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This first ever study of "Beggars of Life" looks at the film Oscar-winning director William Wellman thought his finest silent movie. Based on Jim Tully's bestselling book of hobo life-and filmed by Wellman the year after he made "Wings" (the first film to win the Best Picture Oscar), "Beggars of Life" is a riveting drama about an orphan girl (screen legend Louise Brooks) who kills her abusive stepfather and flees the law. She meets a boy tramp (leading man Richard Arlen), and together they ride the rails through a dangerous hobo underground ruled over by Oklahoma Red (future Oscar winner Wallace Beery). "Beggars of Life" showcases Brooks in her best American silent-a film the "Cleveland Plain Dealer" described as "a raw, sometimes bleeding slice of life." With more than 50 little seen images, and a foreword by William Wellman, Jr.
Why, asks Kelly Johnson, does Christian ethics so rarely tackle the real-life question of whether to give to beggars? Examining both classical economics and Christian stewardship ethics as reactions to medieval debates about the role of mendicants in the church and in wider society, Johnson reveals modern anxiety about dependence and humility as well as the importance of Christian attempts to rethink property relations in ways that integrate those qualities. She studies the rhetoric and thought of Christian thinkers, beggar saints, and economists from throughout history, placing greatest emphasis on the life and work of Peter Maurin, a cofounder of the Catholic Worker movement. Challenging and thought-provoking, The Fear of Beggars will move Christian economic ethics into a richer, more involved discussion.
When Lara was twelve, and her younger brother Alfie eight, their father died in a helicopter crash. A prominent plastic surgeon, and Irishman, he had honed his skills on the bomb victims of the Troubles. But the family grew up used to him being absent: he only came to London for two weekends a month to work at the Harley Street Clinic, where he met their mother years before, and they only once went on a family holiday together, to Spain, where their mother cried and their father lost his temper and left early. Because home, for their father, wasn't Earls Court: it was Belfast, where he led his other life... Narrated by Lara, nearing forty and nursing her dying mother, All the Beggars Riding is the heartbreaking portrait of a woman confronting her past just as she realises that time is running out
In a world where the slightest edge can mean the difference between success and failure, Leisha Camden is beautiful, extraordinarily intelligent ... and one of an ever-growing number of human beings who have been genetically modified to never require sleep. Once considered interesting anomalies, now Leisha and the other "Sleepless" are outcasts -- victims of blind hatred, political repression, and shocking mob violence meant to drive them from human society ... and, ultimately, from Earth itself. But Leisha Camden has chosen to remain behind in a world that envies and fears her "gift" -- a world marked for destruction in a devastating conspiracy of freedom ... and revenge.
Early in Proud Beggars, a brutal and motiveless murder is committed in a Cairo brothel. But the real mystery at the heart of Albert Cossery’s wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life. Chief among Cossery’s proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery’s masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.
Author : Mark S. Fleisher Publisher : University of Wisconsin Press Page : 0 pages File Size : 52,6 Mb Release : 1995-08-15 Category : Social Science ISBN : 0299147746
As the incidence of violent crime rises in the United States, so does the public demand for a solution. But what will work? Mark S. Fleisher has spent years among inmates in jails and prisons and on the streets with thieves, gang members, addicts, and life-long criminals in Seattle and other cities across the country. In Beggars and Thieves, he writes about how and why they become and remain offenders, and about the actual role of jails and prisons in efforts to deter crime and rehabilitate criminals. Fleisher shows, with wrenching firsthand accounts, that parents who are addicts, abusers, and criminals beget irreversibly damaged children who become addicts, abusers, and criminals. Further, Fleisher contends that many well-intentioned educational and vocational training programs are wasted because they are offered too late to help. And, he provides sobering evidence that many youthful and adult offenders find themselves better off in prison—with work to do, medical care, a clean place to sleep, regular meals, and stable social ties—than they are in America’s cities. Fleisher calls for anti-crime policies that are bold, practical, and absolutely imperative. He prescribes life terms for violent offenders, but in prisons structured as work communities, where privileges are earned through work in expanded, productive industries that reduce the financial burden of incarceration on the public. But most important, he argues that the only way to prevent street crime, cut prison growth, and reduce the waste of money and human lives is to permanently remove brutalized children from criminal, addicted, and violent parents.
The 547 Buddhist jatakas, or verse parables, recount the Buddha's lives in previous incarnations. In his penultimate and most famous incarnation, he appears as the Prince Vessantara, perfecting the virtue of generosity by giving away all his possessions, his wife, and his children to the beggar Jujaka. Taking an anthropological approach to this two-thousand-year-old morality tale, Katherine A. Bowie highlights significant local variations in its interpretations and public performances across three regions of Thailand over 150 years. The Vessantara Jataka has served both monastic and royal interests, encouraging parents to give their sons to religious orders and intimating that kings are future Buddhas. But, as Bowie shows, characterizations of the beggar Jujaka in various regions and eras have also brought ribald humor and sly antiroyalist themes to the story. Historically, these subversive performances appealed to popular audiences even as they worried the conservative Bangkok court. The monarchy sporadically sought to suppress the comedic recitations. As Thailand has changed from a feudal to a capitalist society, this famous story about giving away possessions is paradoxically being employed to promote tourism and wealth.
Susan Palwick, author of the remarkable Flying in Place, now returns with a compelling new novel of a family cast out of an idyllic realm, learning to live in our own troubled world. With its richly imagined portrayal of a lost culture, complete with poetry and fables, traditions and customs, and its searing yet sympathetic view of own society as seen through new eyes, The Necessary Beggar is an compelling examination of humanity and the redemptive power of love, in the spirit of Ursula K. Le Guin's The Dispossessed and Robert A. Heinlein's Stranger in a Strange Land. Lémabantunk, the Glorious City, is a place of peace and plenty, of festivals and flowers, bejeweled streets and glittering waterfalls. But it is also a land of severe justice. Darroti, a young merchant, has been accused of an unforgiveable crime – the brutal murder a highborn woman. Now, in keeping with the customs of their world, his entire family must share in his punishment – exile to the unknown world that lies beyond a mysterious gate. Passing through that gate, and grieving for the life they leave behind, Darroti and his family find themselves in a harsh and hostile land – America just a few years hence, a country under attack in a world torn by hatred and warfare. Unable to explain their origin, they are rapidly remanded to an internment camp in the Nevada desert, along with thousands of other refugees. There they endeavor to make sense of this ill-fated land where strange gods are worshipped, and living things like flowers and insects are not respected. After Darroti, unable to bear his disgrace, takes his life, the rest of the family escapes to the outside world. There, each tries to cope in their own way. Timbor, the head of the clan, troubled by the restless spirit of his departed son who comes to him in dreams, does his best to preserve the old ways, and avoid conflict with the outsiders. His eldest son Masofo, who calls himself Max, is lured by the worldly temptations of this new world, while his second son, Erolorit, strives to make a decent life for his family. But it is Timor's granddaughter, Zamatryna, who is the quickest to adjust to this strange new world. It is she who is the first to learn its language, to adopt its customs, to accept this place as her new home. And, as the strain of adapting themselves to this new life begins to tear the family apart, it is Zama, sustained by the extraordinary love of an ordinary young man, who finds a way to heal their grief and give them new hope. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the late 1960s and early 1970s, advocates of legal abortion mostly used the term rights when describing their agenda. But after Roe v. Wade, their determination to develop a respectable, nonconfrontational movement encouraged many of them to use the word choice--an easier concept for people weary of various rights movements. At first the distinction in language didn't seem to make much difference-the law seemed to guarantee both. But in the years since, the change has become enormously important. In Beggars and Choosers, Solinger shows how historical distinctions between women of color and white women, between poor and middle-class women, were used in new ways during the era of "choice." Politicians and policy makers began to exclude certain women from the class of "deserving mothers" by using the language of choice to create new public policies concerning everything from Medicaid funding for abortions to family tax credits, infertility treatments, international adoption, teen pregnancy, and welfare. Solinger argues that the class-and-race-inflected guarantee of "choice" is a shaky foundation on which to build our notions of reproductive freedom. Her impassioned argument is for reproductive rights as human rights--as a basis for full citizenship status for women.
Sam Kandy, born to low prospects in a Ceylon village in 1899, dies a hundred years later as the wealthy headman of the same village - a self-made shipping magnate and the father of sixteen, who's been married three times and widowed twice. Told in four parts, this enthralling novel traces Sam's story from his boyhood - when his parents, convinced by his horoscope that he'd be a blight upon the family, abandoned him at the gates of a distant temple - through to his dramatic escape from the temple, his daring journey across Ceylon to Australia and Singapore, and his bold return to the Ceylon village he once called home. There, he tries to win recognition for his success in the world - at any cost. A novel about family, pride, and ambition set on a gorgeous, troubled island caught between tradition and modernity, Beggar's Feast establishes Boyagoda as a major voice in international literature.
A Fine Balance, Rohinton Mistry’s stunning internationally acclaimed bestseller, is set in mid-1970s India. It tells the story of four unlikely people whose lives come together during a time of political turmoil soon after the government declares a “State of Internal Emergency.” Through days of bleakness and hope, their circumstances – and their fates – become inextricably linked in ways no one could have foreseen. Mistry’s prose is alive with enduring images and a cast of unforgettable characters. Written with compassion, humour, and insight, A Fine Balance is a vivid, richly textured, and powerful novel written by one of the most gifted writers of our time.
This is a rich and comprehensive study of beggars’ culture and the institution of mendicancy in China from late imperial times to the mid-twentieth century, with a glance at the resurgence of beggars in China today. Generously illustrated, the book brings to life the concepts and practices of mendicancy including organized begging, state and society relations as reflected in the issues of poverty, public opinions of beggars and various factors that contribute to almsgiving, the role of gender in begging, and street people and Communist politics. Panoramically, the reader will see that the culture and institution of Chinese mendicancy, which had its origins in earlier centuries, remained remarkably consistent through time and space and that there were perennial and lively interactions between the world of beggars and mainstream society.
Longlisted for the 2011 Scotiabank Giller Prize Critically lauded, The Beggar’s Garden is a brilliantly surefooted, strikingly original collection of nine linked short stories that will delight as well as disturb. The stories follow a diverse group of curiously interrelated characters, from bank manager to crackhead to retired Samaritan to web designer to car thief, as they drift through each other’s lives in Vancouver’s Downtown Eastside. These engrossing stories, free of moral judgment, are about people who are searching in the jagged margins of life—for homes, drugs, love, forgiveness—and collectively they offer a generous and vivid portrait of humanity, not just in Vancouver but in any modern urban centre. The Beggar’s Garden is a powerful and affecting debut. Its individual stories have been anthologized in The Journey Prize Stories and have been nominated for major awards, including a National Magazine Award for fiction. The collection has been longlisted for the Frank O’Connor International Short Story Award.