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Becoming Mikhail Lermontov by David Powelstock Pdf
This interpretation of Russian poet Mikhail Lermontov reveals how his life and his works can be understood as manifestations of a coherent worldview. It clarifies what has remained perplexing, corrects what has been misinterpreted and illuminates Lermontov's views of many subjects.
A Hero of Our Time - Lermontov by M. Y. Lermontov Pdf
Mikhail Lermontov's famous novel, "A Hero of our Time," was and remains one of the great literary achievements of the 19th century. Lermontov is considered to be the only true Romantic poet from Russia, and it is easy to see why after reading this book. He is greatly influenced by Byronism (a literary movement in Europe started by the Romantic poet George Gordon Lord Byron). In his work, Lermontov creates a character who encapsulates Byronic principles. Pechorin, Lermontov's protagonist, is a darker hero than most in Russian society are accustomed to. He is sensitive and cynical; he has great insight into his own personality and yet remains extremely arrogant. Pechorin is remarkably intelligent and prefers to rely on the certainty of intellect rather than the unpredictable nature of emotions. He is vain and ambitious but never content with his achievements. Once he sets out on a new adventure he easily gets bored with what he has accomplished and becomes depressed. He states "my imagination knows no peace, my heart no satisfaction." He specifically enjoys the challenge of conquering women. As time goes on however, he grows bored with the lovers he has seduced and treats them unkindly or just leaves them altogether. Throughout his journeys Pechorin is cruel to his lovers, rude to strangers, and even kills one of his friends in a duel sparked by a minor disagreement (showing little remorse afterwards). Perhaps Pechorin's contradictory personality is best summarized by the comment he makes to a friend about a lover: "I'm still in love with her. I'm grateful to her for a few moments of relative bliss. I'd give my life for her. But she bores me." Lermontov's creation of this morally corrupt protagonist sparked condemnation from many Russians upon its publication. Society was not comfortable with such a villainous character being hailed a hero as Lermontov clearly implies by the title of the book. In reaction to the criticism, Lermontov adds a preface in the book's second publication to explain that Pechorin "is a portrait of the vices of our whole generation in their ultimate development." He brilliantly points out that perhaps society is so fervently opposed to Pechorin because they secretly fear the realities in Pechorin's personality. Lermontov rhetorically asks "you will say that no man can be so bad, and I will ask you why, after accepting all the villains of tragedy and romance, you refuse to believe in Pechorin? You have admired far more terrible and monstrous characters than he is, so why are you so merciless to him, even as a fictitious character? Perhaps he comes too close to the bone?" Still today, Pechorin is a fascinating literary character and his personality is formed by the principles of Byronism.
'After all that - how, you might wonder, could one not become a fatalist?' Lermontov's hero, Pechorin, is a young army officer posted to the Caucasus, where his adventures - amorous and reckless - do nothing to alleviate his boredom and cynicism. World-weary and self-destructive, Pechorin is alienated from those around him yet he is full of passion and romantic ardour, sensitive as well as arrogant. His complex, contradictory character dominates A Hero of Our Time, the first great Russian novel, in which the intricate narrative unfolds episodically, transporting the reader from the breathtaking terrain of the Caucasus to the genteel surroundings of spa resorts. Told in an engaging yet pointedly ironic style, the story expresses Lermontov's own estrangement from the stifling conventions of bourgeois society and the oppression of Russian autocracy, but it also captures a longing for freedom through acts of love and bravery. This new edition also includes Pushkin's Journey to Arzrum, in which Pushkin describes his own experiences of Russia's military campaigns in the Caucasus and which provides a fascinating counterpoint to Lermontov's novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Lermontov's "A Hero of Our Time" by Lewis Bagby Pdf
Mikhail Lermontov's book, A Hero of Our Time, was written in 1840 and is an important work of psychological realism. This volume includes articles by theorists from various perspectives.
A Hero of Our Time by Mikhail Iurevich Lermontov Pdf
A Hero of Our Time is a novel by Mikhail Lermontov. Grigory Alexandrovich Pechorin is what society calls a superfluous man, someone who does not fit into social norms. Will he find a way?
A Hero of Our Time by Mikhail I︠U︡rʹevich Lermontov Pdf
A HERO OF OUR TIME is a novel by Mikhail Lermontov, written in 1839 and revised in 1841. It is an example of the superfluous man novel, noted for its compelling Byronic hero (or anti-hero) Pechorin and for the beautiful descriptions of the Caucasus. MIKHAI L YURYEVICH LERMONTOV (October 15 1814 - July 27 1841), a Russian Romantic writer, poet and painter, sometimes called the poet of the Caucasus, is considered the supreme poet of Russian literature alongside Pushkin and the greatest figure in Russian Romanticism. His influence on later Russian literature is still felt in modern times, not only through his poetry, but also through his prose, which founded the tradition of the Russian psychological novel.
A Hero of Our Time (Royal Collector's Edition) (Annotated) (Case Laminate Hardcover with Jacket) by Mikhail Lermontov Pdf
The beautiful Circassian princess Bela is kidnapped by a man named Azamat, who trades her for a horse. She is taken to the home of Pechorin, a man who treats women as an incentive for endless conquests and does not consider them worthy of any particular respect. After living together for some time, Bela becomes completely devoted to Pechorin, but Pechorin starts explicating his need for freedom. Bela fears he may leave her, but is soon kidnapped once again by Pechorin's enemy, Kazbich. A Hero of Our Time is an example of the superfluous man novel, noted for its compelling antihero. Pechorin is a character of contradiction, both sensitive and cynical. His philosophy concerning existence is oriented towards the nihilistic, creating in him somewhat of a distanced, alienated personality. He is possessed of extreme arrogance, yet has a deep insight into his own character and epitomizes the melancholy of the Romantic hero who broods on the futility of existence and the certainty of death. This case laminate collector's edition includes a Victorian inspired dust-jacket.
A History of Russian Literature by Andrew Kahn,Mark Lipovetsky,Irina Reyfman,Stephanie Sandler Pdf
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
A Lermontov Reader by Mikhail I︠U︡rʹevich Lermontov Pdf
"Inheritor of Pushkin's poetic mantle, and forerunner of the realism which was to make the Russian novel supreme in the nineteenth century, Mikhail Yurevich Lermontov represents one of the most important figures in the history of Russian prose and poetry. His was a life lived with singular intensity; his Byronic pose of disillusionment could not conceal an acute, often tortured sensibility, a sensibility that produced the scathing irony mirroring this profound social commitment. Killed in a duel before he reached the age of twenty-seven, Lermontov left a body of works whose brilliance and diversity are all the more remarkable for the short span of years during which they were written, and the amazing rate of artistic growth they record. As presented here, they stand as an essential volume for all those interested in Russian literature" --Back cover.
Poet, cavalry officer, celebrity - Mikhail Lermontov moved in an atmosphere of political intrigue and personal recklessness, producing poetry considered second only to Pushkin's in Russian literature and a career which has often been compared to Byron's. Between the salons and palaces of St Petersburg and the savage splendour of the Caucasus - his country of marvels - Lermontov lived his brief life without compromise. Born in 1814, he is best known as the author of A Hero of our Time and The Demon. He managed to be both and neither. At odds wih authority, yet at ease on his own terms, he wrote as he fought, in protest and fierce independence and died in a duel at the age of 26. This biography is a popular study of the poet.
How have poets in recent centuries been able to inscribe recognizable and relatively sincere voices despite the wearing of poetic language and reader awareness of sincerity’s pitfalls? How are readers able to recognize sincerity at all given the mutability of sincere voices and the unavailability of inner worlds? What do disagreements about the sincerity of texts and authors tell us about competing conceptualizations of sincerity? And how has sincere expression in one particular, illustrative context – Russian poetry – both changed and remained constant? An Indwelling Voice grapples, uniquely, with such questions. In case studies ranging from the late neoclassical period to post-postmodernism, it explores how Russian poets have generated the pragmatic framings and poetic devices that allow them to inscribe sincere voices in their poetry. Engaging Anglo-American and European literature, as well as providing close readings of Russian poetry, An Indwelling Voice helps us understand how poets have at times generated a powerful sense of presence, intimating that they speak through the poem.
Times of Trouble by Marcus C. Levitt,Tatyana Novikov Pdf
From the country that has added to our vocabulary such colorful terms as "purges," "pogroms," and "gulag," this collection investigates the conspicuous marks of violence in Russian history and culture. Russians and non-Russians alike have long debated the reasons for this endemic violence. Some have cited Russia's huge size, unforgiving climate, and exposed geographical position as formative in its national character, making invasion easy and order difficult. Others have fixed the blame on cultural and religious traditions that spurred internecine violence or on despotic rulers or unfortunate episodes in the nation's history, such as the Mongol invasion, the rule of Ivan the Terrible, or the "Red Terror" of the revolution. Even in contemporary Russia, the specter of violence continues, from widespread mistreatment of women to racial antagonism, the product of a frustrated nationalism that manifests itself in such phenomena as the wars in Chechnya. Times of Trouble is the first in English to explore the problem of violence in Russia. From a variety of perspectives, essays investigate Russian history as well as depictions of violence in the visual arts and in literature, including the works of Fyodor Dostoevsky, Isaac Babel, Mikhail Lermontov, and Nina Sadur. From the Mongol invasion to the present day, topics include the gulag, genocide, violence against women, anti-Semitism, and terrorism as a tool of revolution.
