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Berserk Style in American Culture by K. Farrell Pdf
Focusing on post-Vietnam America, using perspectives from psychology, anthropology, and physiology, this book demonstrates the need for criticism to unpack the confusions in language and cultural fantasy that drive the nation's fascination with the berserk style.
When behavior becomes a cultural style, berserk abandon is terrifying yet also alluring. It promises access to extraordinary resources by overthrowing inhibitions. Berserk style has shaped many areas of contemporary American culture, from warfare to politics and intimate life. Focusing on post-Vietnam America and using perspectives from psychology, anthropology, and physiology, Farrell demonstrates the need to unpack the confusions in language and cultural fantasy that drive the nation's fascination with berserk style.
Author : Murray Pomerance Publisher : State University of New York Press Page : 376 pages File Size : 44,6 Mb Release : 2012-02-01 Category : Social Science ISBN : 9780791485811
Violence and corruption sell big, especially since the birth of action cinema, but even from cinema's earliest days, the public has been delighted to be stunned by screen representations of negativity in all its forms—evil, monstrosity, corruption, ugliness, villainy, and darkness. Bad examines the long line of thieves, rapists, varmints, codgers, dodgers, manipulators, exploiters, conmen, killers, vamps, liars, demons, cold-blooded megalomaniacs, and warmhearted flakes that populate cinematic narrative. From Nosferatu to The Talented Mr. Ripley, the contributors consider a wide range of genres and use a variety of critical approaches to examine evil, villainy, and immorality in twentieth-century film.
When behavior becomes a cultural style, berserk abandon is terrifying yet also alluring. It promises access to extraordinary resources by overthrowing inhibitions. Berserk style has shaped many areas of contemporary American culture, from warfare to politics and intimate life. Focusing on post-Vietnam America and using perspectives from psychology, anthropology, and physiology, Farrell demonstrates the need to unpack the confusions in language and cultural fantasy that drive the nation’s fascination with berserk style. “This book amazes me with its audacity, its clarity, and its scope. We usually think of ‘berserk’ behaviors—from apocalyptic rampage killings to ecstatic revels like Burning Man—as extremes of experience, outside ordinary lives. With rich evidence and fascinating detail, Farrell shows how contemporary culture has re-framed many varieties of the berserk into self-conscious strategies of sense-making and control. Beyond real but remote actions of the intoxicated or deranged, ‘berserk style’ has become a common lens for organizing modern experience and an often-troubling resource for mobilizing and rationalizing cultural and political action. This landmark analysis both enlightens and empowers us.” —Les Gasser, Professor of Information and Computer Science, University of Illinois, Urbana-Champaign “Drawing from a storehouse of cinema, news stories, ads, cartoons, literature, and lyrics from the post-Vietnam era, Farrell has painted a masterful, disturbing portrait of the American subconscious.” —James Aho, author of Sociological Trespasses “Farrell has undertaken yet another fascinating journey. He explores phenomena such as Columbine, Mike Tyson, ‘Going Postal,’ and Wall Street excesses to reveal an underlying style of thinking that is pervasive in American culture. As always, he is a provocative and highly readable cultural critic.” —Don Dutton, Professor of Psychology, University of British Columbia
Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation—and American manhood—is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early–to–mid 1970s, the mid–to–late 1990s, and the mid–to–late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America’s most valuable citizens—and its noblest victims.
Native Americans on Network TV by Michael Ray FitzGerald Pdf
The American Indian has figured prominently in many films and television shows, portrayed variously as a villain, subservient friend, or a hapless victim of progress. Many Indian stereotypes that were derived from European colonial discourse—some hundreds of years old—still exist in the media today. Even when set in the contemporary era, novels, films, and programs tend to purvey rehashed tropes such as Pocahontas or man Friday. In Native Americans on Network TV: Stereotypes, Myths, and the “Good Indian,” Michael Ray FitzGerald argues that the colonial power of the U.S. is clearly evident in network television’s portrayals of Native Americans. FitzGerald contends that these representations fit neatly into existing conceptions of colonial discourse and that their messages about the “Good Indian” have become part of viewers’ understandings of Native Americans. In this study, FitzGerald offers close examinations of such series as The Lone Ranger, Daniel Boone, Broken Arrow, Hawk, Nakia, and Walker, Texas Ranger. By examining the traditional role of stereotypes and their functions in the rhetoric of colonialism, the volume ultimately offers a critical analysis of images of the “Good Indian”—minority figures that enforce the dominant group’s norms. A long overdue discussion of this issue, Native Americans on Network TV will be of interest to scholars of television and media studies, but also those of Native American studies, subaltern studies, and media history.
Themes of faith and religion have been threaded through popular representations of the zombie so often that they now seem inextricably linked. Whether as mindless servants to a Vodou Bokor or as evidence of the impending apocalypse, the ravenous undead have long captured something of society's relationships with spirituality, religion and belief. By the start of the 21st century, religious beliefs are as varied as the many manifestations of the zombie itself, and both themes intersect with various ideological, environmental and even post-human concerns. This book surveys the various modern religious associations in zombie media. Some characters believe that the undead are part of God's plan, others theorize that the environment might be saving itself or that zombies might be predicting life and hybridity beyond human existence. Timely and important, this work is a meditation on how faith might not just be a forerunner to the apocalypse, but the catalyst to new kinds of life beyond it.
Author : Steven L. Arxer,John W. Murphy Publisher : Springer Science & Business Media Page : 174 pages File Size : 44,8 Mb Release : 2012-09-14 Category : Family & Relationships ISBN : 9781461445081
The Symbolism of Globalization, Development, and Aging by Steven L. Arxer,John W. Murphy Pdf
This book looks at the symbolic side of globalization, development, and aging. Many of the dimensions that are discussed represent updates of past debates but some are entirely new. In particular, globalization is accompanied by subtle social imagery that profoundly shapes the way institutions and identities are imagined. The process of aging and persons sense of identity is no exception. The underlying assumptions that pervade globalization inform how critical dimensions of aging are discussed and institutionalized. The application of marketplace imagery, for example, may impact attempts for holism in how aging is studied and the prospects for human agency during the aging process. This book offers a special look into how temporality, technology, normativity, and empiricism structure the symbolic side of globalization and influence dominant images of the aging process. Current debates about globalization and aging are expanded by helping readers see the social imagery that is both subtly behind globalization and at the forefront of shaping the aging experience.
Death in Classic and Contemporary Film by D. Sullivan,J. Greenberg Pdf
Mortality is a recurrent theme in films across genres, periods, nations, and directors. This book brings together an accomplished set of authors with backgrounds in film analysis, psychology, and philosophy to examine how the knowledge of death, the fear of our mortality, and the ways people cope with mortality are represented in cinema.
"Arnold: Schwarzenegger and the Movies" is the first comprehensive, in-depth book to examine one of modern cinema's most celebrated and divisive screen presences. Tracing Schwarzenegger's entire film career and life from teenage bodybuilder to Governor of California, Saunders blends close textual readings of the major films, including "Pumping Iron", "Conan the Barbarian", The "Terminator" series, "Twins" and "True Lies", with salient historical context and biographical detail, demonstrating continually the importance of broader social and political factors in defining Arnold's unique significance. Representing far more than just a muscular spectacle, Saunders argues, Schwarzenegger found powerful ideological and spiritual relevance to his age by embarking on a quest to restore collective faith in his adopted nation - and, moreover, by exploiting his own, mythic importance to a post-war America struggling to come to terms with its own contemporary narrative.
For critics, fans, and scholars of drama and film, the laugh has traditionally been tied to comedy, indicating and expressing mirth, witty relief, joyous celebration, or arch and sarcastic parody. But strange, dark laughter that illuminates non-comedic, unfunny situations gets much less attention. In The Last Laugh: Strange Humors of Cinema, editor Murray Pomerance has assembled contributions from thirteen estimable scholars that address the strange laughter of cinema from varying intellectual perspectives and a wide range of sources. Contributors consider unusual humors in a variety of filmic settings, from the chilling unheard laughter of silent cinema to the ribald and mortal laughter in the work of Orson Welles; the vagaries and nuances of laughter in film noir to the eccentric laughter of science fiction. Essays also look at laughter in many different applications, from the subtle, underlying wit of the thriller Don't Look Now to the deeply provocative humor of experimental film and the unpredictable, shadowy, insightful, and stunning laughter in such films as Black Swan, Henry Fool, The Treasure of the Sierra Madre, Kiss of Death, The Dark Knight, and A.I. Artificial Intelligence. The accessibly written, unique essays in The Last Laugh bring a new understanding to the delicate balance, unsettled tensions, and fragility of human affairs depicted by strange humor in film. For scholars of film and readers who love cinema, these essays will be rich and playful inspiration.
Thinking about Psychopaths and Psychopathy by Ellsworth A. Fersch,Ellsworth Lapham Fersch Pdf
This volume provides a clear and compelling introduction to a most significant topic. Compiled by members of a Harvard seminar, it directs attention to issues raised by the general public and by students of social science and criminal justice. The frequently asked questions address: psychopaths and psychopathy, sociopathy, and antisocial personality disorder; psychological, biological, gender-related, and other theories of causation; psychological and other treatments and their use and effectiveness; media portrayals of and legal responses to psychopaths. The case examples include: conventional criminals, thieves, killers, a head of state, a member of organized crime, a former college research subject, and characters in works of fiction and of nonfiction; nonconventional white-collar corporate executives, authors, a professor, a politician, an imposter, the corporation, a video game, and cults and their leaders. The extensive bibliography directs students and the public interested in further material to the important world where psychology and law, morality, and public policy interact. This brief and readable book is the first place to look for what most people want to know about psychopaths and psychopathy.
Refiguring Oscar Wilde’s Salome by Michael Y. Bennett Pdf
While Oscar Wilde’s delightfully-witty comedies of manners receive the most fanfare from the general public and much of academia, Wilde’s most “serious” play—Salome—rightfully deserves an equal amount of attention. Written by emerging scholars, established scholars, and notable Wilde scholars at the top of the field, the far-ranging essays in this book—the first collection solely on Wilde’s Salome—provide new readings of the play, allowing us to better assess how and why Salome either fits or does not fit into Wilde’s oeuvre. Framed in a new light in this collection, this fuller understanding of Salome should potentially change the way we read both Salome and Wilde’s entire oeuvre.
Trauma has become a hotly contested topic in literary studies. But interest in trauma is not new; its roots extend to the Romantic period, when novelists and the first psychiatrists influenced each others' investigations of the »wounded mind«. This book looks back to these early attempts to understand trauma, reading a selection of Romantic novels in dialogue with Romantic and contemporary psychiatry. It then carries that dialogue forward to postmodern fiction, examining further how empirical approaches can deepen our theorizations of trauma. Within an interdisciplinary framework, this study reveals fresh insights into the poetics, politics, and ethics of trauma fiction.
Family Violence and Nursing Practice, Second Edition by Janice Humphreys, PhD, RN, CS, NP,Jacquelyn C. Campbell, PhD, RN, FAAN Pdf
Nurses too often encounter battered women, abused children, and other victims of family violence in hospital and emergency room settings. Nurses therefore have a unique and important role to play in the prevention, identification, and mitigation of violence. This newly revised second edition is a landmark resource that provides comprehensive, nursing-focused coverage of intimate partner violence (IPV), child abuse, and more. This textbook provides a detailed overview of all types of family and other violence, including IPV, same-sex IPV, abuse during pregnancy, intimate partner homicide, stalking, violence against women with disabilities, dating violence, child abuse, children witnessing violence, sexual assault of both children and adults, and elder abuse. The book offers both graduate and undergraduate nursing students a clear view of the essential theories, interventions, and issues surrounding nursing and family violence-presenting an approach that empowers nurses to contribute to the prevention of this worldwide health problem. Special Features: Chapters on legal and forensic issues address the nurse's role and responsibilities when confronting family violence In-depth attention to cultural issues promote culturally relevant practice Abundant diagrams and tables offer quick access to essential standards for care Practice assessment forms and model interventions give practical strategies for addressing family violence A new chapter describes international work in family violence
