research of Barbara Foley, Michael Denning, Alan Wald, and others who have challenged Cold-War-era accounts of the decade's socialist and communist culture. The book explores leftist literature from the thirties as balanced between two antithetical philosophical modalities: identity and ideology. Writers create identitarian fiction, he argues, as they attempt to appeal to a mainstream audience using familiar types and patterns culled from mass culture. They engage ideology, on the other hand, when they use narrative as a means of critiquing those same types and patterns using strategies of ideological critique similar to those of their European contemporary Georg Lukcs.
A Companion to the Modern American Novel, 1900 - 1950 by John T. Matthews Pdf
This cutting-edge Companion is a comprehensive resource for the study of the modern American novel. Published at a time when literary modernism is being thoroughly reassessed, it reflects current investigations into the origins and character of the movement as a whole. Brings together 28 original essays from leading scholars Allows readers to orient individual works and authors in their principal cultural and social contexts Contributes to efforts to recover minority voices, such as those of African American novelists, and popular subgenres, such as detective fiction Directs students to major relevant scholarship for further inquiry Suggests the many ways that “modern”, “American” and “fiction” carry new meanings in the twenty-first century
Patrick Slevin, husband of renowned violinist, Melanie, takes pity on a homeless man he encounters at Central Park. Discovering the mute enigma of a man is a skilled pianist, he courts publicity and wealth. Sean Quinlan is a bestselling author, and when paranormal investigator and former journalist, Josh Kirby unearths similarities in his book to actual murders, he becomes embroiled in an investigation closely scrutinised by the IRA. Who is the mysterious pianist, and is he responsible for the gruesome murder of a rival and the deaths of a church congregation? Why does he utter ancient dialogue in his sleep? A frightening and spine-chilling tale of the paranormal, this book delivers.