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Battling Siki (1887–1925) was once one of the four or five most recognizable black men in the world and was written about by a host of great writers, including George Bernard Shaw, Ring Lardner, Damon Runyon, Janet Flanner, and Ernest Hemingway. Peter Benson’s lively biography of the first African to win a world championship in boxing delves into the complex world of sports, race, colonialism, and the cult of personality in the early twentieth century.
Author : Peter J. Bloom Publisher : U of Minnesota Press Page : 282 pages File Size : 55,6 Mb Release : 2008 Category : Social Science ISBN : 9780816646289
Despite altruistic goals, humanitarianism often propagates foreign, and sometimes unjust, power structures where it is employed. Tracing the visual rhetoric of French colonial humanitarianism, Peter J. Bloom's unexpected analysis reveals how the project of remaking the colonies in the image of France was integral to its national identity. French Colonial Documentary investigates how the promise of universal citizenship rights in France was projected onto the colonies as a form of evolutionary interventionism. Bloom focuses on the promotion of French education efforts, hygienic reform, and new agricultural techniques in the colonies as a means of renegotiating the social contract between citizens and the state on an international scale. Bloom's insightful readings disclose the pervasiveness of colonial iconography, including the relationship between "natural man" and colonial subjectivity; representations of the Senegalese Sharpshooters as obedient, brave, and sexualized colonial subjects; and the appeal of exotic adventure narratives in the trans-Saharan film genre. Examining the interconnection between French documentary realism and the colonial enterprise, Bloom demonstrates how the colonial archive is crucial to contemporary Peter J. Bloom is associate professor of film and media studies at the University of California-Santa Barbara.y debates about multiculturalism in France.
Pan-African Chronology III by Everett Jenkins, Jr. Pdf
This third volume of the Pan-African Chronology set covers 1914 through 1929, a time of two seminal events: World War I and the Black Awakening. In World War I, people of African descent fought for both sides, earning distinction on the battlefields of France as well as in the jungles and deserts of Africa. The "Black Awakening," a period from 1919 through 1929, marked the dawning of global awareness of the contributions of African people to the culture of the world. The book is arranged by year and events of each year are grouped by region. It also has two special biographical divisions for W.E.B. DuBois and Marcus Garvey.
Battling Siki (1887–1925) was once one of the four or five most recognizable black men in the world and was written about by a host of great writers, including George Bernard Shaw, Ring Lardner, Damon Runyon, Janet Flanner, and Ernest Hemingway. Peter Benson’s lively biography of the first African to win a world championship in boxing delves into the complex world of sports, race, colonialism, and the cult of personality in the early twentieth century.
The First Black Boxing Champions by Colleen Aycock,Mark Scott Pdf
This volume presents fifteen chapters of biography of African American and black champions and challengers of the early prize ring. They range from Tom Molineaux, a slave who won freedom and fame in the ring in the early 1800s; to Joe Gans, the first African American world champion; to the flamboyant Jack Johnson, deemed such a threat to white society that film of his defeat of former champion and "Great White Hope" Jim Jeffries was banned across much of the country. Photographs, period drawings, cartoons, and fight posters enhance the biographies. Round-by-round coverage of select historic fights is included, as is a foreword by Hall-of-Fame boxing announcer Al Bernstein.
A Boxing Legacy by Ian Phimister,David Patrick Pdf
A long-overdue tribute to legendary African American sportswriter and boxing cartoonist Ted Carroll. Ted Carroll was one of the greatest American artists and sportswriters of the twentieth century, most notably as a boxing cartoonist and journalist. As a Black man working in an era when boxing was one of the few outlets where Black athletes could achieve wealth, success, and recognition, Carroll’s commentary on the sport provides a profound perspective on race and the history of boxing. In A Boxing Legacy: The Life and Works of Writer and Cartoonist Ted Carroll, Ian Phimister and David Patrick celebrate Carroll’s extraordinary achievements as a sports cartoonist, illustrator, painter, and writer. Beginning with an introduction to Carroll’s life and times, Phimister and Patrick then dive into Carroll’s work, reproducing 44 of his best articles contributed to The Ring magazine—the bible of boxing. Arranged thematically, each section of articles includes an overview discussing the selections and providing valuable historical context. Included in the collection is the significant series “The American Black Man in Boxing,” which explores race, sport, and society. Ted Carroll’s insightful articles illuminate the place of boxing in twentieth-century sport and society with incredible skill and care. The first extended account of Ted Carroll’s life and works, and profusely illustrated with his brilliant drawings, A Boxing Legacy finally provides the deserved recognition to a remarkable artist and author who has been overlooked for far too long.
Author : Charles Cohen Publisher : Random House Books for Young Readers Page : 402 pages File Size : 53,5 Mb Release : 2004-02-24 Category : Young Adult Nonfiction ISBN : 9780375822483
The Seuss, the Whole Seuss and Nothing But the Seuss by Charles Cohen Pdf
Theodor Seuss Geisel, creator of Horton the Elephant, the Grinch, the Cat in the Hat, and a madcap menagerie of the best-loved children’s characters of all time, stands alone as the preeminent figure of children’s literature. But Geisel was a private man who was happier at the drawing table than he was across from any reporter or would-be biographer. Under the thoughtful scrutiny of Charles D. Cohen, Geisel’s lesser known works yield valuable insights into the imaginative and creative processes of one of the 20th century’s most original thinkers.
People, young and old, need stars to guide them. They need models to construct their own identity, to build their self-esteem, to change the way they see the world and to overcome their own and others’ prejudice. During my childhood, many stars were pointed out to me. I admired them, dreamt about them: Socrates, Baudelaire, Einstein, Marie Curie, General de Gaulle, Mother Teresa... But nobody ever spoke to me about black stars. The world of my education was white, from the colour of the school walls to the pages of my textbooks. I knew nothing about my own ancestors. Slavery was the only black subject ever mentioned. In this vision, the history of Black people could only ever be a vale of tears and strife. Can you tell me the name of a black scientist? A black explorer? A black philosopher? A black pharaoh? If you don’t know the answer to these questions, then, whatever the colour of your skin, this book is for you. Because the best way to fight racism and intolerance is to educate ourselves and to broaden our imaginations. The portraits of the men and women in this book are a product of my own reading and my interviews with scholars. Starting with Lucy and ending with Barack Obama, and along the way meeting Aesop, Dona Béatrice, Pushkin, Anne Zingha, Aimé Césaire, Martin Luther King and many others. These stars have allowed me to reject the idea that I am a victim, to renew my faith in mankind and, above all, to believe in myself. - Lilian Thuram This translation of Lilian Thuram’s bestselling 2010 volume, Mes Etoiles Noires, by Laurent Dubois (University of Virginia), finally brings his anti-racism work to the attention of an English-language audience (the book has already been translated into several European languages). At a time when the Black Lives Matter movement has reminded us of the need to tell more complex stories about our shared past, this volume constitutes a timely intervention by a prominent black sporting figure.
Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.
From seedy gyms to ringside at Madison Square Garden, Ring Ramblings takes you deep into the heart of boxing. Experience the author's own adventures in the ring and listen in to chats with the greats. Fighters like Alexis Arguello, Gerry Cooney, "Sugar" Shane Mosley, Butterbean, and Fernando Vargas tell you what it's like in the ring; and people like HBO exec Lou DiBella and famed cutman Chuck Bodak give you the lowdown on life outside the ring. With profiles of current stars like Roy Jones Jr., Oscar De La Hoya, and Prince Naseem Hamed, as well as an expansive section on women's boxing, Ring Ramblings gets you as close as you can get to the ring without getting hit.
Sports fans have long been fascinated with boxing and the brutal demonstration of physical and psychological conflict. Accounts of the sport appear as far back as the third millennium BC, and Greek and Roman sculptors depicted the athletic ideals of the ancient era in the form of boxers. In the present day, boxers such as Muhammad Ali, Joe Frazier, Sugar Ray Robinson, Oscar De La Hoya, Manny Pacquiao, and Floyd Mayweather, Jr. are recognized throughout the world. Boxing films continue to resonate with audiences, from the many Rocky movies to Raging Bull, The Fighter, Million Dollar Baby, and Ali. In Boxing: A Concise History of the Sweet Science, Gerald R. Gems provides a succinct yet wide ranging treatment of the sport, covering boxing’s ancient roots and its evolution, modernization, and global diffusion. The book not only includes a historical account of boxing, but also explores such issues as social class, race, ethnic rivalries, religious influences, gender issues, and the growth of female boxing. The current debates over the moral and ethical issues relative to the sport are also discussed. While the primary coverage of the political, social, and cultural impacts of boxing focuses on the United States, Gems’ examination encompasses the sport on a global level, as well. Covering important issues and events in the history of boxing and featuring numerous photographs, Boxing: A Concise History of the Sweet Science will be of interest to boxing fans, historians, scholars, and those wanting to learn more about the sport.
Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-African American musical comedies performed on the stage between 1900 and 1940. An invaluable resource for scholars and historians focused on African American culture, this new edition features significantly revised, expanded, and new material. In Blacks in Blackface: A Sourcebook on Early Black Musical Shows, Henry T. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of African American performers and producers to overcome the racial prejudice of white show owners, music publishers, theatre managers, and booking agents to achieve adequate financial compensation for their talents and managerial expertise. Black producers and artists competed with white managers who were producing all-Black shows and also with some white entertainers who were performing Black-developed music and dances, often in blackface. The chapters in this volume include: An overview of African American musical shows from the end of the Civil War through the golden years of the 1920s and ’30s New and expanded biographical sketches of performers Detailed information about the first producers and owners of Black minstrel and musical comedy shows Origins and backgrounds of several famous Black theatres Profiles of African American entrepreneurs and businessmen who provided financial resources to build and own many of the Black theatres where these shows were performed A chronicle of booking agencies and organized Black theatrical circuits, music publishing houses, and phonograph recording businesses Critical commentary from African American newspapers and show business publications More than 500 hundred rare photographs A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. More than double the size of the previous edition, this useful resource will also appeal to the casual reader who is interested in learning more about early Black entertainment.
WINNER OF THE SPORTS BOOK AWARDS 2024 CYCLING BOOK OF THE YEAR A WATERSTONES BEST BOOK OF 2023: SPORT NOMINATED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2023 'An absorbing mix of historical sleuthing and travel writing' The Telegraph '[a] fascinating and often touching book... Wonderful' The Times The story of an obsession. When cycling commentator Ned Boulting bought a length of Pathé news film featuring a stage of the Tour de France from 1923 he set about learning everything he could about it - taking him on an intriguing journey that encompasses travelogue, history and detective story. In the autumn of 2020 Ned Boulting (ITV head cycling commentator and Tour de France obsessive) bought a length of Pathé news film from a London auction house. All he knew was it was film from the Tour de France, a long time ago. Once restored it became clear it was a short sequence of shots from stage 4 of the 1923 Tour de France. No longer than 2.5 minutes long, it featured half a dozen sequences, including a lone rider crossing a bridge. Ned set about learning everything he could about the sequence – studying each frame, face and building – until he had squeezed the meaning from it. It sets him off in fascinating directions, encompassing travelogue, history, mystery story – to explain, to go deeper into this moment in time, captured on his little film. Join him as he explores the history of cycling and France just five years after WWI.
As early as 1900, when moving-picture and recording technologies began to bolster entertainment-based leisure markets, journalists catapulted entertainers to godlike status, heralding their achievements as paragons of American self-determination. Not surprisingly, mainstream newspapers failed to cover black entertainers, whose “inherent inferiority” precluded them from achieving such high cultural status. Yet those same celebrities came alive in the pages of black press publications written by and for members of urban black communities. In Looking at the Stars Carrie Teresa explores the meaning of celebrity as expressed by black journalists writing against the backdrop of Jim Crow–era segregation. Teresa argues that journalists and editors working for these black-centered publications, rather than simply mimicking the reporting conventions of mainstream journalism, instead framed celebrities as collective representations of the race who were then used to symbolize the cultural value of artistic expression influenced by the black diaspora and to promote political activism through entertainment. The social conscience that many contemporary entertainers of color exhibit today arguably derives from the way black press journalists once conceptualized the symbolic role of “celebrity” as a tool in the fight against segregation. Based on a discourse analysis of the entertainment content of the period’s most widely read black press newspapers, Looking at the Stars takes into account both the institutional perspectives and the discursive strategies used in the selection and framing of black celebrities in the context of Jim Crowism.
