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An unflinching shapeshifter, Beast at Every Threshold dances between familial hauntings and cultural histories, intimate hungers and broader griefs. Memories become malleable, pop culture provides a backdrop to glittery queer love, and folklore speaks back as a radical tool of survival. With unapologetic precision, Natalie Wee unravels constructs of “otherness” and names language our most familiar weapon, illuminating the intersections of queerness, diaspora, and loss with obsessive, inexhaustible ferocity—and in resurrecting the self rendered a site of violence, makes visible the “Beast at Every Threshold.” Beguiling and deeply imagined, Wee’s poems explore thresholds of marginality, queerness, immigration, nationhood, and reinvention of the self through myth.
Our Bodies and Other Fine Machines by Natalie Wee Pdf
Natalie Wee'sOur Bodies & Other Fine Machinesis a roadmap. Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls.") But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee's room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go. - Hanif Willis-Abdurraqib, Author of The Crown Ain't Worth Much Natalie Wee's writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into beautiful origami-like gifts that hit you like "stray bullets splinter technicolour lovers." The intricacies of her images walk a fine line that hover closely over genius, and the supernatural. From her well thought-out use of white space, enjambments, and form, Our Bodies and Other Fine Machines tells tales of hurt, pain, lust, love and all that lurks between leaving the "unsayable hung in our mouths." - Chelene Knight, Managing Editor of Room Magazine This debut is breathtaking. Wee's writing drops you into her world and you do not want to leave. Her portrait of girlhood from an outsider still feels as intimate and relentlessly soft as any old Polaroid plucked from your mother's scrapbook. The poetry here is raw and refined, bloody and delicate, a whole body of work that turns our elusive moments into fine tuned pieces of machinery... Wee's perspective is genuine, honest, and highly crafted. Our Bodies & Other Fine Machines is a bouquet arranged with every blossom and thorn for us to witness. - Alex Dang , Author of Are You Proud of Me? In Our Bodies & Other Fine Machines, Natalie Wee asks, "What is it like to be made a person / instead of a stranger's dim shadow?" and reveals, "my bones are heavy with the weight of never having been seen at all." It is with just such rigor and grace that Wee demands sight throughout this collection. Illuminating myriad ways queer women of color are silenced, dismissed, and unseen, these pages are alive with determination to be understood. There is an urgency here one cannot escape, expressed entirely in Wee's own careful and knowing language. More than remarkable, this book is necessary. - Jeanann Verlee, Author of Racing Hummingbirds & Said the Manic to the Muse "
In 1856, Paul Du Chaillu ventured into the African jungle in search of a mythic beast, the gorilla. After wild encounters with vicious cannibals, deadly snakes, and tribal kings, Du Chaillu emerged with 20 preserved gorilla skins—two of which were stuffed and brought on tour—and walked smack dab into the biggest scientific debate of the time: Darwin's theory of evolution. Quickly, Du Chaillu's trophies went from objects of wonder to key pieces in an all-out intellectual war. With a wide range of characters, including Abraham Lincoln, Arthur Conan Doyle, P.T Barnum, Thackeray, and of course, Charles Darwin, this is a one of a kind book about a singular moment in history.
Jim Wong-Chu was the founder of the Asian Canadian Writers’ Workshop which spawned many literary stars, including Madeleine Thien, Denise Chong, and Wayson Choy. When he passed away in 2017, at the age of sixty-eight, he left not only a void in the Asian Canadian writing and publishing community but also a legacy of his own work that was never fully recognized. Jim’s poems speak eloquently to the Chinese experience in North America, both historical and present-day. This book includes Jim’s evocative Chinatown photographs, revealing the soul of a community threatened by gentrification and displacement. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Andrea Gibson’s latest collection is a masterful showcase from the poet whose writing and performances have captured the hearts of millions. With artful and nuanced looks at gender, romance, loss, and family, Lord of the Butterflies is a new peak in Gibson’s career. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.
The Beast God Forgot to Invent by Jim Harrison Pdf
An unforgettable collection of novellas from the author of Legends of the Fall explores the line between civilization and the “wild men.” Jim Harrison is an American master. The Beast God Forgot to Invent offers stories of culture and wildness, of men and beasts and where they overlap. A wealthy man retired to the Michigan woods narrates the tale of a younger man decivilized by brain damage. A Michigan Indian wanders Los Angeles, hobnobbing with starlets and screenwriters while he tracks an ersatz Native-American activist who stole his bearskin. An aging alpha canine, the author of three dozen throwaway biographies, eats dinner with the ex-wife of his overheated youth, and must confront the man he used to be. “Harrison’s intricate symbolism and scathing observations of urban foibles, his sly humor and vibrant language remind readers that he is one of our most talented chroniclers of the masculine psyche, intellectual or not.” —Publishers Weekly
"A juicy thriller" (Entertainment Weekly) · "Absorbing" (USA Today) · "Dark and thoughtful" (Washington Post) · "Gratifying" (Wall Street Journal) · "Sun-soaked noir" (LA Review of Books) A spellbinding novel of psychological suspense that follows a young archivist’s obsession with her subject’s mysterious death as it threatens to destroy her fragile grasp on sanity. When the famed photographer Miranda Brand died mysteriously at the height of her career, it sent shock waves through Callinas, California. Decades later, old wounds are reopened when her son Theo hires the ex-journalist Kate Aitken to archive his mother’s work and personal effects. As Kate sorts through the vast maze of material and contends with the vicious rumors and shocking details of Miranda's private life, she pieces together a portrait of a vibrant artist buckling under the pressures of ambition, motherhood, and marriage. But Kate has secrets of her own, including a growing attraction to the enigmatic Theo, and when she stumbles across Miranda's diary, her curiosity spirals into a dangerous obsession. A seductive, twisting tale of psychological suspense, Take Me Apart draws readers into the lives of two darkly magnetic young women pinned down by secrets and lies. Sara Sligar's electrifying debut is a chilling, thought-provoking take on art, illness, and power, from a spellbinding new voice in suspense.
"Rajiv Mohabir's Cutlish uses history to interrogate the word "home" and all that it might mean to those who thrive in spite of homophobia, stereotype, and xenophobia. These poems are grounded in definite time and space in a voice that refuses to be silenced, "They are vexed you survive; that you/rise up from the pavement..." But what I love most is read a poet as disciplined and committed as Mohabir as he transforms and reinvents himself in tone, in subject, and in line: "Let's get one thing queer-I'm no Sabu-like sidekick,/I'm the main drag. Ram Ram in a sari; salaam//on the street. I don't speak Hindu, Paki, or Indian,/can't control minds, have no psychic powers." Jericho Brown Cutlish, Rajiv Mohabir's stunning new collection, asks urgent questions about queer identities, diaspora and silence. Deeply grounded in 1838, the year the first ships brought indentured servants from India to Guyana, Cutlish reckons with the relationship between language and violence. These poems challenge the colonizer's English through Creole, Sanskrit, Hindi, Hindustani and Chutney songs, dazzling us at every turn: "May each face who ever said, Speak English / find their own tongue fettered and split, / my mixed blood blackening their faces." The book's title evokes the violence of a cutlass, and everywhere here we see language as knife and blade but also as solace. Cutlish is a luminous, beautiful book. Rajiv Mohabir is one of the most important poets writing today. --Nicole Cooley"--
AlliterAsian by Julia Lin,Allan Cho,Jim Wong-Chu Pdf
A wide-ranging anthology of Asian Canadian literature to celebrate 20 years of Ricepaper. 2015 marks the 20th anniversary of Ricepaper magazine, a pioneering periodical devoted to Asian-Canadian writing. Over the years, Ricepaper's focus has shifted from predominantly arts and culture reporting to the publication of original literature; as such, it has both witnessed and cultivated the maturation of an Asian-Canadian literary tradition; indeed, many of today's most acclaimed Asian-Canadian writers were first published in the pages of Ricepaper. This celebratory anthology features exclusive interviews first published in Ricepaper with David Suzuki, Tobias Wong, Ruth Ozeki, Evelyn Lau, Denise Chong, and Madeleine Thien. In addition, exciting voices in Canadian literature are represented by Kim Fu, Doretta Lau, Corinna Chong, Terry Watada, Derwin Mak, Eric Choi, and C.E. Gatchalian. Established and emerging poets such as Fred Wah, Evelyn Lau, Rita Wong, Souvankham Thammavongsa, and Michael Prior also grace the anthology with their work. Finally, three award-winning authors have given permission for excerpts of their works-in-progress to be included: Joy Kogawa (Gently to Nagasaki, a new memoir), Yasuko Thanh ("Lucky in Saigon," a novel soon to be published as Mysterious Fragrance of the Yellow Mountains), and SKY Lee (Progress in Process). AlliterAsian is an intriguing and multi-faceted record of Asian-Canadian writing that pays homage to the legacy of Ricepaper and its contribution to the evolving and increasingly diverse landscape of Canadian literature.
The Book of Saints and Friendly Beasts by Abbie Farwell Brown Pdf
EVERY one has heard of Bridget, the little girl saint of Ireland. Her name is almost as well known as that of Saint Patrick, who drove all the snakes from the Island. Saint Bridget had long golden hair; and she was very beautiful. Many wonderful things happened to her that are written in famous books. But I suspect that you never heard what she did about the King's Wolf. It is a queer story. This is how it happened. The King of Ireland had a tame wolf which some hunters had caught for him when it was a wee baby. And this wolf ran around as it pleased in the King's park near the palace, and had a very good time. But one morning he got over the high wall which surrounded the park, and strayed a long distance from home, which was a foolish thing to do. For in those days wild wolves were hated and feared by the people, whose cattle they often stole; and if a man could kill a wicked wolf he thought himself a very smart fellow indeed. Moreover, the King himself had offered a prize to any man who should bring him a dead wolf. For he wanted his kingdom to be a peaceful, happy one, where the children could play in the woods all day without fear of big eyes or big teeth. Of course you can guess what happened to the King's wolf? A big, silly country fellow was going along with his bow and arrows, when he saw a great brown beast leap over a hedge and dash into the meadow beyond. It was only the King's wolf running away from home and feeling very frisky because it was the first time that he had done such a thing. But the country fellow did not know all that. "Aha!" he said to himself. "I'll soon have you, my fine wolf; and the King will give me a gold piece that will buy me a hat and a new suit of clothes for the holidays." And without stopping to think about it or to look closely at the wolf, who had the King's mark upon his ear, the fellow shot his arrow straight as a string. The King's wolf gave one great leap into the air and then fell dead on the grass, poor fellow. The countryman was much pleased. He dragged his prize straight up to the King's palace and thumped on the gate.
SOMETHING EVIL THIS WAY COMES 7 VENGEFUL SISTERS 7 FAIRYTALE KINGDOMS 7 DAUGHTERS OF EVILLE Everyone dreams of marrying a prince--except for me. I am nothing more than a pawn in my adoptive mother's diabolical plot against the seven kingdoms. I was the chosen tool, her sharpened blade that would cut the deepest into the heart of the Kingdom of Baist. But like all deadly weapons, my wedding is a two-edged sword that could cost me my soul. For I am Rosalie, one of the adopted daughters of Lady Eville, and it is my duty to enter into a loveless and hate-filled marriage with the narcissistic Crown Prince of Baist. My choices and heart are not my own to give. Yet even in the thick of dire situations, beastly vengeance can give way to beautiful attraction. THIS BOOK CAN BE READ AS A STANDALONE.
Designed for kids ages 2-7, this children's Bible presents the remarkable true story of God's love for the world from both the Old and New Testaments with simple words and striking illustrations.
Poetry. Top Debut Collection of 2015, Poets and Writers. "This is a book of great beauty and of terrible suspicion regarding that beauty. This is a poet of intensifying linguistic gift and of terrible suspicion regarding that gift. Is there, yet, an Auto-Voyeuristic school of poetry? If not, then Jay Deshpande's troubling and gorgeous LOVE THE STRANGER 'watch yourself grow muscle in your failures / and hate it' could be the founding document." Josh Bell "Deshpande tracks those moments when we become strange to ourselves, when indecision and failure wrench us open. He writes with a kind of glowing, dreamlike clarity about desire, distraction, regret the ways we rush past ourselves, the ways we hurt each other. This book is full of searching and light." Joanna Klink "Elegant, dreamy, and hauntingly charismatic, Deshpande's poems captivate the way the recordings of their patron saint Chet Baker do, insisting time after time that exceptional artistry can spin even radical loneliness and excruciating sensitivity into music that radiates and affirms. Provoking 'a hunger become so animal' then tranquilizing it with 'orchestrated moonlight, ' LOVE THE STRANGER is a book, a shady neighborhood, and a mood that readers will return to again and again." Timothy Donnelly"
The Hero with a Thousand Faces by Joseph Campbell Pdf
A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.