Being New York Being Irish Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Being New York Being Irish book. This book definitely worth reading, it is an incredibly well-written.
New York University's Glucksman Ireland House opened a quarter-century ago to foster the study of Ireland and Irish America, and since then has led and witnessed tremendous changes in Irish and Irish-American culture. Alice McDermott writes about her son's Irish awakening; Colum McCann's Joycean essay is a brilliant call to action in defence of immigrants and social justice; Colm Tóibín's first visit to New York coincided with the first St Patrick's Day parade led by a woman; Dan Barry reflects on Frank McCourt's Angela's Ashes; and a new poem by Seamus Heaney written not long before his death. Through deeply personal essays that reflect on their own experience, research and art, some of the best-known Irish writers on both sides of the Atlantic commemorate the House's anniversary by examining what has changed, and what has not, in Irish and Irish-American culture, art, identity, and politics since 1993.
The Art of Being Irish in Hell's Kitchen by James F. Olwell Pdf
Amid the turmoil of the 1960s and 1970s—an era that included the Black Civil Rights movement, the war in Vietnam, and the Troubles in Northern Ireland—young Irish Americans in New York began to question what it meant to be Irish in America. Led by Irish revolutionary socialist Brian Heron, these young people discarded outdated stereotypes and created an inclusive space to explore, celebrate, and share their culture. Thus was born An Claidheamh Soluis, the Irish Arts Center, an organization that is still going strong fifty years later. As an early organizer and director of the Irish Arts Center, James F. Olwell recounts how this premier cultural institution came to be. Beginning with his own experiences growing up Irish American in the Bronx, Olwell describes how Irish Americans grew to reclaim their cultural identity and share their art, traditions, and language through the Irish Arts Center. Olwell combines his personal experiences with extensive interviews and broader historical context to bring the story of the 1970s Irish Arts Center to life. Well researched and replete with funny, moving, and thoughtful anecdotes, The Art of Being Irish in Hell’s Kitchen is an essential cultural history of the Irish American community in New York. Pull up a chair and enjoy the tale. All are welcome here.
Irish New York explores the streets, neighborhoods, and legends of the Irish in New York City. Each chapter is filled with photographs, paintings, quotes, and ephemera that illustrate different aspects of Irish life in New York, past and present, covering such topics as the Irish immigration, fraternal groups, the St. Patrick's Day Parade, and Irish pubs and restaurants.The book is the perfect gift book and practical guide for the legions of Irish who live in New York City as well as the thousands of Irish tourists who flock to Irish cultural institutions such as St. Patrick's Cathedral, the Irish Hunger Memorial, and McSorley's Old Ale House (which has never closed, even during Prohibition). A map is provided to help navigate the many places mentioned in the book.
The New York Irish by Ronald H. Bayor,Timothy Meagher Pdf
As one of the country's oldest ethnic groups, the Irish have played a vital part in its history. New York has been both port of entry and home to the Irish for three centuries. This joint project of the Irish Institute and the New York Irish History Roundtable offers a fresh perspective on an immigrant people's encounter with the famed metropolis. 37 illustrations.
The American Irish: A History, is the first concise, general history of its subject in a generation. It provides a long-overdue synthesis of Irish-American history from the beginnings of emigration in the early eighteenth century to the present day. While most previous accounts of the subject have concentrated on the nineteenth century, and especially the period from the famine (1840s) to Irish independence (1920s), The American Irish: A History incorporates the Ulster Protestant emigration of the eighteenth century and is the first book to include extensive coverage of the twentieth century. Drawing on the most innovative scholarship from both sides of the Atlantic in the last generation, the book offers an extended analysis of the conditions in Ireland that led to mass migration and examines the Irish immigrant experience in the United States in terms of arrival and settlement, social mobility and assimilation, labor, race, gender, politics, and nationalism. It is ideal for courses on Irish history, Irish-American history, and the history of American immigration more generally.
They came from the poorest parts of Ireland and Italy, and met as rivals on the sidewalks of New York. In the nineteenth century and for long after, the Irish and Italians fought in the Catholic Church, on the waterfront, at construction sites, and in the streets. Then they made peace through romance, marrying each other on a large scale in the years after World War II.An Unlikely Union unfolds the dramatic story of how two of America's largest ethnic groups learned to love and laugh with each other in the wake of decades of animosity.The vibrant cast of characters features saints such as Mother Frances X. Cabrini, who stood up to the Irish American archbishop of New York when he tried to send her back to Italy, and sinners like Al Capone, who left his Irish wife home the night he shot it out with Brooklyn's Irish mob. Also highlighted are the love affair between radical labor organizers Elizabeth Gurley Flynn and Carlo Tresca; Italian American gangster Paul Kelly's alliance with Tammany's “Big Tim” Sullivan; hero detective Joseph Petrosino's struggle to be accepted in the Irish-run NYPD; and Frank Sinatra's competition with Bing Crosby to be the country's top male vocalist.In this engaging history of the Irish and Italians, veteran New York City journalist and professor Paul Moses offers an archetypal American story. At a time of renewed fear of immigrants, it demonstrates that Americans are able to absorb tremendous social change and conflict—and come out the better for it.
'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.
Described by Padraig Pearse as the “greatest of the Fenians”, John Devoy was born before the Famine and lived to see the Irish tricolour flying from Dublin Castle. The descendent of a rebel family, he was an avowed Fenian who went into exile in New York in 1871. Over the next half-century he was the most-prominent leader of the Irish-American nationalist movement. Every Irish leader from Parnell to Pearse sought his counsel. He organised a dramatic rescue of Fenian prisoners from Australia, rallied Irish America behind the Land War, served as a middle man between the Easter rebels and the German government, and helped move Irish-American opinion in favour of the Treaty. When he died in 1928, Devoy was accorded a state funeral and a hero’s burial in Ireland. This new revised edition of the acclaimed biography of this overlooked architect of the Irish independence movement is also the story of Ireland, and of Irish-America, from the Famine to Freedom, examining the extraordinary cloak-and-dagger planning of the Easter Rising and the critical role of America in its outcome. “The Devoy story, in Terry Golway’s hands, combines wide scholarship and adventure: it reads like a novel. Get a comfortable chair when you read this book: you won’t be able to put it down.” – Frank McCourt “Terry Golway tells the story of this exceptional man with affection and deft narrative sense…this book will charm and enlighten readers.” – Thomas Keneally
Becoming an Irish Traditional Musician by Jessica Cawley Pdf
Coupling the narratives of twenty-two Irish traditional musicians alongside intensive field research, Becoming an Irish Traditional Musician explores the rich and diverse ways traditional musicians hone their craft. It details the educational benefits and challenges associated with each learning practice, outlining the motivations and obstacles learners experience during musical development. By exploring learning from the point of view of the learners themselves, the author provides new insights into modern Irish traditional music culture and how people begin to embody a musical tradition. This book charts the journey of becoming an Irish traditional musician and explores how musicality is learned, developed, and embodied.
We Don't Know Ourselves: A Personal History of Modern Ireland by Fintan O'Toole Pdf
NEW YORK TIMES BESTSELLER NEW YORK TIMES • 10 BEST BOOKS OF THE YEAR NATIONAL BESTSELLER The Atlantic: 10 Best Books of 2022 Best Books of the Year: Washington Post, New Yorker, Salon, Foreign Affairs, New Statesman, Chicago Public Library, Vroman's “[L]ike reading a great tragicomic Irish novel.” —James Wood, The New Yorker “Masterful . . . astonishing.” —Cullen Murphy, The Atlantic "A landmark history . . . Leavened by the brilliance of O'Toole's insights and wit.” —Claire Messud, Harper’s Winner • 2021 An Post Irish Book Award — Nonfiction Book of the Year • from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.
Author : Cian T. McMahon,Kathleen P. Costello-Sullivan Publisher : Taylor & Francis Page : 886 pages File Size : 45,7 Mb Release : 2024-07-23 Category : History ISBN : 9781040047163
The Routledge History of Irish America by Cian T. McMahon,Kathleen P. Costello-Sullivan Pdf
This volume gathers over 40 world-class scholars to explore the dynamics that have shaped the Irish experience in America from the seventeenth to the twenty-first centuries. From the early 1600s to the present, over 10 million Irish people emigrated to various points around the globe. Of them, more than six million settled in what we now call the United States of America. Some were emigrants, some were exiles, and some were refugees—but they all brought with them habits, ideas, and beliefs from Ireland, which played a role in shaping their new home. Organized chronologically, the chapters in this volume offer a cogent blend of historical perspectives from the pens of some of the world’s leading scholars. Each section explores multiple themes including gender, race, identity, class, work, religion, and politics. This book also offers essays that examine the literary and/or artistic production of each era. These studies investigate not only how Irish America saw itself or, in turn, was seen, but also how the historical moment influenced cultural representation. It demonstrates the ways in which Irish Americans have connected with other groups, such as African Americans and Native Americans, and sets “Irish America” in the context of the global Irish diaspora. This book will be of value to undergraduate and graduate students, as well as instructors and scholars interested in American History, Immigration History, Irish Studies, and Ethnic Studies more broadly.
Visions of the Irish Dream by Marguerite Quintelli-Neary Pdf
Visions of the Irish Dream assembles essays that examine the elusive dream of the Irish and Irish Americans, looking at aspirations of 19th-century emigrants to Canada and the United States, political and educational goals of the Irish, historic trauma, contemporary xenophobia, and artists’ renditions of “Irishness.” Whether the dreams are fulfilled or deferred, they all strive to come to terms with what it means to be Irish; sometimes the definition involves bringing a piece of the old country with you, buying facsimiles of “genuine Irish goods,” or redefining self in a way that frees Ireland of the colonial model. This study explores the conflicted and shifting visions of the people who inhabit or have left an isolated island that has moved from a search for independence to integration into a European union. From discussion of the politics of translation in Ferguson and Mangan to the establishment of the National schools, the movement of the Celts from continental Europe as evidenced in Joyce to the translatlantic flight of the Irish to the Americas in a drama by Nicola McCartney, and the re-invention of the feminine force in the writings of novelists Jennifer Johnston and Roddy Doyle to the feminine voice expressed in the work of poet Eiléan NíChuilleanáin, the collection underscores the significance of the dream in Irish history and the arts.
In the newest volume in the award-winning Penguin History of American Life series, James R. Barrett chronicles how a new urban American identity was forged in the streets, saloons, churches, and workplaces of the American city. This process of "Americanization from the bottom up" was deeply shaped, Barrett argues, by the Irish. From Lower Manhattan to the South Side of Chicago to Boston's North End, newer waves of immigrants and African Americans found it nearly impossible to avoid the Irish. While historians have emphasized the role of settlement houses and other mainstream institutions in Americanizing immigrants, Barrett makes the original case that the culture absorbed by newcomers upon reaching American shores had a distinctly Hibernian cast. By 1900, there were more people of Irish descent in New York City than in Dublin; more in the United States than in all of Ireland. But in the late nineteenth century, the sources of immigration began to shift, to southern and eastern Europe and beyond. Whether these newcomers wanted to save their souls, get a drink, find a job, or just take a stroll in the neighborhood, they had to deal with Irish Americans. Barrett reveals how the Irish vacillated between a progressive and idealistic impulse toward their fellow immigrants and a parochial defensiveness stemming from the hostility earlier generations had faced upon their own arrival in America. They imparted racist attitudes toward African Americans; they established ethnic "deadlines" across city neighborhoods; they drove other immigrants from docks, factories, and labor unions. Yet the social teachings of the Catholic Church, a sense of solidarity with the oppressed, and dark memories of poverty and violence in both Ireland and America ushered in a wave of progressive political activism that eventually embraced other immigrants. Drawing on contemporary sociological studies and diaries, newspaper accounts, and Irish American literature, The Irish Way illustrates how the interactions between the Irish and later immigrants on the streets, on the vaudeville stage, in Catholic churches, and in workplaces helped forge a multi-ethnic American identity that has a profound legacy in the USA today.
