Between Piety And Desire Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Between Piety And Desire book. This book definitely worth reading, it is an incredibly well-written.
New Orleans (La.). Board of Commissioners of the McDonogh School Fund
Author : New Orleans (La.). Board of Commissioners of the McDonogh School Fund Publisher : Unknown Page : 130 pages File Size : 42,7 Mb Release : 1898 Category : New Orleans (La.) ISBN : NYPL:33433014832467
Reports of the Boards of Commissioners of McDonogh School Fund, Fink Asylum Fund, Touro Almshouse Fund, Sickles Legacy Fund, from January 1st, 1892, to December 31st, 1895 by New Orleans (La.). Board of Commissioners of the McDonogh School Fund Pdf
Between Piety and Desire by Arlet Wylie,Sam Wylie Pdf
Brother and sister Arlet and Sam Wylie talk about their regular and irregular life living above a neighbourhood store. They remember a childhood of parents keeping them inside to avoid the struggles of the neighbourhood around them. They interview the people who hang out on the block, weaving the history of the street through their own history living upstairs. Unusually candid and self-reflective, the Wylies detail their |inside life,| including Sam's new fatherhood and Arlet's new home.
Described in an 1835 bill of sale as une belle maison, the Lombard plantation house is a rare survivor. Built in the early nineteenth century as a West Indian-style residence, it was the focal point of a large plantation that stretched deep into the cypress swamps of what is now New Orleans's Bywater neighborhood. Featuring the best Norman trussing in North America, it was one of many plantations homes and grand residences that lined the Mississippi downriver from the French Quarter. A working farm until the 1800s, its lands were eventually absorbed into the expanding city. After years of prosperity, the entire area of the Ninth Ward, now known as Bywater, sank into poverty and neglect. This is the story of the rise, fall, and eventual resurrection of one of America's finest extant examples of West Indian Creole architecture and of the entire neighborhood of which it is an anchor. Through meticulous study of archives and archeology, the author presents fascinating insights on how residents of this working plantation actually lived. With concrete evidence, the author covers everything from cooking and cuisine to laundering and gardening. It is a story about buildings but also about people. Because pre-Civil War US censuses never listed more than five enslaved persons, all of whom worked in the house, the plantation appears to have depended mainly on hired labor, both African American and Irish. Eventually these groups came to populate the new neighborhood, along with immigrants from Germany, and then by new migrants from the countryside. This book brings together artist John James Audubon; architect of the U.S. capital, Benjamin Henry Latrobe; Lee Harvey Oswald; and Fats Domino in an engrossing story, linking these and other colorful figures to the history of a beautiful, historic home in New Orleans. Profusely illustrated with heretofore unidentified historic photographs and plans, and with color images by master architectural photographer Robert S. Brantley, this book will equally interest inquisitive tourists and long-term residents of the Gulf South, historic preservationists, and urbanists in search of insights on successful redevelopment, architecture and history buffs, and enthusiasts of one of America's most beloved and storied cities.
This original new work is the fascinating result of sociologist and documentary filmmaker Agnès De Féo’s ten-year exploration of the phenomenon of niqab wearing. It is at once a groundbreaking study and a series of compelling first-person accounts from French and Francophone women who wear or have worn the niqab in France’s Salafi communities. With the backdrop of the French government’s 2010 ban on full facial veiling in public spaces, which itself has shaped the phenomenon, De Féo draws on her subjects’ own words to show their agency, working against the clichés that often underlie public views of the niqab—that it is purely the result of masculine pressure, for example, or extreme religiosity or nationalism, or the submissive desire to disappear. Instead, she shows, the niqab is multivalent: women wear it for reasons that range from religious piety to the desire to rebel against mainstream society, family, or the rule of law. The reasons are complex, overdetermined, contradictory, or even inconsistent, but they are the women’s own. Despite being worn only by a small minority of Muslim women, the Islamic garment has nonetheless been a major source of intense political, religious, and cultural debate in France. Searching to understand, rather than speculate, De Féo chose to approach the people who wear the niqab, and to make them, rather the veil itself, the subject of her research. Her unprecedented study, based on more than 200 interviews, reveals the many factors—social, political, geopolitical, and psychological—underpinning a personal choice that is not always as religious as it seems. The book ends with sixteen captivating interviews giving voice to stories rarely heard. With finesse and discernment, the author debunks the myths surrounding the wearing of the niqab, and sheds light on a practice subject to misunderstanding and prejudice, offering the reader unique insight. Challenging our preconceived notions and stereotypes about women who wear any form of Islamic apparel, but particularly the niqab, The Niqab in France introduces a group of women each with her own life story, her own share of personal struggles, aspirations, and desires, and her own claim to a certain place in society. This work received support for excellence in publication and translation from Albertine Translation, a program created by Villa Albertine.
Abraham Heschel and the Phenomenon of Piety by Joseph Harp Britton Pdf
Piety is often regarded with a pejorative bias: a "pious" person is thought to be overly religious, supercilious even. Yet historically the concept of piety has played an important role in Christian theology and practice. For Abraham Heschel, piety describes the contours of a life compatible with God's presence. While much has been made of Heschel's concept of pathos, relatively little attention has been given to the pivotal role of piety in his thought, with the result that the larger methodological implications of his work for both Jewish and Christian theology have been overlooked. Grounding Heschel's work in Husserl, Dilthey, Schiller and Heidegger, the book explores his phenomenological method of "penetrating the consciousness of the pious person in order to perceive the divine reality behind it." The book goes on to consider the significance of Heschel's methodology in view of the theocentric ethics of Gustafson and Hauerwas and the post-modern context reflected in the works of Levinas, Vattimo, Marion and the Radical Orthodoxy movement.
Historians have painted a picture of nineteenth-century Baptists huddled in clapboard meetinghouses preaching sermons and singing hymns, seemingly unaware of the wider world. According to this view, Baptists were "so heavenly-minded, they were of no earthly good." Overlooked are the illustrative stories of Baptists fighting poverty, promoting abolition, petitioning Congress, and debating tax policy. Politics and Piety is a careful look at antebellum Baptist life. It is seen in figures such as John Broadus, whose first sermon promoted temperance, David Barrow, who formed an anti-slavery association in Kentucky, and in a Savannah church that started a ministry to the homeless. Not only did Baptists promote piety for the good of their churches, but they did so for the betterment of society at large. Though they aimed to change America one soul at a time, that is only part of the story. They also engaged the political arena, forcefully and directly. Simply put, Baptists were social reformers. Relying on the ideas of rank-and-file Baptists found in the minutes of local churches and associations, as well as the popular, parochial newspapers of the day, Politics and Piety uncovers a theologically minded and controversial movement to improve the nation. Understanding where these Baptists united and divided is a key to unlocking the differences in evangelical political engagement today.
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
