Beyond Objecthood

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Beyond Objecthood

Author : James Voorhies
Publisher : MIT Press
Page : 287 pages
File Size : 40,9 Mb
Release : 2017-02-24
Category : Art
ISBN : 9780262035521

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Beyond Objecthood by James Voorhies Pdf

The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.” Beyond Objecthood focuses on innovative figures, artworks, and institutions that pioneered the exhibition as a critical form, tracing its evolution through the activities of curator Harald Szeemann, relational art, and New Institutionalism. Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.

Objects as History in Twentieth-century German Art

Author : Peter Chametzky
Publisher : Univ of California Press
Page : 300 pages
File Size : 55,9 Mb
Release : 2010
Category : Art and history
ISBN : 9780520260429

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Objects as History in Twentieth-century German Art by Peter Chametzky Pdf

This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].

Radical Eroticism

Author : Rachel Middleman
Publisher : Univ of California Press
Page : 276 pages
File Size : 48,6 Mb
Release : 2018-01-16
Category : Art
ISBN : 9780520294585

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Radical Eroticism by Rachel Middleman Pdf

In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women’s contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art—performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists’ radical interventions in both aesthetic conventions and social norms.

Art of the Twentieth Century

Author : Jason Gaiger,Paul Wood
Publisher : Yale University Press
Page : 374 pages
File Size : 55,9 Mb
Release : 2004-03-11
Category : Art
ISBN : 0300101449

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Art of the Twentieth Century by Jason Gaiger,Paul Wood Pdf

This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.

Postsensual Aesthetics

Author : James Voorhies
Publisher : MIT Press
Page : 171 pages
File Size : 53,5 Mb
Release : 2023-02-21
Category : Art
ISBN : 9780262372848

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Postsensual Aesthetics by James Voorhies Pdf

Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art’s defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary “logic of the curatorial.” He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer’s curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge.

Geography, Art, Research

Author : Harriet Hawkins
Publisher : Routledge
Page : 300 pages
File Size : 41,5 Mb
Release : 2020-09-27
Category : Art
ISBN : 9781000194937

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Geography, Art, Research by Harriet Hawkins Pdf

This book explores the intersection of geographical knowledge and artistic research in terms of both creative methods and practice-based research. In doing so it brings together geography’s ‘creative turn’ with the art world’s ‘research turn.’ Based on a decade and a half of ethnographic stories of working at the intersection of creative arts practices and geographical research, this book offers a much-needed critical account of these forms of knowledge production. Adopting a geohumanities approach to investigating how these forms of knowledge are produced, consumed, and circulated, it queries what imaginaries and practices of the key sites of knowledge making (including the field, the artist’s studio, the PhD thesis, and the exhibition) emerge and how these might challenge existing understandings of these locations. Inspired by the geographies of science and knowledge, art history and theory, and accounts of working within and beyond disciplines, this book seeks to understand the geographies of research at the intersection of geography and creative arts practices, how these geographies challenge existing understandings of these disciplines and practices, and what they might contribute to our wider discussions of working beyond disciplines, including through artistic research. This book offers a timely contribution to the emerging fields of artistic research and geohumanities, and will appeal to undergraduate and postgraduate students and researchers.

Heidegger, Levinas, Derrida: The Question of Difference

Author : Lisa Foran,Rozemund Uljée
Publisher : Springer
Page : 218 pages
File Size : 48,5 Mb
Release : 2016-09-30
Category : Philosophy
ISBN : 9783319392325

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Heidegger, Levinas, Derrida: The Question of Difference by Lisa Foran,Rozemund Uljée Pdf

This book explores the relation between Heidegger, Levinas and Derrida by means of a dialogue with experts on the work of these mutually influential thinkers. Each essay in this collection focuses on the relation between at least two of these three philosophers focusing on various themes, such as Alterity, Justice, Truth and Language. By contextualising these thinkers and tracing their mutually shared themes, the book establishes the question of difference and its ongoing radicalization as the problem to which phenomenology must respond. Heidegger’s influence on Derrida and Levinas was quite substantial. Derrida once claimed that his work ‘would not have been possible without the opening of Heidegger’s questions.’ Equally, as peers, Derrida and Levinas commented on and critiqued each other’s work. By examining the differences between these thinkers on a variety of themes, this book represents a philosophically enriching project and essential reading for understanding the respective projects of each of these philosophers.

Photovoice Research in Education and Beyond

Author : Amanda O. Latz
Publisher : Taylor & Francis
Page : 182 pages
File Size : 48,9 Mb
Release : 2017-04-07
Category : Education
ISBN : 9781317529897

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Photovoice Research in Education and Beyond by Amanda O. Latz Pdf

Photovoice is a form of participatory action research, which has been gaining use and momentum since its inception in the mid-1990s. Within the enactment of this methodology, research participants are invited to document aspects of their lives through photography and then provide written or oral accounts of the images they create. Designed to situate participants as experts on their lives and their experiences, photovoice is a powerful and visceral approach to policy change efforts. In this book, the photovoice methodology is conceptualized as being comprised of eight steps: identification, invitation, education, documentation, narration, ideation, presentation, and confirmation. Each of the steps is explained and expanded upon, and insights are drawn from the extant photovoice literature and the author’s personal experience. In addition, attention is given to the history of photography and inquiry, theoretical underpinnings and aims of the methodology, ethical considerations, methods and procedures, approaches to data analysis, and photovoice exhibitions. Finally, the author has attended to some aspects of photovoice that have historically been left unattended, such as: building a conceptual framework for a photovoice study, viewing the photovoice exhibition as a site of inquiry, and thinking through the ways in which ever-evolving photography technologies can and should impact decision-making throughout the photovoice process. While many texts exist that touch on and/or address photovoice, this is the first book solely dedicated to the entirety of the photovoice methodology — from theory to exhibition. Built as a practical guide, readers will find a wealth of information, resources, and advice within this book. Educators, students, and academic researchers will find this an accessible and compassionate text, one that will be a trusted companion while on the photovoice project journey.

Practicing Presence

Author : Kerry S. Walters
Publisher : Rowman & Littlefield
Page : 150 pages
File Size : 48,9 Mb
Release : 2001
Category : Religion
ISBN : 1580510981

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Practicing Presence by Kerry S. Walters Pdf

Genuine, life-giving spirituality calls us to be our best selves and to bring out the best in others, each and every day. It calls us to care-for God, others, and ourselves. In Practicing Presence, popular spiritual writer Kerry Walters shows us how to integrate care into our daily lives on the road to happiness and holiness. As Walters reveals, we do not need to be professional caregivers to nurture a creative, intimate, and meaningful openness to our deepest selves, to others, and to God. We simply need to be "present" to who God is and who we are as images of God.

The System of Absentology in Ontological Philosophy

Author : Adam Lovasz
Publisher : Cambridge Scholars Publishing
Page : 285 pages
File Size : 50,9 Mb
Release : 2016-09-23
Category : Philosophy
ISBN : 9781443816557

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The System of Absentology in Ontological Philosophy by Adam Lovasz Pdf

This volume deals primarily with absentology, an ontological and social-scientific epistemological mode, dedicated to the analysis of absence. The book is drawn by manifestations of absence wherever they may be encountered. It deals with three terms, ‘the shadow economy’, ‘corruption’ and ‘pollution’, while constructing a non-realist ontology predicated upon the emptiness of all predicates, as expounded by certain strands of Hindu and Buddhist philosophy. According to the absentological viewpoint, there is nothing outside, beyond, below or above relations. Relations exist on their own, enchained within an immense, infinite regress, opening and closing upon one another. Absentology is, by consequence of its nonattachment to phenomena, a form of social inquiry fundamentally alien to each and every social form, and it abandons any illusions about the possibility of an escape from the realm of relationality. This book will appeal to students and academics interested in ontological philosophy.

Merleau-Ponty and Nishida

Author : Adam Loughnane
Publisher : SUNY Press
Page : 444 pages
File Size : 49,8 Mb
Release : 2019-12-19
Category : Philosophy
ISBN : 9781438476117

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Merleau-Ponty and Nishida by Adam Loughnane Pdf

Places the phenomenologies of Merleau-Ponty and Nishida in dialogue and uncovers a demand for a motor-perceptual form of faith in both philosophers’ meditations on artistic expression. In Merleau-Ponty and Nishida, Adam Loughnane initiates a fascinating new dialogue between two of the twentieth century’s most important phenomenologists of the Eastern and Western philosophical worlds. Throughout the book, the reader is guided among the intricacies and innovations of Merleau-Ponty’s and Nishida’s ontological approaches to artistic expression with a focused look at a rarely explored connection between faith and negation in their philosophies. Exploring the intertwining of these concepts in their broader ontologies invokes a reappraisal of the ambiguous status of religion and art in the writings of both thinkers. Measuring these ambiguities, the ontologies of Flesh and Basho are read in-depth alongside great artworks and the motor-perceptual practices of seminal landscape artists such as Cézanne, Sesshū, Taiga, and Hasegawa, as well as other major figures of European, Chinese, and Japanese art history. Loughnane studies these artists’ bodily practices, focusing on the intimate relations realized with the landscapes they paint, and illuminating a valence of their expressive disciplines as a motor-perceptual form of faith. Merleau-Ponty and Nishida is an exciting intercultural reading, expanding two philosophers’ projects toward new horizons of research, revealing incitements in their writings that challenge unambiguous distinctions between art, philosophy, faith, and ultimately philosophy East and West. “Loughnane illuminates the ambiguous, chiasmatic, and dynamic relationality between the body and the world, providing concrete examples from art history East and West. He not only skillfully explains Nishida’s and Merleau-Ponty’s ontological notions, but also puts their philosophy to the test of art works, proving that their thinking reveals an important truth of art.” — Takeshi Kimoto, Chukyo University

Contemporary Art Biennials in Europe

Author : Nicolas Whybrow
Publisher : Bloomsbury Publishing
Page : 237 pages
File Size : 55,9 Mb
Release : 2020-09-17
Category : Art
ISBN : 9781350166981

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Contemporary Art Biennials in Europe by Nicolas Whybrow Pdf

Through its examination of five quite different art events in cities across Europe, Contemporary Art Biennials in Europe offers a compelling exploration of how public art takes place in the modern city. Roughly tracing a central horizontal trajectory from the western to the eastern edges of the continent, Nicolas Whybrow considers the Folkestone Triennial in the UK, Sculpture Projects Münster in Germany, the Venice Biennale in Italy, Belgrade's Mikser Festival in Serbia and the Istanbul Biennial in Turkey. Writing within the context of a thirty-year international 'biennial boom', Whybrow interrogates the extent to which biennial events and their artworks seek to engage with the socio-cultural and political complexity of cities, in particular the work that is involved in this relationship. With its focus on Europe, he also tells a composite story of continental difference at a moment of high tension, centering on issues of migration, political populism and uncertainty around the future form of the European Union.

The Routledge Companion to the Philosophies of Painting and Sculpture

Author : Noël Carroll,Jonathan Gilmore
Publisher : Taylor & Francis
Page : 737 pages
File Size : 49,6 Mb
Release : 2023-06-30
Category : Philosophy
ISBN : 9781000634549

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The Routledge Companion to the Philosophies of Painting and Sculpture by Noël Carroll,Jonathan Gilmore Pdf

Comprising 45 chapters, written especially for this volume by an international team of leading experts, The Routledge Companion to the Philosophies of Painting and Sculpture is the first handbook of its kind. The editors have organized the chapters across eight broader sections: Artforms History Questions of form, style, and address Art and science Comparisons among the arts Questions of value Philosophers of art Institutional questions Individual topics include art and cognitive science, evolutionary origins of art, art and perception, pictorial realism, artistic taste, style, issues of race and gender, art and religion, art and philosophy, and the end of art. The work of selected philosophers is also discussed, including Diderot, Hegel, Ruskin, Gombrich, Goodman, Wollheim, and Danto. With an introduction from the editors and comprehensively indexed, The Routledge Companion to the Philosophies of Painting and Sculpture serves as a point of entry to the subject for a broad range of students as well as an up-to-date reference for scholars in the field.

The Inhabitable Flesh of Architecture

Author : Marcos Cruz
Publisher : Routledge
Page : 272 pages
File Size : 46,5 Mb
Release : 2017-03-02
Category : Architecture
ISBN : 9781351887687

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The Inhabitable Flesh of Architecture by Marcos Cruz Pdf

Today’s architecture has failed the body with its long heritage of purity of form and aesthetic of cleanliness. A resurgence of interest in flesh, especially in art, has led to a politics of abjection, completely changing traditional aesthetics, and is now giving light to an alternative discussion about the body in architecture. This book is dedicated to a future vision of the body in architecture, questioning the contemporary relationship between our Human Flesh and the changing Architectural Flesh. Through the analysis and design of a variety of buildings and projects, Flesh is proposed as a concept that extends the meaning of skin, one of architecture’s most fundamental metaphors. It seeks to challenge a common misunderstanding of skin as a flat and thin surface. In a time when a pervasive discourse about the impact of digital technologies risks turning the architectural skin ever more disembodied, this book argues for a thick embodied flesh by exploring architectural interfaces that are truly inhabitable. Different concepts of Flesh are investigated, not only concerning the architectural and aesthetic, but also the biological aspects. The latter is materialised in form of Synthetic Neoplasms, which are proposed as new semi-living entities, rather than more commonly derived from scaled-up analogies between biological systems and larger scale architectural constructs. These ’neoplasmatic’ creations are identified as partly designed object and partly living material, in which the line between the natural and the artificial is progressively blurred. Hybrid technologies and interdisciplinary work methodologies are thus required, and lead to a revision of our current architectural practice.

Eco Soma

Author : Petra Kuppers
Publisher : U of Minnesota Press
Page : 322 pages
File Size : 45,6 Mb
Release : 2022-02-08
Category : Social Science
ISBN : 9781452966878

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Eco Soma by Petra Kuppers Pdf

Modeling a disability culture perspective on performance practice toward socially just futures In Eco Soma, Petra Kuppers asks readers to be alert to their own embodied responses to art practice and to pay attention to themselves as active participants in a shared sociocultural world. Reading contemporary performance encounters and artful engagements, this book models a disability culture sensitivity to living in a shared world, oriented toward more socially just futures. Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers invites us to become moths, sprout gills, listen to our heart’s drum, and take starships into crip time. And fantasy is central to these engagements: feeling/sensing monsters, catastrophes, golden lines, heartbeats, injured sharks, dotted salamanders, kissing mammoths, and more. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge. Traditional somatics teach us how to fine-tune our introspective senses and to open up the world of our own bodies, while eco soma methods extend that attention toward the creative possibilities of the reach between self, others, and the land. Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously, a method that allows for a wider opening toward ethical cohabitation with human and more-than-human others.