Beethoven And His Immortal Beloved Josephine Brunsvik
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Beethoven and His Immortal Beloved Josephine Brunsvik by Marie Elisabeth Tellenbach,John E Klapproth Pdf
“A moving and inspirational tour de force!Affecting, beautifully written, it drives home the intimate horrors and ironies and the difficulty of living with the knowledge of suffering.Compelling, it takes you on a fulfilling and engaging journey.”?(The Classical Musicologist)That Beethoven's famous Letter to the "Immortal Beloved" was to Josephine Brunsvik, his one and only Beloved, is now a fact, so obvious that one wonders why – especially in America – the truth had been veiled behind so much fantastic speculation and even denunciation.Marie-Elisabeth Tellenbach, musician, musicologist, historian and a Beethoven scholar of international repute, not only clears aside all this debris, but, based on many years of meticulous research, shows that Beethoven's love of Josephine was not only reflected in his letters and diary, but left traces in his music that speak in notes what words cannot express.With explanations, annotations and amendments by the translator, John E Klapproth (author of "Beethoven's Only Beloved: Josephine!").
Who was Beethoven's 'Immortal Beloved'? After Ludwig van Beethoven’s death, a love letter in his writing was discovered, addressed only to his ‘Immortal Beloved’. Decades later, Countess Therese Brunsvik claims to have been the composer’s lost love. Yet is she concealing a tragic secret? Who is the one person who deserves to know the truth? Becoming Beethoven’s pupils in 1799, Therese and her sister Josephine followed his struggles against the onset of deafness, Viennese society’s flamboyance, privilege and hypocrisy and the upheavals of the Napoleonic wars. While Therese sought liberation, Josephine found the odds stacked against even the most unquenchable of passions...
Beethoven's Only Beloved - Josephine! by Andrea Jaretzki,John E. Klapproth Pdf
200 years after Beethoven wrote a passionate love letter to a woman whose name he omitted, here is the life story of Josephine Countess von Brunsvik, the only woman whom the composer ever loved: There were at least 15 more love letters to her. She was his only beloved, his everything, his angel € . He vowed to remain forever faithful and devoted to her and he did. Their love was made inheaven €“ however, there was to be no fulfilment in this life, no happy end. Josephine's fate was an extremely tragic one: Starting off as a promising pianist (with Beethoven's help), the rich and beautiful young Countess was coveted and admired by Viennese High Society. She was married against her will, her husband died suddenly and she had to look after four little children. Her affection for the composer left her torn between love and duty the classic romantic conflict between the pursuit of individual happiness and the obligations imposed by the rigid class structure of the morbid Austro-Hungarian Empire.
Beethoven's Only Beloved: Josephine! (2nd Ed. ) by John E Klapproth Pdf
200 years after Beethoven wrote a passionate love letter to a woman whose name he omitted, here is the life story of Josephine Countess von Brunsvik, the only woman whom the composer ever loved: There were at least 15 more love letters to her. She was his “Only Beloved”, his “Everything”, his “Angel”. He vowed to remain forever faithful and devoted to her – and he did. Their love was “made in Heaven” – however, there was to be no fulfilment in this life, no happy end.Josephine's fate was an extremely tragic one: Starting off as a promising pianist (with Beethoven's help), the rich and beautiful young Countess was coveted and admired by Viennese High Society. She was married against her will; her husband died suddenly and she had to look after four little children… Her affection for the composer left her torn between love and duty – the classic romantic conflict between the pursuit of individual happiness and the obligations imposed by the rigid class structure of the morbid Austro-Hungarian Empire.German-born New Zealand author John E Klapproth narrates with empathy and erudition the major biographical details of Josephine's “Journey from Heaven to Hell” and her relationship to Beethoven, showing how their love, though doomed, was ultimately the major motivating force that inspired and enabled the composer to create, despite increasing deafness and isolation, the most beautiful and lyrical music of all times.With new translations of all quoted German sources, this is a meticulously investigated treatise, based on the latest pertinent scholarly research. The in some places still popular conjecture by the American author Solomon that Beethoven's “Immortal Beloved” might have been a brief acquaintance called Antonie Brentano is exposed and discredited, as it is based on flawed interpretations and many erroneous translations.The Second, Revised Edition contains an added Introduction about "The Trials & Tribulations" (aka "The Trout in the Milk") and a complete Screen Play (of the Movie yet to be made).
All about Beethoven's Immortal Beloved by Harry Goldschmidt,John E. Klapproth Pdf
A thoughtful and comprehensive weighing up of all the arguments presented by his friend Solomon in favor of Antonie Brentano, followed by a detailed presentation of and then a synoptic comparison with the evidence supporting Josephine Brunsvik. The latter the clear winner. Harry Goldschmidt, Beethoven scholar of international repute, made the hunt for the Immortal Beloved to the focus of an unorthodox and precisely drawn Beethoven portrait. His sovereign style is based on many years of meticulous research. With annotations and amendments by translator John E Klapproth
All about Beethoven's Immortal Beloved (Revised Edition) by Harry Goldschmidt Pdf
A thoughtful and comprehensive weighing up of all the arguments presented by his friend Solomon in favor of Antonie Brentano, followed by a detailed presentation of and then a synoptic comparison with the evidence supporting Josephine Brunsvik. The latter the clear winner. (This is a fully reviewed & revised Edition of the original translation.)
La Mara assumed first that Therese Brunsvik was (secretly) Beethoven's "Immortal Beloved," based mainly on second-guessing by some of the later descendants of the Brunsvik family whom she had interviewed. The major value of La Mara's first book is in publishing of Therese's Memoirs - a very lively and readable account, not only of her own (long and reasonably happy) life, but also of her sister Josephine's (short and unhappy) life. And, of course, her never-ending adoration of Beethoven. In 1920, after discovering various letters and many other documents (at least what was accessible in the aftermath of the First World War), she corrected her previous view and was now convinced that Josephine was the One. La Mara was the first to get it right.
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
In 1812, Ludwig van Beethoven wrote three letters to an unnamed woman, whom he called "Immortal Beloved." The letters were discovered after Beethoven's death and ever since their discovery, there has been speculation regarding whom that Immortal Beloved might have been. In Beethoven's Immortal Beloved: Solving the Mystery, Edward Walden carefully and meticulously presents his case that the woman who Beethoven loved was Bettina Brentano, an artistic and talented musician in her own right. Setting the foundation for his argument, Walden begins the book with a general historical and sequential narrative that interweaves the lives of the three principle protagonists: Beethoven, the writer Johann Wolfgang von Goethe, and Bettina Brentano. Walden explores in detail the key elements of the factual narrative and shows how those elements support his claim that Bettina was the Immortal Beloved. In addition, Walden addresses the attacks other Beethoven scholars have made against Bettina and reveals how such attacks were mistaken or unjustified. Thoroughly and rigorously researched, yet presented in a clear and engaging style, Beethoven's Immortal Beloved will appeal to Beethoven scholars, music lovers, and general readers alike, who will be captivated by the solving of this fascinating mystery.
"This new biography of Ludwig van Beethoven offers connoisseurs and newcomers alike an unparalleled story of the composer's life and works, written by a renowned conductor and scholar of Beethoven's music. With unprecedented access to the archives at the Beethoven House in Bonn, Jan Caeyers expertly weaves together a deeply human and complex picture of Beethoven-his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music, showing how it transformed from the work of a skilled craftsman to that of a consummate artist. Demonstrating an impressive command of the vast scholarship on this iconic composer, Caeyers brings Beethoven's world alive with elegant prose, memorable musical descriptions, and a vivid depiction of Bonn and Vienna, where Beethoven produced and performed his works. Caeyers explores how Beethoven's career was impacted by the historical and philosophical shifts taking place in the music world and how, in turn, his trajectory changed the music industry. Equal parts an absorbing cultural history and a lively biography, Beethoven, A Life reveals a complex portrait of the musical genius that defined a style of music and went on to become one of the great pillars of Western art music"--
Many books have been written about Beethoven. But it is rare to find one that seeks an alternative between the fragmentation found in most specialized studies and the superficial overview typical of popular biography. In this volume, Carl Dahlhaus, one of the century's leading musicologists, combines interpretations of individual works that focus on issues of composition and musical history, with excursions into the musical aesthetics of the period around 1800; an age that was not only a "classical" period in the history of the arts but also one in that aesthetics carved itself a place in the center of philosophical attention. The theme of the book is the reconstruction of Beethoven's "musical thinking" from the evidence in the works themselves and their context in the history of ideas.
Ludwig van Beethoven, one of the world's greatest composers, died on March 26, 1827. Until now, his dying wish, that his memory and honor remain untarnished, has never been fulfilled. Book jacket.
“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music
The Life of Ludwig van Beethoven (Complete) by Alexander Wheelock Thayer Pdf
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
