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In the late spring of 2008 the acclaimed Irish writer Nuala O' Faolain went on a national Irish radio programme to tell the Irish people that she was dying of cancer. She was frightened of death and of the short time left to her. Here was a spokesperson for a generation which now conjured up an abyss for itself, reviewing a culture she had inhabited and helped to create one last time. She believed neither in an afterlife nor in God. With Nuala O' Faolain's broadcast as his point of departure, Waters examines this trajectory of Irish Culture to this point of despair. How reasonable is it to believe in nothing? He explores a new language to excavate the journey of Irish society from what appeared to be profound in its traditional faith to this moment of what might easily have been taken as a moment of nihilistic clarity. What modern men and women suffer from in modern culture is the lack of an idea of the infinite and the eternal.
Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker.
In the late spring of 2008 the acclaimed Irish writer Nuala O' Faolain went on a national Irish radio programme to tell the Irish people that she was dying of cancer. She was frightened of death and of the short time left to her. Here was a spokesperson for a generation which now conjured up an abyss for itself, reviewing a culture she had inhabited and helped to create one last time. She believed neither in an afterlife nor in God. With Nuala O' Faolain's broadcast as his point of departure, Waters examines this trajectory of Irish Culture to this point of despair. How reasonable is it to believe in nothing? He explores a new language to excavate the journey of Irish society from what appeared to be profound in its traditional faith to this moment of what might easily have been taken as a moment of nihilistic clarity. What modern men and women suffer from in modern culture is the lack of an idea of the infinite and the eternal.
For most of us, mourning is something to be endured. We are often merely passive spectators of our own pain, and we see our grief period as a grim mountain that we must climb over. But Maurice Lamm tells us it can be much more. Bereavement, he says, can often be an enriching experience, even as it is a sorrowful and often tragic one. Our faith in a higher power can move us to not only live through the present but also to stride into the future with renewed energy and a revitalized outlook on life. In this, his sequel to the best-selling The Jewish Way in Death and Mourning (over 350,000 copies sold), Rabbi Lamm helps mourners not just get through their grief, but also grow through it. He gently steers mourners on the path that allows their sorrow to teach them important lessons about life. And he shows consolers how to listen and speak with their hearts so that they can provide real comfort to others. His marvelous insights on the days of shiva, the year of kaddish, and the lovingkindness of others reveal the richness and true purpose of Jewish mourning rituals and customs. They prepare us to receive consolation and ready us for the journey that will take us beyond grief. His "Words for a Loss When at a Loss for Words" is a treasury of readings for finding and giving comfort by transforming the spiritual ideas of an ancient faith into contemporary language. Here there are stories and fables that illuminate our complicated lives, meditations from the depths of human experience, and a gallery of unforgettable images that speak to our souls during times of loss. Rabbi Lamm's words will help all who walk the path of grief to find their way to consolation--and then beyond, to an appreciation of the blessings and opportunities that present themselves to us when we confront loss. And they can even take us further, to discover the celebrated Jewish art--of wringing blessing out of tragedy.
Timely and profound philosophical meditations on how great figures in history, literature, music, and art searched for solace while facing tragedies and crises, from the internationally renowned historian of ideas and Booker Prize finalist Michael Ignatieff When we lose someone we love, when we suffer loss or defeat, when catastrophe strikes—war, famine, pandemic—we go in search of consolation. Once the province of priests and philosophers, the language of consolation has largely vanished from our modern vocabulary, and the places where it was offered, houses of religion, are often empty. Rejecting the solace of ancient religious texts, humanity since the sixteenth century has increasingly placed its faith in science, ideology, and the therapeutic. How do we console each other and ourselves in an age of unbelief? In a series of lapidary meditations on writers, artists, musicians, and their works—from the books of Job and Psalms to Albert Camus, Anna Akhmatova, and Primo Levi—esteemed writer and historian Michael Ignatieff shows how men and women in extremity have looked to each other across time to recover hope and resilience. Recreating the moments when great figures found the courage to confront their fate and the determination to continue unafraid, On Consolation takes those stories into the present, movingly contending that we can revive these traditions of consolation to meet the anguish and uncertainties of our precarious twenty-first century.
For those who don’t believe in an afterlife, the wisdom of the ages offers four great consolations for mortality: that death is benign and good; that mortal life provides its own kind of immortality; that true immortality would be awful; and that we experience the kinds of losses in life that we will eventually face in death. Can any of these consolations honestly reconcile us to our inevitable demise? In this timely book, Andrew Stark tests the psychological truth of these consolations and searches our collective literary, philosophical, and cultural traditions for answers to the question of how we, in the twenty-first century, might accept our mortal condition. Ranging from Epicurus and Heidegger to bucket lists, the flaming out of rock stars, and the retiring of sports jerseys, Stark’s poignant and learned exploration shows how these consolations, taken together, reveal death as a blessing no matter how much we may love life.
Author : Julius Wilhelm Albert von Eckardt Publisher : London : Longman's, Green Page : 492 pages File Size : 40,9 Mb Release : 1880 Category : Education ISBN : STANFORD:36105041447116
NOW A MAJOR MOTION PICTURE A true story of death, grief and the law from the 2019 winner of the Australia Council Award for Lifetime Achievement in Literature. In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests-most of them university students-had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care. It is a masterwork from one of Australia's greatest writers. Winner of the Ned Kelly Award for Best True Crime 2005 Winner of the ABIA Book of the Year 2004 PRAISE FOR JOE CINQUE'S CONSOLATION "Garner's book is a writer's profound response to a tragedy and to questions about human responsibility over time as well as at precise moments" The Age "This is a work of great passion and of countervailing humanity - a book of witness..." Australian Book Review
Love and Other Consolation Prizes by Jamie Ford Pdf
From the bestselling author of Hotel on the Corner of Bitter and Sweet comes a powerful novel, inspired by a true story, about a boy whose life is transformed at Seattle’s epic 1909 World’s Fair. “An evocative, heartfelt, beautifully crafted story that shines a light on a fascinating, tragic bit of forgotten history.”—Kristin Hannah, author of The Nightingale For twelve-year-old Ernest Young, a charity student at a boarding school, the chance to go to the World’s Fair feels like a gift. But only once he’s there, amid the exotic exhibits, fireworks, and Ferris wheels, does he discover that he is the one who is actually the prize. The half-Chinese orphan is astounded to learn he will be raffled off—a healthy boy “to a good home.” The winning ticket belongs to the flamboyant madam of a high-class brothel, famous for educating her girls. There, Ernest becomes the new houseboy and befriends Maisie, the madam’s precocious daughter, and a bold scullery maid named Fahn. Their friendship and affection form the first real family Ernest has ever known—and against all odds, this new sporting life gives him the sense of home he’s always desired. But as the grande dame succumbs to an occupational hazard and their world of finery begins to crumble, all three must grapple with hope, ambition, and first love. Fifty years later, in the shadow of Seattle’s second World’s Fair, Ernest struggles to help his ailing wife reconcile who she once was with who she wanted to be, while trying to keep family secrets hidden from their grown-up daughters. Against a rich backdrop of post-Victorian vice, suffrage, and celebration, Love and Other Consolations is an enchanting tale about innocence and devotion—in a world where everything, and everyone, is for sale. Praise for Love and Other Consolation Prizes “Exciting . . . [Jamie] Ford captures the thrill of first kisses and the shock of revealing long-hidden affairs.”—Kirkus Reviews “Strong . . . A laudable effort that shines light on little known histories.”—Library Journal “Poignant . . . Vibrantly rendered.”—Booklist “Combining rich narrative and literary qualities, the book achieves a multi-faceted emotional resonance. It is by turns heart-rending, tragic, disturbing, sanguine, warm, and life-affirming. Perceptive themes that run throughout culminate at the end. A true story from the 1909 Alaska-Yukon-Pacific Exposition inspired this very absorbing and moving novel. Highly recommended.”—Historical Novel Society (Editors’ choice) “Ford is a master at shining light into dark, forgotten corners of history and revealing the most unexpected and relatable human threads. . . . A beautiful and enthralling story of resilience and the many permutations of love.”—Jessica Shattuck, author of The Women in the Castle “All the charm and heartbreak of Hotel on the Corner of Bitter and Sweet . . . Based on a true story, Love and Other Consolation Prizes will warm your soul.”—Martha Hall Kelly, author of Lilac Girls
