Basic Piano Tuning Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Basic Piano Tuning book. This book definitely worth reading, it is an incredibly well-written.
This manual describes the theory and practice of tuning a piano by ear. It accompanies the course given by Mark Cerisano, RPT. You can read more about this and other courses at howtotunepianos.com and mrtuner.com
A New York Times Notable Book A San Francisco Chronicle, San Jose Mercury News, and Los Angeles Times Best Book of the Year “A gripping and resonant novel. . . . It immerses the reader in a distant world with startling immediacy and ardor. . . . Riveting.” —Michiko Kakutani, The New York Times In 1886 a shy, middle-aged piano tuner named Edgar Drake receives an unusual commission from the British War Office: to travel to the remote jungles of northeast Burma and there repair a rare piano belonging to an eccentric army surgeon who has proven mysteriously indispensable to the imperial design. From this irresistible beginning, The Piano Tuner launches readers into a world of seductive, vibrantly rendered characters, and enmeshes them in an unbreakable spell of storytelling.
Learn a very simple, professional method for tuning with 17 lessons. The author, who taught at a piano tuning school, explains how to use basic tuning tools to correct a few notes or an entire piano. Repairs include fixes for sticky keys and adjustments to bottoms, capstans, hammer stems, and more.
Simple, professional method presents 17 lessons for using basic tools to adjust a few notes or an entire piano. Includes fixes for sticky keys, bottoms, capstans, hammer stems, and more.
The subject of this book is tuning theory and the integration of aural and electronic tuning techniques. All of the information presented will be analyzed from both aural and electronic perspectives, so that every technique used aurally will have an electronic equivalent, and every technique used electronically will have its aural test. The information is equally helpful for those who tune strictly by ear or exclusively with an electronic aid, and provides a firm understanding of the equivalent tests and procedures from both worlds for the growing number of tuners that use both their ears and an electronic aid.
Pianos Inside Out takes an in-depth look at the history, design, and maintenance of the piano, and provides practical guidance to anyone who wants to learn how to improve action performance, or tune, repair, regulate, voice, or rebuild pianos. Covering a wide range of topics, from introductory to advanced, the book puts between two covers all the advancements and understanding gained by the piano industry over the last 30 years, to provide a unified and coherent view of that much-needed information, from coincident partial tuning and interval inharmonicity, to touchweight analysis, string leveling, and the different types of modern lubricants. Although written for hobbyists, students, and piano technicians, Pianos Inside Out will also help pianists and owners of pianos to better understand their instruments and to communicate more effectively with their technicians. The book is full of clear, concise, step-by-step instructions, and more than 700 illustrations and diagrams.
Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.
This bible of the piano marketplace is indispensable to buyers and owners of pianos, amateur and professional players alike. Hundreds of thousands of pianos are bought and sold each year, yet most people buy a piano with only the vaguest idea of what to look for as they make this major purchase. The Piano Book evaluates and compares every brand and style of piano sold in the United States. There is information on piano moving and storage, inspecting individual new and used pianos, the special market for Steinways, and sales gimmicks to watch out for. An annual supplement, sold separately, lists current prices for more than 2,500 new piano models.
Theory and Practice of Piano Tuning by Brian Capleton Pdf
This text book combines in one volume four major facets of the practical art and theory of piano tuning that students of the art must approach in formal training, and explains techniques that typically develop later in professional practice. These facets are the traditional model, the art itself, contemporary scientific descriptions, and the concept of musical temperament. Today, the 19th century traditional model of piano tuning still functions as a very basic map for the acoustical territory in which piano tuners work, but remains elementary and idealised. Modern acoustics can go much further in its descriptions than the 19th century model and is used in this book to elucidate the practical art, whilst carefully avoiding scientism. The book serves as an instruction and reference manual to advanced level on the practical art and its associated theory, and answers common questions raised by students about the actual soundscapes that are encountered in practice