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Bakhtin, Stalin, and Modern Russian Fiction by M. Keith Booker,Dubravka Juraga Pdf
Bakhtin, Stalin, and Modern Russian Fiction presents an advanced introduction to the work of the Russian theorist Mikhail Bakhtin, focusing on the concepts of carnival, dialogism, and historicism. The discussion of Bakhtin pays particular attention to the impact of his historical context in the Soviet Union and to the importance of his own dialogic mode of discourse. Bakhtin's ideas are then placed in dialogic relation to the works of several important writers of modern Russian fiction, including Vassily Aksyonov, Ilf and Petrov, Mikhail Zoshchenko, Yuz Aleshkovsky, Andrei Bitov, and Sasha Sokolov.
Soviet Fiction since Stalin by Rosalind J. Marsh Pdf
First published in 1986, Soviet Fiction since Stalin presents a comprehensive overview of the literature of the post Stalin period in the Soviet Union. The rapid advances in science and technology in these years are reflected in the themes of many of the major novelists – Pasternak, Solzhenitsyn, Sinyavsky, Daniel and Grossman- and scientific subjects frequently offer a vehicle for the exploration of the wider socio-political, moral, and philosophical ideas. As the period advances, however, literature becomes the first medium in which to express mistrust of scientific advance, and hence, indirectly, of Soviet policy as a whole. Rosalind J. Marsh uses a broad definition of ‘science’ which enables her to cover topics ranging from de-Stalinization, nationalism, and anti- Semitism in science, to Lysenko and scientific charlatanism, the Soviet rejection of relativity theory and quantum mechanics, the atom bomb, and also such general problems as secrecy, careerism, and bureaucracy. The bulk of the book concentrates on the Khrushchev years but there is also plentiful discussion of more recent writing such as that of Zinoviev and Voinovich. This book will be of interest to students and researchers of Soviet literature, Russian Literature and literature in general.
A History of Russian Literary Theory and Criticism by Evgeny Dobrenko,Galin Tihanov Pdf
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in emigre literary theory and criticism.
Constructing the Stalinist Body by Keith Livers Pdf
Constructing the Stalinist Body brings together contemporary body theory with studies on Stalinist ideology and cultural mythology in order to elucidate the complex problem of individual authorship within the context of Stalinist ideology of the 1930s and '40s. Author Keith A. Livers examines the ways in which Andrei Platonov, Mikhail Zoshchenko, Lev Kassil' and other authors used corporeal imagery as a means of both resisting and furthering the idea of a Stalinist utopia and the ideologically purified body politic it aspired to produce. The final chapter of the book looks at collective and popular representations of the Moscow subway (completed in 1935), which was one of the most important construction projects of the 1930s and was at the same time portrayed as a microcosm of the ideal world of Socialism to come.
Stalin in Russian Satire, 1917–1991 by Karen L. Ryan Pdf
During Stalin’s lifetime the crimes of his regime were literally unspeakable. More than fifty years after his death, Russia is still coming to terms with Stalinism and the people’s own role in the abuses of the era. During the decades of official silence that preceded the advent of glasnost, Russian writers raised troubling questions about guilt, responsibility, and the possibility of absolution. Through the subtle vehicle of satire, they explored the roots and legacy of Stalinism in forms ranging from humorous mockery to vitriolic diatribe. Examining works from the 1917 Revolution to the fall of the Soviet Union in 1991, Karen L. Ryan reveals how satirical treatments of Stalin often emphasize his otherness, distancing him from Russian culture. Some satirists portray Stalin as a madman. Others show him as feminized, animal-like, monstrous, or diabolical. Stalin has also appeared as the unquiet dead, a spirit that keeps returning to haunt the collective memory of the nation. While many writers seem anxious to exorcise Stalin from the body politic, for others he illuminates the self in disturbing ways. To what degree Stalin was and is “in us” is a central question of all these works. Although less visible than public trials, policy shifts, or statements of apology, Russian satire has subtly yet insistently participated in the protracted process of de-Stalinization.
The Routledge Companion to Russian Literature by Neil Cornwell Pdf
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.
Transcending Boundaries: Writing for a Dual Audience of Children and Adults is a collection of essays on twentieth-century authors who cross the borders between adult and children's literature and appeal to both audiences. This collection of fourteen essays by scholars from eight countries constitutes the first book devoted to the art of crosswriting the child and adult in twentieth-century international literature. Sandra Beckett explores the multifaceted nature of crossover literature and the diverse ways in which writers cross the borders to address a dual readership of children and adults. It considers classics such as Alice's Adventures in Wonderland and Pinocchio, with particular emphasis on post-World War II literature. The essays in Transcending Boundaries clearly suggest that crossover literature is a major, widespread trend that appears to be sharply on the rise.
Author : Mary Elizabeth Theis Publisher : Peter Lang Page : 196 pages File Size : 44,6 Mb Release : 2009 Category : Foreign Language Study ISBN : 0820428183
Mothers and Masters in Contemporary Utopian and Dystopian Literature by Mary Elizabeth Theis Pdf
Because advances made by science and technology far outstripped improvements in human nature, utopian dreams of perfect societies in the twentieth century quickly metamorphosed into dystopian nightmares, which undermined individual identity and threatened the integrity of the family. Armed with technological and scientific tools, totalizing social systems found in literature abolish the distinction between public and private life and thus penetrate and corrupt the very core of all utopian blueprints and visions: the education of future generations. At the heart of the family, mothers as parents transmit their diverse cultural traditions while socializing their children and thus compete with ideologically driven systems that usurp their role as educators. Mothers and Masters in Contemporary Utopian and Dystopian Literature focuses, therefore, on the thematic importance of this and other maternal roles for generic metamorphosis: the shift to dystopia invariably is signaled by the inversion of traditional maternal roles. The longevity of the utopian-dystopian literary tradition and persistence of the maternal model of human relationships serve as points of reference in this post-modern age of relative cultural values. Meta-utopian exploration of this thematic tension between utopia and dystopia reminds us that «no place» may not be home, but we need to keep going there.
World War II in Andreï Makine’s Historiographic Metafiction by Helena Duffy Pdf
In World War II in Andreï Makine’s Historiographic Metafiction Helena Duffy probes the tension between the Franco-Russian novelist’s commitment to postmodern aesthetics and philosophy of history, and his narrative of Soviet involvement in the struggle against Hitler.
Handbook of Narratology by Peter Hühn,John Pier,Wolf Schmid,Jörg Schönert Pdf
This handbook in English provides a systematic overview of the present state of international research in narratology. Detailed individual studies by internationally renowned narratologists elucidate 34 central terms. The articles present original research contributions and are all structured in a similar manner. Each contains a concise definition and a detailed explanation of the term in question. In a main section they present a critical account of the major research positions and their historical development and indicate directions for future research; they conclude with selected bibliographical references.
Mikhail Zoshchenko was one of the most popular and contentious Russian writers in the period from 1920 to 1950. Scholars and critics have long enlisted Zoshchenko to fight the cultural battles of early Soviet history, the Cold War, and even the glasnost era. In The Politics of Reception, Gregory Carleton analyzes how and why Zoshchenko's legacy has become a battleground for competing ideological interests.