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This collection of 140 annotated letters, 74 of which have never been published, documents the subsequent friendship and collaboration shared by Shaw, Webb, and Webb's wife Beatrice, throughout their lives.
Bernard Shaw and H. G. Wells by Bernard Shaw,H. G. Wells Pdf
This volumes comprises the personal correspondence of Shaw and Wells through the course of their friendship of more than forty years, and includes and introductory essay by J. Percy Smith.
Bernard Shaw and H.G. Wells by Bernard Shaw,Herbert George Wells Pdf
The second volume in the series of Shaw's correspondence contains 152 letters between him and fellow Victorian British writer and Fabian Club member Wells, exchanged between 1901 and 1946. Most of them are by Shaw and most previously unpublished. They encourage, advise, bully, and sometimes insult each other over literature, drama, sex, education, Russia, wives, and a wide range of other topics. An afterword provides their published views of each other. Notes clarify names and events mentioned, and sometimes contextualize the letters. Annotation copyright by Book News, Inc., Portland, OR
Constructions of 'the Jew' in English Literature and Society by Bryan Cheyette Pdf
Combining cultural theory, discourse analysis and new historicism with readings of the works of major contemporary authors, this study concludes that "the Jew" is characterized unstereotypically as the embodiment of uncertainty within English literature and society.
George Bernard Shaw (1856-1950). Irish playwright. Recognised as one of the wittiest, most provocative, prolific writers of his age. Writings include: Man and Superman, Pygmalion, Major Barbara. Volume covers the period 1892-1951.
George Bernard Shaw: Lectures & Essays by George Bernard Shaw Pdf
George Bernard Shaw (1856 – 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his own play). This edition includes: Quintessence of Ibsenism (1891) The Impossibilities Of Anarchism (1895) The Perfect Wagnerite, Commentary on the Niblung's Ring (1898) The Revolutionist's Handbook And Pocket Companion (1903) Maxims For Revolutionists (1903) First Aid to Critics: Preface to Major Barbara (1905) On Doctors: Preface to The Doctor's Dilemma (1906) The New Theology (1907) On Marriage: Preface to Getting Married How to Write A Popular Play: An Essay (1909) A Treatise on Parents and Children: An Essay (1910) On the Prospects of Christianity: Preface to Androcles and the Lion (1912) What do Men of Letters Say?: The New York Times Articles on War (1915) "Common Sense About the War" "Bennett States the German Case" Open Letter to President Wilson Memories of Oscar Wilde (1916) On Darwinism and Evolution: Preface to Back to Methuselah (1921) A Letter and A Speech by Bernard Shaw: Letter to Beatrice Webb (1898) On Socialism: A Speech (1885) George Bernard Shaw: A Biography By G. K. Chesterton The Quintessence of Shaw By James Huneker Old and New Masters: Bernard Shaw By Robert Lynd George Bernard Shaw: A Poem by Oliver Herford
Stalin-Wells Talk : The Verbatim Record and a Discussion by G. Bernard Shaw, H.G. Wells, J.M. Keynes, Ernest Toller and Others..., London, 1934 by Dan H. Laurence Collection Pdf
A paradoxical portrayal of an international literary phenomenon, whose audience included both Roosevelt and Stalin, shows that H. G. Wells was a misogynist champion for women's rights and a liberally tolerant anti-Semite.
Shaw's speculations about human destiny align him with many other writers of the time, and later, who forged a new genre of literature that ultimately took the name in 1928 of "science fiction." Ray Bradbury affirms Greg Bear's statement about the little-known, but significant, relationship that Bernard Shaw has with science fiction. Bradbury, who frequently emphasizes Shaw's influence on his own work, asks, "Isn't it obvious at last: Those that do not live in the future will be trapped and die in the past?" Susan Stone-Blackburn, comparing Shaw's Back to Methuselah with Olaf Stapledon's Last and First Men, discusses why science-fiction scholars have been reluctant to acknowledge Shaw's role in the genre. Tom Shippey examines aspects of Shaw's theory of Creative Evolution to show why many have dismissed Shaw's science fiction as insufficiently scientific. Surveying the science-fiction milieu, Ben P. Indick shows that while Shaw was not interested in writing science fiction per se, he knew the genre and how to use it. Jeffrey M. Wallmann chronicles the science-fiction techniques that Shaw foreshadowed. Rodelle Weintraub analyzes dream-related elements of the fantastic that Shaw frequently employed in his drama. John Barnes focuses on Shaw's "radical superman," a stock-in-trade of science fiction. Like H. G. Wells, Shaw understood that human intervention was becoming the dominant mechanism of evolution and that new approaches to theatrical drama would be required to convey the social and political impact of the scientific revolution. Elwira M. Grossman compares similar dilemmas facing Shaw and the Polish dramatist Witkacy. J. L. Wisenthal examines the utopian tradition that underlay the English literary experience, and Julie A. Sparks contrasts Karel Capek's anti-utopian concepts with Shaw's utopian vision. Also included is an 1887 lecture by Shaw entitled "Utopias," published here for the first time. Several of the contributors emphasize the significant influence that Shaw had on major science-fiction writers. Elizabeth Anne Hull explores Shaw's affinities with Arthur C. Clarke, John R. Pfeiffer discusses the many connections between Shaw and Ray Bradbury, and George Slusser explores Shaw and Robert A. Heinlein's "recurrent fascination with the possibilities of life extension." Like his friend Einstein, Shaw knew that imagination is more important than knowledge. Peter Gahan's article demonstrates that Shaw's ambition was to engage the reader's imagination, the only "sufficient backdrop for his vision." Also included are reviews of recent additions to Shavian scholarship, including the Shaw/Wells correspondence, and John R. Pfeiffer's "Continuing Checklist of Shaviana."
Mary Astor's Purple Diary: The Great American Sex Scandal of 1936 by Edward Sorel Pdf
In a hilarious send-up of sex, scandal, and the Golden Age of Hollywood, legendary cartoonist Edward Sorel brings us a story (literally) ripped from the headlines of a bygone era. In 1965, a young, up-and-coming illustrator by the name of Edward Sorel was living in a $97-a-month railroad flat on Manhattan’s Upper East Side. Resolved to fix up the place, Sorel began pulling up the linoleum on his kitchen floor, tearing away layer after layer until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood and starring the actress Mary Astor. Sorel forgot about his kitchen and lost himself in the story that had pushed Hitler and Franco off the front pages. At the time of the trial, Mary Astor was still only a supporting player in movies, but enough of a star to make headlines when it came out that George S. Kaufman, then the most successful playwright on Broadway and a married man to boot, had been her lover. The scandal revolved around Mary’s diary, which her ex-husband, Dr. Franklyn Thorpe, had found when they were still together. Its incriminating contents had forced Mary to give up custody of their daughter in order to obtain a divorce. By 1936 she had decided to challenge the arrangement, even though Thorpe planned to use the diary to prove she was an unfit mother. Mary, he claimed, had not only kept a tally of all her extramarital affairs but graded them—and he’d already alerted the press. Enraptured by this sensational case and the actress at the heart of it, Sorel began a life-long obsession that now reaches its apex. Featuring over sixty original illustrations, Mary Astor's Purple Diary narrates and illustrates the travails of the Oscar-winning actress alongside Sorel’s own personal story of discovering an unlikely muse. Throughout, we get his wry take on all the juicy details of this particular slice of Hollywood Babylon, including Mary's life as a child star—her career in silent films began at age fourteen—presided over by her tyrannical father, Otto, who "managed" her full-time and treated his daughter like an ATM machine. Sorel also animates her teenage love affair with probably the biggest star of the silent era, the much older John Barrymore, who seduced her on the set of a movie and convinced her parents to allow her to be alone with him for private "acting lessons." Sorel imbues Mary Astor's life with the kind of wit and eye for character that his art is famous for, but here he also emerges as a writer, creating a compassionate character study of Astor, a woman who ultimately achieved a life of independence after spending so much of it bullied by others. Featuring ribald and rapturous art throughout, Mary Astor's Purple Diary is a passion project that becomes the masterpiece of one of America’s greatest illustrators.
A.M. Gibbs provides an authoritative and comprehensive account of the life, career and associations of George Bernard Shaw (1856-1950), one of the most eminent and influential literary figures of the modern age. Drawing on a wide range of published and unpublished material, this work illuminates the complex fabric of Shaw's extraordinary career as playwright, novelist, critic, orator, political activist, social commentator, avant-garde thinker and controversialist. Images of Shaw's daily private life, and of his tangled love affairs, flirtations and friendships, are intertwined with the records of his prodigiously productive career as public figure and creative writer, in a fully documented study which is both a scholarly resource and a lively biographical portrait. An introductory chapter explores theoretical issues in biography raised by the chronology form; and a chapter on Shaw's ancestry and family supplies new evidence about his Irish background. A Who's Who section contains thumbnail sketches of over two hundred contemporaries of Shaw who had significant associations with him.
The Bishop of Princhester has come to doubt the Trinity, as well as a number of other things relating to the Creed. Not only this, but he has come to realise that there are others within the church with doubts—some who even doubt the existence of God. Although the Bishop believes fervently in God, his disagreements with the dogma, creating an inner turmoil that throws his life into chaos. Herbert George Wells (1866 – 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as “The Time Machine” (1895), “The Invisible Man” (1897), and “The War of the Worlds” (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author. This book was first published in 1923.
A fascinating journey into the life of H.G. Wells, from one of Britain's best biographers How did the first forty years of H. G. Wells' life shape the father of science fiction? From his impoverished childhood in a working-class English family, to his determination to educate himself at any cost, to the serious ill health that dominated his twenties and thirties, his complicated marriages, and love affair with socialism, the first forty years of H. G. Wells' extraordinary life would set him on a path to become one of the world's most influential writers. The sudden success of The Time Machine and The War of The Worlds transformed his life and catapulted him to international fame; he became the writer who most inspired Orwell and countless others, and predicted men walking on the moon seventy years before it happened. In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other, driven by curiosity and desiring reform, a socialist and a futurist whose new and imaginative worlds continue to inspire today. 'The finest of biographers' Hilary Mantel 'A most intelligent and sympathetic biographer' Daily Telegraph 'One of the best biographers of her generation' Guardian
Bernard Shaw and Beatrice Webb on Poverty and Equality in the Modern World, 1905–1914 by Peter Gahan Pdf
This book investigates how, alongside Beatrice Webb’s ground-breaking pre-World War One anti-poverty campaigns, George Bernard Shaw helped launch the public debate about the relationship between equality, redistribution and democracy in a developed economy. The ten years following his great 1905 play on poverty Major Barbara present a puzzle to Shaw scholars, who have hitherto failed to appreciate both the centrality of the idea of equality in major plays like Getting Married, Misalliance, and Pygmalion, and to understand that his major political work, 1928’s The Intelligent Woman’s Guide to Socialism and Capitalism had its roots in this period before the Great War. As both the era’s leading dramatist and leader of the Fabian Society, Shaw proposed his radical postulate of equal incomes as a solution to those twin scourges of a modern industrial society: poverty and inequality. Set against the backdrop of Beatrice Webb’s famous Minority Report of the Royal Commission on the Poor Law 1905-1909 – a publication which led to grass-roots campaigns against destitution and eventually the Welfare State – this book considers how Shaw worked with Fabian colleagues, Sidney and Beatrice Webb, and H. G. Wells to explore through a series of major lectures, prefaces and plays, the social, economic, political, and even religious implications of human equality as the basis for modern democracy.