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The Narrow Road to the Deep North and Other Travel Sketches by Matsuo Basho Pdf
'It was with awe That I beheld Fresh leaves, green leaves, Bright in the sun' When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture his vision of eternity in the transient world around him. Translated with an Introduction by Nobuyuki Yuasa
Matsuo Basho (1644-94) is considered Japan's greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. Ostensibly a chronological account of the poet's five-month journey in 1689 into the deep country north and west of the old capital, Edo, the work is in fact artful and carefully sculpted, rich in literary and Zen allusion and filled with great insights and vital rhythms. In Basho's Narrow Road: Spring and Autumn Passages, poet and translator Hiroaki Sato presents the complete work in English and examines the threads of history, geography, philosophy, and literature that are woven into Basho's exposition. He details in particular the extent to which Basho relied on the community of writers with whom he traveled and joined in linked verse (renga) poetry sessions, an example of which, A Farewell Gift to Sora, is included in this volume. In explaining how and why Basho made the literary choices he did, Sato shows how the poet was able to transform his passing observations into words that resonate across time and culture.
Matsuo Basho was the greatest of the Japanese haiku poets, whose genius elevated the haiku to an art form of intense spiritual beauty. This, one of the most revered classics of Japanese literature, is a diary of Basho's journey to the northern interior of Japan.
Author : Matsuo Bashō Publisher : State University of New York Press Page : 213 pages File Size : 43,9 Mb Release : 2010-03-29 Category : Religion ISBN : 9780791483435
In Bashō's Journey, David Landis Barnhill provides the definitive translation of Matsuo Bashō's literary prose, as well as a companion piece to his previous translation, Bashō's Haiku. One of the world's greatest nature writers, Bashō (1644–1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Bashō's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Bashō was the first master of haibun, short poetic prose sketches that usually included haiku. As he did in Bashō's Haiku, Barnhill arranges the work chronologically in order to show Bashō's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Bashō's prose and discusses the significance of nature in this literary form, while also noting Bashō's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.
Many glimpses into daily life and culture are contained in the journal entries and haiku that record the 17th-century Japanese poet's impressions of his journey to the northern province of Honshu. This newly illustrated edition features sumi-e ink sketches by Shiro Tsujimura. The original Japanese text follows the translation. Annotation copyrighted by Book News, Inc., Portland, OR
On the Narrow Road to the Deep North by Lesley Chan Downer Pdf
After eight years working in Japan, immersing herself in its language and literature, Lesley Chan Downer set off in the footsteps of Matsuo Basho, Japan's most cherished poet, to explore the country's remote northern provinces. Basho's pilgrimage to find the landscapes that had inspired the great medieval poets gave birth to Japan's most famous travel book, rich in strange imagery and sometimes comic encounters along the road. In this intriguing cross-threading of journeys, perceptions and exquisite haiku, Lesley creates her own funny, loving and honest portrayal of contemporary Japan. As she walks, she finds at one and the same time a drab post-industrial landscape of concrete and cable, but also a land still full of the old enchantments. Nights in thatched highland villages and sake-drenched poetry sessions encourage her to see for herself if any of the legendary hermit-priests still survive in the sacred mountains of the north.
In the account which he named "The Narrow Road to Oku," Basho makes a journey lasting 150 days, in which he travels, on foot, a distance of 600 ri. This was three hundred years ago, when the average distance covered by travelers was apparently 9 ri per day, so it is clear that Basho, who was forty years old at the time, possessed a remarkably sturdy pair of walking legs. Nowadays with the development of all sorts of means of transportation, travel is guaranteed to be pleasant and convenient in every respect, so it's almost impossible for us to imagine the kind of journey Basho undertook, "drifting with the clouds and streams," and "lodging under trees and on bare rocks." During my countless re-readings of "The Narrow Road to Oku," I would bear that in mind, and the short text, which takes up less than 50 pages even in the pocket-book edition, would strike me as much longer than that, and I would feel truly awed by Basho's 2,450-kilometer journey. I chose "The Narrow Road to Oku" as the theme of the exhibition marking the thirtieth anniversary of my career as an artist. As somebody who has been illustrating works from Japanese literature for many years, the subject naturally attracted and interested me. But once I'd embarked on the project, it wasn't long before I realized I'd chosen a more difficult and delicate task than I ever imagined, and I wanted to reprove myself for my naivete. Last year, to mark the centenary of Tanizaki Jun'ichiro's birth, I produced a set of 54 pictures for his translation of "The Tale of Genji." This was a formidable undertaking, as I had to grapple with the achievement of a literary genius whom I had personally known. But if producing a single picture to represent each chapter in "The Tale of Genji" was a matter of selecting a particular "face," or "plane" to represent the whole, producing a picture to represent each haiku in "The Narrow Road to Oku" was without a doubt a matter of having to select one tiny "point"--a mere "dot." One misjudgment in my reading, and the picture would lose touch with the spirit of Basho's work, and end up simply as an illustration that happened to be accompanied by a haiku. I had to meticulously consider every word in those brief 17-syllable poems. Then, if I was fortunate, from the vast gaps and the densely packed phrases a numinous power would gather and inspire me: at times I felt as if I was experiencing what ancient people called the "kotadama," the miraculous power residing in words. A self-styled "beggar of winds and madness," Basho originated and refined a unique genre of fictional travel literature, which used poetry that enabled one to render, empty-handedly, all of creation. I believe that I could ask for no greater favor from my painter's brush than that I too be able to glean the merest fragment of what the saint of haiku Basho saw, and be able to reproduce it in my work. — Miyata Masayuki
The Narrow Road to the Interior: Poems by Kimiko Hahn Pdf
An expansive work inspired by Japanese prose-poetry from a poet of “rigorous intelligence, fierce anger, and deep vulnerability” (Mark Doty). Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu—literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety—in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.
The Narrow Road to the Deep North by Richard Flanagan Pdf
***WINNER OF THE MAN BOOKER PRIZE 2014*** Forever after, there were for them only two sorts of men: the men who were on the Line, and the rest of humanity, who were not. In the despair of a Japanese POW camp on the Burma Death Railway, surgeon Dorrigo Evans is haunted by his love affair with his uncleâe(tm)s young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever. Hailed as a masterpiece, Richard Flanaganâe(tm)s epic novel tells the unforgettable story of one manâe(tm)s reckoning with the truth.
Basho (1644-94) is perhaps the best known Japanese poet in both Japan and the West, and this book establishes the ground for badly needed critical discussion of this critical figure by placing the works of Basho and his disciples in the context of broader social change.
A rich, exquisite and original anthology that illuminates Japanese travel writing over a thousand years 'Oh journey upon journey, my life is a brief moment, and I cannot hope that we will meet again' Roaming over mountains and along perilous shores, this anthology illuminates over a thousand years of Japanese travel writing. It takes in songs, diaries, tales and poetry, and ranges from famous works including The Pillow Book and the works of Basho to pieces such as the diary of a young girl who longs to return to the capital and her beloved books, or the writings of travelling monks who sleep on pillows of grass. Together they illuminate a long literary tradition, with intense poetic experience at its heart. Translated and edited with an introduction by Meredith McKinney
Author : Matsuo Bashō Publisher : State University of New York Press Page : 346 pages File Size : 51,7 Mb Release : 2012-02-01 Category : Religion ISBN : 9780791484654
2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.
Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.
Step back into old Japan with this fascinating travelogue of the famous Kiso Road, an ancient route used by samurai and warlords The Kisoji, which runs through the Kiso Valley in the Japanese Alps, has been in use since at least 701 C.E. In the seventeenth century, it was the route that the daimyo (warlords) used for their biennial trips—along with their samurai and porters—to the new capital of Edo (now Tokyo). The natural beauty of the route is renowned—and famously inspired the landscapes of Hiroshige, as well as the work of many other artists and writers. William Scott Wilson, esteemed translator of samurai philosophy, has walked the road several times and is a delightful and expert guide to this popular tourist destination; he shares its rich history and lore, literary and artistic significance, cuisine and architecture, as well as his own experiences.