Ballads Of The Old West Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Ballads Of The Old West book. This book definitely worth reading, it is an incredibly well-written.
Author : Alan Axelrod Publisher : Metropolitan Museum of Art New York Page : 136 pages File Size : 40,8 Mb Release : 1991 Category : Music ISBN : IND:30000022290021
Panoramic in scope, the songs--45 in all--coupled with the works of art from The Metropolitan Museum of Art and the Buffalo Bill Historical Center, reflect every facet of life during one of the most exciting periods in our nation's history. Featured works include paintings and sculpture by Frederic Remington, Charles M. Russell, Georgia O'Keeffe, and others. Full color.
Cowboy Songs, and Other Frontier Ballads by Various Pdf
DigiCat Publishing presents to you this special edition of "Cowboy Songs, and Other Frontier Ballads" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Cowboy Songs and Other Frontier Ballads by Anonim Pdf
More than two hundred songs, some with music, whose lyrics depict life in the old West. It is now four or five years since my attention was called to the collection of native American ballads from the Southwest, already begun by Professor Lomax. At that time, he seemed hardly to appreciate their full value and importance. To my colleague, Professor G.L. Kittredge, probably the most eminent authority on folk-song in America, this value and importance appeared as indubitable as it appeared to me. We heartily joined in encouraging the work, as a real contribution both to literature and to learning. The present volume is the first published result of these efforts. The value and importance of the work seems to me double. One phase of it is perhaps too highly special ever to be popular. Whoever has begun the inexhaustibly fascinating study of popular song and literature—of the nameless poetry which vigorously lives through the centuries—must be perplexed by the necessarily conjectural opinions concerning its origin and development held by various and disputing scholars. When songs were made in times and terms which for centuries have been not living facts but facts of remote history or tradition, it is impossible to be sure quite how they begun, and by quite what means they sifted through the centuries into the forms at last securely theirs, in the final rigidity of print. In this collection of American ballads, almost if not quite uniquely, it is possible to trace the precise manner in which songs and cycles of song—obviously analogous to those surviving from older and antique times—have come into being. The facts which are still available concerning the ballads of our own Southwest are such as should go far to prove, or to disprove, many of the theories advanced concerning the laws of literature as evinced in the ballads of the old world. Such learned matter as this, however, is not so surely within my province, who have made no technical study of literary origins, as is the other consideration which made me feel, from my first knowledge of these ballads, that they are beyond dispute valuable and important. In the ballads of the old world, it is not historical or philological considerations which most readers care for. It is the wonderful, robust vividness of their artless yet supremely true utterance; it is the natural vigor of their surgent, unsophisticated human rhythm. It is the sense, derived one can hardly explain how, that here is expression straight from the heart of humanity; that here is something like the sturdy root from which the finer, though not always more lovely, flowers of polite literature have sprung. At times when we yearn for polite grace, ballads may seem rude; at times when polite grace seems tedious, sophisticated, corrupt, or mendacious, their very rudeness refreshes us with a new sense of brimming life. To compare the songs collected by Professor Lomax with the immortalities of olden time is doubtless like comparing the literature of America with that of all Europe together. Neither he nor any of us would pretend these verses to be of supreme power and beauty. None the less, they seem to me, and to many who have had a glimpse of them, sufficiently powerful, and near enough beauty, to give us some such wholesome and enduring pleasure as comes from work of this kind proved and acknowledged to be masterly.
Cowboy Songs and Other Frontier Ballads by Various,Stephen Ashley,John Lomax Pdf
Cowboy Songs and Other Frontier Ballads. Over 150 Authentic Songs of the Wild West. Western music originated as a form of American folk music. It was originally composed by and about the people who settled and worked throughout the Western United States and Western Canada. Directly related musically to old English, Scottish, and Irish folk ballads, Western music celebrates the life of the cowboy on the open ranges and prairies of Western North America. This unique publication contains 153 Original songs, some with music, from the American Wild West including; Billy the Kid; Bob Stanford; Bonnie Black Bess; Brigham Young; Buena Vista Battlefield; Buffalo Hunters; California Trail; Cowboy at Church, The; Deserted Adobe, The; Down South on the Rio Grande; Dying Cowboy, The; Hell in Texas; I'm a Good Old Rebel; Jim Farrow; Jolly Cowboy, The; Kansas Line, The; Lone Buffalo Hunter, The; McCaffie's Confession; Mississippi Girls; Night-Herding Song; Only a Cowboy; Pecos Queen, The; Poor Lonesome Cowboy; Prisoner for Life, A; Rattlesnake-A Ranch Haying Song; Root Hog or Die; Sioux Indians; Utah Carroll Classics all.
Cowboy and Western Songs by Austin E. Fife,Alta S. Fife,Mary Jo Schwab Pdf
(Creative Concepts Publishing). This info-packed, 372-page collection features 200 American cowboy songs with complete lyrics, lead lines and guitar chords, plus an extensive introduction, notes on the songs, illustrations by J.K. Ralston throughout, a lexicon of cowboy terms, a general index and an index of titles and first lines, and more. Songs include: Billy the Kid * Blood on the Saddle * Buffalo Gals * Clementine * Dakota Land * The Girl I Left Behind Me * Going West * Jesse James * Johnny Cake * Old Paint * Punchin' Dough * Red River Valley * Red Wing * Shenandoah * Steamboat Bill * The Streets of Laredo * The Texas Cowboy * and many more.
Miners, loggers, railroad men, and others flooded into the American West after the discovery of gold in 1848, and entertainers seeking to fill the demand for distraction from the workers' daily toil soon followed. Actors, actresses and traveling troupes crisscrossed the American frontier, performing in tents, saloons, fancy theaters, and the open air. This exploration of the heyday of popular theater in the Old West chronicles its emergence and growth from 1850 to the early twentieth century. Here is the story of the men and women who provided myriad types of entertainment in the Old West, and brought excitement, laughter and tears to generations of pioneers.
Author : Michael A. Amundson Publisher : University of Oklahoma Press Page : 209 pages File Size : 47,5 Mb Release : 2017-04-13 Category : History ISBN : 9780806157771
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
Ancient Poems, Ballads, and Songs of the Peasantry of England by Various Pdf
The title of the book explains it all, as this anthology features poems, ballads, and songs that were common to the peasant class of England beginning from the Tudor era. Some of the titles featured include 'The Plain-Dealing Man', 'Harry the Tailor', 'The Spanish Ladies', 'Begone Dull Care', 'The Trotting Horse', and 'Tobacco'.
