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Hyaterra is a world much like ours was before the civilized world as we know it except with magic and wizards and helpful elves and amazing sword smiths. Now that the last great beast has been slain and the final horde of goblins and orcs have been shoved in a deep hole in the ground guard by the knights of Oshtex and Orichoro, the real monsters slither in the courts of Kings and the minds of powerful warlords. The eternal war between Sumrila and Vussaui rage on, the King Zephkletos leads his men to war against his barbaric neighbors based on freewill, and the sea dogs of Deruwa will encounter sea battle from the powerful kingdom of Gycrun as their leader Grandki sails back from the Council of Kings. This is the world of Hyaterra. In this book the world of Hyaterra expands. The plot between Sumrila and Vussaui thickens with rumors of dragons and a dark lord. The Gycrun city of Turpin might turn up a spy. Anstal and Atbythia clash armies that will damn them all.
The greatness of the soul and the unspeakableness of the loss thereof: No way to heaven but by Jesus Christ: The strait gate. To which is prefixed an intr. essay by R. Philip by John Bunyan Pdf
The Greatness of the Soul and the Unspeakableness of the Loss Thereof: No Way to Heaven But by Jesus Christ: The Strait Gate. By John Bunyan. To which is Prefixed an Introductory Essay on His Genius and Writings, by the Rev. Robert Philip by John Bunyan Pdf
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Greatness of the Soul, and unspeakableness of the Loss thereof; with the causes of the losing it. First preached at Pinners Hall, and now enlarged, etc by John Bunyan Pdf
Chronicle of That Which Will Order Chaos by Titus Wallace Pdf
This is a tale that spans the beginning of time till the end of days-and beyond... Imagine for a second if Milton and Dante collaborated, and everything from "Paradise Lost" to the final battle between God and Lucifer was encompassed within that text, along with all that is implied between the heights of redemption and the circles of Hell. It is a pictograph of human nature; where we came from, how we got here, and most importantly-why we are here. I am known as keeper of the stories of time, and have much to share with thee... Due to the fact that I am not a prevalent character in this tale-I have chosen to remain unknown. I am only the narrator of this story-and although I may show up from time to time within said compilation of this tale, I prefer to remain a mysterious stranger to this universe. It all begins in a time of the Christ; when a secret pact was made between Judas and Jesus forming a tidal wave of emotion and thunder during a climatic 'behind the scenes' knowledge of Lucifer's deception from God... How a new god was forged by the two who set the stage for an answer to end the war between Light and Darkness... His name is Mӧbius Kain, (the god of truth) and when this tale concludes an empire of balance must be forged to order the chaos that coexists within our world.
The Soldiers' Tale is the story of modern wars as told by the men who did the actual fighting. Hynes examines the journals, memoirs, and letters of men who fought in the two World Wars and in Vietnam, and also the wars fought against the weak and helpless in concentration camps, prisoner-of-war camps, and bombed cities. Interweaving his own reflections on war with brilliantly chosen passages from soldiers' accounts, he offers vivid answers to the question we all ask of men who have fought: What was it like? In these powerful pages the experiences of modern war, which seem unimaginable to those who weren't there, become comprehensible and real. The wide range of writers examined includes both famous literary memoirists like Robert Graves, Tim O'Brien, and Elie Wiesel, and unknown soldiers who wrote only their war stories. Using these testimonies, Hynes considers each war in terms of its special circumstances and its effects on men who fought. His understanding of the psychology of warfare—and of each war's role in history—gives this study its intellectual authority; the voices of the men who were there, and wrote about what they saw and felt, give it its powerful dramatic impact.
From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael. A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.
In this first of three novels of the ultimate battle between good and evil, we discover mans original creation of sin through evolution and the conflictions and manifestations that come with it. Mankinds survival has been left to his own means to defend in the absence of God and in the influence of evil. Not only does the devil himself and all sin wish to devour and enslave all of mankinds souls but even more so does Michael. Forced to rebel against God by Gabriels ultimate betrayal, the archangel Michael, who once fought for man, intends to create an army of purgatory from the very souls he takes. An allegiance of man must be called forth as a last and final defense for survival against this dark apocalypse. Mankind must protect and prevail if another day of light is to be seen, but can all men be trusted to protect?
Andy Lorenzo has no family, few friends, poor social skills, and drinks and gambles far too much. But in a time when demons are becoming increasingly more brazen and powerful, he has one skill that makes demons cower in fear from him -- he is the greatest exorcist the world has ever known. In Battle of the Soul, a supernatural thriller that is a combination of Constantin and The Exorcist, since graduating high school Andy has left a long trail of demons in his wake while priests are getting killed trying to perform traditional rites of exorcism. Andy is the Church and society's ultimate weapon in combating this growing epidemic. He needs no bibles, prayers or rituals. Andy is capable of going inside the person's soul where he engages in hand to hand combat using his super-human abilities that only reside when he is in a person's soul. When eight-year-old Kate becomes possessed, Andy finds an elaborate trap waiting for him. He will do whatever it takes to win the most important fight of his life -- the battle for Kate's soul.
Satan and his minions have declared war on the most beautiful planet in the universe his purpose is to depose Michael the archangel and become second only to God in command of all creation. Standing in Satan's way are a scattered and disorganized host of angels, a group of inexperienced saints, a small band of humans, and some angelic rebels in Hell. Armed with faith full power, Abaddon the Destroyer creates a formidable army to challenge the evil targeting Earth. Author of best selling Heaven and Hell, Kenneth Zeigler again draws from his research to create a realistic tale where science, the supernatural, and life and death teeter on the edge of eternal joy or damnation.
