Baroque Piety Religion Society And Music In Leipzig 1650 1750

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Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750

Author : Tanya Kevorkian
Publisher : Routledge
Page : 266 pages
File Size : 47,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351574693

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Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750 by Tanya Kevorkian Pdf

Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.

Music and Urban Life in Baroque Germany

Author : Tanya Kevorkian
Publisher : University of Virginia Press
Page : 426 pages
File Size : 50,6 Mb
Release : 2022-10-10
Category : History
ISBN : 9780813947020

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Music and Urban Life in Baroque Germany by Tanya Kevorkian Pdf

Music and Urban Life in Baroque Germany offers a new narrative of Baroque music, accessible to non-music specialists, in which Tanya Kevorkian defines the era in terms of social dynamics rather than style and genre development. Towns were crucial sites of music-making. Kevorkian explores how performance was integrated into and indispensable to everyday routines, celebrations such as weddings, and political culture. Training and funding likewise emerged from and were integrated into urban life. Ordinary artisans, students, and musical tower guards as well as powerful city councilors contributed to the production and reception of music. This book illuminates the processes at play in fascinating ways. Challenging ideas of "elite" and "popular" culture, Kevorkian examines five central and southern German towns—Augsburg, Munich, Erfurt, Gotha, and Leipzig—to reconstruct a vibrant urban musical culture held in common by townspeople of all ranks. Outdoor acoustic communication, often hovering between musical and nonmusical sound, was essential to the functioning of these towns. As Kevorkian shows, that sonic communication was linked to the music and musicians heard in homes, taverns, and churches. Early modern urban environments and dynamics produced both the giants of the Baroque era, such as Johann Sebastian Bach and Georg Philipp Telemann, and the music that townspeople heard daily. This book offers a significant rediscovery of a rich, unique, and understudied musical culture. Received a subvention award from the Margarita M. Hanson Fund and the Donna Cardamone Jackson Fund of the American Musicological Society.

"Baroque Piety: Religion, Society, and Music in Leipzig, 1650?750 "

Author : Tanya Kevorkian
Publisher : Routledge
Page : 274 pages
File Size : 55,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351574686

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"Baroque Piety: Religion, Society, and Music in Leipzig, 1650?750 " by Tanya Kevorkian Pdf

Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.

The Routledge Research Companion to Johann Sebastian Bach

Author : Robin A Leaver
Publisher : Taylor & Francis
Page : 593 pages
File Size : 48,8 Mb
Release : 2016-11-25
Category : Music
ISBN : 9781315452807

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The Routledge Research Companion to Johann Sebastian Bach by Robin A Leaver Pdf

The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.

Music and the City

Author : Stefanie Beghein,Bruno Blondé,Eugeen Schreurs
Publisher : Leuven University Press
Page : 187 pages
File Size : 45,5 Mb
Release : 2013-12-13
Category : History
ISBN : 9789058679550

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Music and the City by Stefanie Beghein,Bruno Blondé,Eugeen Schreurs Pdf

Although early modern urban musical life has been the object of investigation with several researchers, little is known about the ways in which musical cultures were integrated within their broader urban environments. Building upon recent trends within urban musicology, the authors of this volume aim to transcend descriptive overviews of institutions and actors involved with music within a given city. Instead, they consider the urban environment as the constitutive context for music making, and music as a significant aspect of urban society and identity. Through selected case studies and by focusing on three ‘musical circuits’—opera and theatre music, sacred music, and secular songs—this book contributes to a more effective understanding of music in late seventeenth- and eighteenth-century urban societies in the southern Netherlands and beyond. Musicological and historical research perspectives are fruitfully integrated, as well as insights from theatre scholarship and literary criticism. With attention to the musical life behind the traditional institutions, the circulation of repertoires, and musical cultures in peripheral urban environments or in cities ‘in decay’, Music and the City sheds new light on the societal dimension of music in urban life. Contributors Bruno Blondé (University of Antwerp), Timothy De Paepe (University of Antwerp), Rudolf Rasch (Utrecht University), Bruno Forment (Free University Brussels – Ghent University), Stefanie Beghein (University of Antwerp), Eugeen Schreurs (Artesis University College Antwerp, Royal Conservatory), Tanya Kevorkian (Millersville University), Anne-Madeleine Goulet (École française de Rome), Louis P. Grijp (Utrecht University – Meertens Institute)

Compositional Choices and Meaning in the Vocal Music of J. S. Bach

Author : Mark A. Peters,Reginald L. Sanders
Publisher : Rowman & Littlefield
Page : 355 pages
File Size : 46,9 Mb
Release : 2020-07-06
Category : Music
ISBN : 9781498554961

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Compositional Choices and Meaning in the Vocal Music of J. S. Bach by Mark A. Peters,Reginald L. Sanders Pdf

Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.

Sacred and Secular Intersections in Music of the Long Nineteenth Century

Author : Eftychia Papanikolaou,Markus Rathey
Publisher : Rowman & Littlefield
Page : 439 pages
File Size : 46,8 Mb
Release : 2022-06-21
Category : Music
ISBN : 9781666906059

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Sacred and Secular Intersections in Music of the Long Nineteenth Century by Eftychia Papanikolaou,Markus Rathey Pdf

Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.

Historical Dictionary of Baroque Music

Author : Joseph P. Swain
Publisher : Scarecrow Press
Page : 396 pages
File Size : 40,9 Mb
Release : 2013-06-06
Category : Music
ISBN : 9780810878259

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Historical Dictionary of Baroque Music by Joseph P. Swain Pdf

Although it lies far back, running roughly from about 1600 to 1750, the Baroque period is far from forgotten and Baroque music is played widely today as well, exercising numerous musicians and attracting rather substantial audiences. It experienced the emergence of a new sort of music, increasingly secular and increasingly good listening, if you will, and also the start of opera. Some of the Baroque composers appear among the most popular of all time, such as Bach, Handel and Vivaldi. So yes, this is a book for researchers, but it is also a good book for anyone who enjoys this music. The Historical Dictionary of Baroque Music certainly fills a significant space in the whole sub-series on music, since it tells us much more not only about the music but also the age that generated it. This is done particularly well in an insightful introduction, with the flow of events traced by the chronology. The dictionary section fills in the missing details with over 400 entries on the most important composers and musicians, some of the musical works themselves, important places and institutions, and a smattering of technical terms. The bibliography directs us to further reading.

An Introduction to German Pietism

Author : Douglas H. Shantz
Publisher : JHU Press
Page : 516 pages
File Size : 54,5 Mb
Release : 2013-04-15
Category : History
ISBN : 9781421408309

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An Introduction to German Pietism by Douglas H. Shantz Pdf

An up-to-date portrait of a defining moment in the Christian story—its beginnings, worldview, and cultural significance. Winner of the Dale W. Brown Book Award of the Young Center for Anabaptists and Pietist Studies at Elizabethtown College An Introduction to German Pietism provides a scholarly investigation of a movement that changed the history of Protestantism. The Pietists can be credited with inspiring both Evangelicalism and modern individualism. Taking into account new discoveries in the field, Douglas H. Shantz focuses on features of Pietism that made it religiously and culturally significant. He discusses the social and religious roots of Pietism in earlier German Radicalism and situates Pietist beginnings in three cities: Frankfurt, Leipzig, and Halle. Shantz also examines the cultural worlds of the Pietists, including Pietism and gender, Pietists as readers and translators of the Bible, and Pietists as missionaries to the far reaches of the world. He not only considers Pietism's role in shaping modern western religion and culture but also reflects on the relevance of the Pietist religious paradigm of today. The first survey of German Pietism in English in forty years, An Introduction to German Pietism provides a narrative interpretation of the movement as a whole. The book's accessible tone and concise portrayal of an extensive and complex subject make it ideal for courses on early modern Christianity and German history. The book includes appendices with translations of German primary sources and discussion questions.

J. S. Bach's 'Leipzig' Chorale Preludes

Author : Anne Leahy
Publisher : Scarecrow Press
Page : 327 pages
File Size : 49,5 Mb
Release : 2011-10-10
Category : Music
ISBN : 9780810881822

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J. S. Bach's 'Leipzig' Chorale Preludes by Anne Leahy Pdf

In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a random gathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and which not? Indeed, were the chorales themselves part of a possibly larger corpus? As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining a theological pattern that is vital to fully grasping the guiding philosophy of these compositions. J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate connections between text and music in the composition of religious music.

A Serious Matter and True Joy

Author : Margaret Eleanor Menninger
Publisher : BRILL
Page : 396 pages
File Size : 40,9 Mb
Release : 2022-03-21
Category : History
ISBN : 9789004507807

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A Serious Matter and True Joy by Margaret Eleanor Menninger Pdf

We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.

Bach in the World

Author : Markus Rathey
Publisher : Oxford University Press
Page : 305 pages
File Size : 54,5 Mb
Release : 2022
Category : Cantatas
ISBN : 9780197578841

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Bach in the World by Markus Rathey Pdf

"Johann Sebastian Bach's works are often classified along the lines of "sacred" versus "secular." While this distinction is fraught with problems, it seems to provide a useful way to distinguish between Bach's vocal works for the liturgy and those that were written to honor courts and members of the nobility. But even there, the lines cannot be drawn that clearly. The political and social systems of Bach's time relied on religion as an ideological foundation and public displays of political power almost always included religious rituals and thus required some form of sacred music. Social constructs, such as class and gender, were also embedded in religious frameworks. The book analyzes public manifestations of the social order during Bach's time in large-scale celebrations, processions, public performances, and visual displays. By analyzing selected cantatas, the book explores how Bach's music functioned as an agent of affective communication within rituals, such as the installation of the town council, and as a place where socio-political norms were perpetuated and-in a few cases-even challenged"--

The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750

Author : Richard D. P. Jones
Publisher : OUP Oxford
Page : 456 pages
File Size : 48,7 Mb
Release : 2013-10-17
Category : Music
ISBN : 9780191503849

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The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750 by Richard D. P. Jones Pdf

This is the second of a two-volume study of the music of Johann Sebastian Bach. Taking into account the vast increase in our knowledge of the composer due to the Bach scholarship of the last sixty years, Richard Jones presents a vivid and in some respects radically new picture of his creative development during the Cöthen (1717-23) and Leipzig years (1723-50). The approach is, as far as possible, chronological and analytical, but the author has also tried to make the book readable so that it may be accessible to music lovers and amateur performers as well as to students, scholars, and professional musicians. There are many good biographies of Bach, but this is the first, fully-comprehensive, in-depth study of his music making it indispensable for those who want to study specific pieces or learn how he developed as a composer.

Consort Suites and Dance Music by Town Musicians in German-Speaking Europe, 1648–1700

Author : Michael Robertson
Publisher : Routledge
Page : 236 pages
File Size : 40,6 Mb
Release : 2016-04-28
Category : Music
ISBN : 9781317161790

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Consort Suites and Dance Music by Town Musicians in German-Speaking Europe, 1648–1700 by Michael Robertson Pdf

This companion volume to The Courtly Consort Suite in German-Speaking Europe surveys an area of music neglected by modern scholars: the consort suites and dance music by musicians working in the seventeenth-century German towns. Conditions of work in the German towns are examined in detail, as are the problems posed by the many untrained travelling players who were often little more than beggars. The central part of the book explores the organisation, content and assembly of town suites into carefully ordered printed collections, which refutes the concept of the so-called 'classical' suite. The differences between court and town suites are dealt with alongside the often-ignored variation suite from the later decades of the seventeenth century and the separate suite-writing traditions of Leipzig and Hamburg. While the seventeenth-century keyboard suite has received a good deal of attention from modern scholars, its often symbiotic relationship with the consort suite has been ignored. This book aims to redress the balance and to deal with one very important but often ignored aspect of seventeenth-century notation: the use of blackened notes, which are rarely notated in a meaningful way in modern editions, with important implications for performance.

Rethinking Bach

Author : Bettina Varwig
Publisher : Oxford University Press
Page : 417 pages
File Size : 43,7 Mb
Release : 2021
Category : Music
ISBN : 9780190943899

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Rethinking Bach by Bettina Varwig Pdf

This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.